The Beatles’ Recording Sessions

Date Start End Location Work Song Title Working Title Take_s_ Producer Balance Engineer Tape Operator
1962/06/06 18:00 20:00 Abbey Road, Studio Two or Three Recording Besame Mucho takes unknown Ron Richards and George Martin Norman Smith Chris Neal
1962/06/06 18:00 20:00 Abbey Road, Studio Two or Three Recording Love Me Do takes unknown Ron Richards and George Martin Norman Smith Chris Neal
1962/06/06 18:00 20:00 Abbey Road, Studio Two or Three Recording P.S. I Love You takes unknown Ron Richards and George Martin Norman Smith Chris Neal
1962/06/06 18:00 20:00 Abbey Road, Studio Two or Three Recording Ask Me Why takes unknown Ron Richards and George Martin Norman Smith Chris Neal
1962/09/04 19:00 22:00 Abbey Road, Studio Two Recording How Do You Do It? takes unknown George Martin Norman Smith unknown
1962/09/04 19:00 22:00 Abbey Road, Studio Two Recording Love Me Do takes 1-15+ George Martin Norman Smith unknown
1962/09/04 19:00 22:00 Abbey Road, Studio Two Mono mixing How Do You Do It? from take 2 George Martin Norman Smith unknown
1962/09/04 19:00 22:00 Abbey Road, Studio Two Mono mixing Love Me Do from unknown take number George Martin Norman Smith unknown
1962/09/11 10:00 13:00 Abbey Road, Studio Two Recording P.S. I Love You takes 1-10 Ron Richards Norman Smith unknown
1962/09/11 10:00 13:00 Abbey Road, Studio Two Recording Love Me Do [re-make] takes 1-18 Ron Richards Norman Smith unknown
1962/09/11 10:00 13:00 Abbey Road, Studio Two Recording Please Please Me takes unknown Ron Richards Norman Smith unknown
1962/09/11 10:00 13:00 Abbey Road, Studio Two Mono mixing P.S. I Love You from take 10 Ron Richards Norman Smith unknown
1962/09/11 10:00 13:00 Abbey Road, Studio Two Mono mixing Love Me Do from take 18 Ron Richards Norman Smith unknown
1962/11/26 19:00 22:00 Abbey Road, Studio Two Recording Please Please Me [re-make] takes 1-18 George Martin Norman Smith unknown
1962/11/26 19:00 22:00 Abbey Road, Studio Two Recording Ask Me Why takes 1-6 George Martin Norman Smith unknown
1962/11/26 19:00 22:00 Abbey Road, Studio Two Recording Tip Of My Tongue takes unknown George Martin Norman Smith unknown
1962/11/30 Abbey Road, Studio Two Mono mixing Please Please Me from unknown take number George Martin Norman Smith unknown
1962/11/30 Abbey Road, Studio Two Mono mixing Ask Me Why from take 6 George Martin Norman Smith unknown
1963/02/11 10:00 13:00 Abbey Road, Studio Two Recording There’s A Place takes 1-10 George Martin Norman Smith Richard Langham
1963/02/11 10:00 13:00 Abbey Road, Studio Two Recording I Saw Her Standing There Seventeen takes 1-9 George Martin Norman Smith Richard Langham
1963/02/11 14:30 18:00 Abbey Road, Studio Two Recording A Taste Of Honey takes 1-5 George Martin Norman Smith Richard Langham
1963/02/11 14:30 18:00 Abbey Road, Studio Two Recording Do You Want To Know A Secret takes 1-8 George Martin Norman Smith Richard Langham
1963/02/11 14:30 18:00 Abbey Road, Studio Two Recording A Taste Of Honey takes 6-7 George Martin Norman Smith Richard Langham
1963/02/11 14:30 18:00 Abbey Road, Studio Two Recording There’s A Place takes 11-13 George Martin Norman Smith Richard Langham
1963/02/11 14:30 18:00 Abbey Road, Studio Two Recording I Saw Her Standing There Seventeen takes 10-12 George Martin Norman Smith Richard Langham
1963/02/11 14:30 18:00 Abbey Road, Studio Two Recording Misery takes 1-11 George Martin Norman Smith Richard Langham
1963/02/11 19:30 22:45 Abbey Road, Studio Two Recording Hold Me Tight takes 1-13 George Martin Norman Smith Richard Langham
1963/02/11 19:30 22:45 Abbey Road, Studio Two Recording Anna (Go To Him) takes 1-3 George Martin Norman Smith Richard Langham
1963/02/11 19:30 22:45 Abbey Road, Studio Two Recording Boys take 1 George Martin Norman Smith Richard Langham
1963/02/11 19:30 22:45 Abbey Road, Studio Two Recording Chains takes 1-4 George Martin Norman Smith Richard Langham
1963/02/11 19:30 22:45 Abbey Road, Studio Two Recording Baby It’s You takes 1-3 George Martin Norman Smith Richard Langham
1963/02/11 19:30 22:45 Abbey Road, Studio Two Recording Twist And Shout takes 1-2 George Martin Norman Smith Richard Langham
1963/02/20 10:30 13:00 Abbey Road, Studio One Recording Misery SI takes 12-16 George Martin Stuart Eltham Geoff Emerick
1963/02/20 10:30 13:00 Abbey Road, Studio One Recording Baby It’s You SI takes 4-6 George Martin Stuart Eltham Geoff Emerick
1963/02/25 10:00 13:00 Abbey Road, Studio One Editing I Saw Her Standing There Seventeen of takes 9 and 12 George Martin Norman Smith A. B. Lincoln
1963/02/25 10:00 13:00 Abbey Road, Studio One Mono mixing Anna (Go To Him) from take 3 George Martin Norman Smith A. B. Lincoln
1963/02/25 10:00 13:00 Abbey Road, Studio One Mono mixing Boys from take 1 George Martin Norman Smith A. B. Lincoln
1963/02/25 10:00 13:00 Abbey Road, Studio One Mono mixing Chains from take 1 George Martin Norman Smith A. B. Lincoln
1963/02/25 10:00 13:00 Abbey Road, Studio One Mono mixing Misery from take 16 George Martin Norman Smith A. B. Lincoln
1963/02/25 10:00 13:00 Abbey Road, Studio One Mono mixing Do You Want To Know A Secret from take8 George Martin Norman Smith A. B. Lincoln
1963/02/25 10:00 13:00 Abbey Road, Studio One Mono mixing There’s A Place from take 13 George Martin Norman Smith A. B. Lincoln
1963/02/25 10:00 13:00 Abbey Road, Studio One Mono mixing I Saw Her Standing There Seventeen from edit of takes 9 and 12 George Martin Norman Smith A. B. Lincoln
1963/02/25 10:00 13:00 Abbey Road, Studio One Mono mixing Twist And Shout from take 1 George Martin Norman Smith A. B. Lincoln
1963/02/25 10:00 13:00 Abbey Road, Studio One Mono mixing A Taste Of Honey from take 7 George Martin Norman Smith A. B. Lincoln
1963/02/25 10:00 13:00 Abbey Road, Studio One Stereo mixing Anna (Go To Him) from take 3 George Martin Norman Smith A. B. Lincoln
1963/02/25 10:00 13:00 Abbey Road, Studio One Stereo mixing Boys from take 1 George Martin Norman Smith A. B. Lincoln
1963/02/25 10:00 13:00 Abbey Road, Studio One Stereo mixing Chains from take 1 George Martin Norman Smith A. B. Lincoln
1963/02/25 10:00 13:00 Abbey Road, Studio One Stereo mixing Misery from take 16 George Martin Norman Smith A. B. Lincoln
1963/02/25 10:00 13:00 Abbey Road, Studio One Stereo mixing Baby It’s You from take 5 George Martin Norman Smith A. B. Lincoln
1963/02/25 10:00 13:00 Abbey Road, Studio One Stereo mixing Do You Want To Know A Secret from take 8 George Martin Norman Smith A. B. Lincoln
1963/02/25 10:00 13:00 Abbey Road, Studio One Stereo mixing There’s A Place from take 13 George Martin Norman Smith A. B. Lincoln
1963/02/25 10:00 13:00 Abbey Road, Studio One Stereo mixing I Saw Her Standing There Seventeen from edit of takes 9 and 12 George Martin Norman Smith A. B. Lincoln
1963/02/25 10:00 13:00 Abbey Road, Studio One Stereo mixing Twist And Shout from take 1 George Martin Norman Smith A. B. Lincoln
1963/02/25 10:00 13:00 Abbey Road, Studio One Stereo mixing A Taste Of Honey from take 7 George Martin Norman Smith A. B. Lincoln
1963/02/25 14:30 17:45 Abbey Road, Studio One Editing Please Please Me of takes 16, 17 and 18 George Martin Norman Smith A. B. Lincoln
1963/02/25 14:30 17:45 Abbey Road, Studio One Mono mixing Ask Me Why from take 6 George Martin Norman Smith A. B. Lincoln
1963/02/25 14:30 17:45 Abbey Road, Studio One Mono mixing Misery from take 16 George Martin Norman Smith A. B. Lincoln
1963/02/25 14:30 17:45 Abbey Road, Studio One Mono mixing Baby It’s You from take 5 George Martin Norman Smith A. B. Lincoln
1963/02/25 14:30 17:45 Abbey Road, Studio One Stereo mixing Ask Me Why from take 6 George Martin Norman Smith A. B. Lincoln
1963/02/25 14:30 17:45 Abbey Road, Studio One Stereo mixing Please Please Me from edit of takes 16, 17 and 18 George Martin Norman Smith A. B. Lincoln
1963/02/25 14:30 17:45 Abbey Road, Studio One Stereo mixing Love Me Do from 11 September, 1962 mono remix George Martin Norman Smith A. B. Lincoln
1963/02/25 14:30 17:45 Abbey Road, Studio One Stereo mixing P.S. I Love You from 11 September, 1962 mono remix George Martin Norman Smith A. B. Lincoln
1963/02/25 14:30 17:45 Abbey Road, Studio One Stereo mixing Misery from take 16 George Martin Norman Smith A. B. Lincoln
1963/03/05 14:30 17:30 Abbey Road, Studio Two Recording From Me To You takes 1-13 George Martin Norman Smith Richard Langham
1963/03/05 14:30 17:30 Abbey Road, Studio Two Recording Thank You Girl Thank You Little Girl takes 1-13 George Martin Norman Smith Richard Langham
1963/03/05 19:00 22:00 Abbey Road, Studio Two Recording The One After 909 takes 1-5 George Martin Norman Smith Richard Langham
1963/03/13 10:00 13:00 Abbey Road, Studio Two Recording Thank You Girl Thank You Little Girl SI takes 14-28 George Martin Norman Smith Geoff Emerick
1963/03/13 10:00 13:00 Abbey Road, Studio Two Editing Thank You Girl Thank You Little Girl of takes 6, 13, 17, 20, 21 and 13) George Martin Norman Smith Geoff Emerick
1963/03/13 10:00 13:00 Abbey Road, Studio Two Mono mixing Thank You Girl Thank You Little Girl from edit of takes 6, 13, 17, 20, 21 and 23) George Martin Norman Smith Geoff Emerick
1963/03/13 10:00 13:00 Abbey Road, Studio Two Stereo mixing Thank You Girl Thank You Little Girl from edit of takes 6, 13, 17, 20, 21 and 23) George Martin Norman Smith Geoff Emerick
1963/03/14 10:00 13:00 Abbey Road, Studio Two Editing From Me To You of unknown take numbers George Martin unknown unknown
1963/03/14 10:00 13:00 Abbey Road, Studio Two Mono mixing From Me To You from edit of unknown take numbers George Martin unknown unknown
1963/03/14 10:00 13:00 Abbey Road, Studio Two Stereo mixing From Me To You from edit of unknown take numbers George Martin unknown unknown
1963/07/01 14:30 17:30 Abbey Road, Studio Two Recording She Loves You takes unknown George Martin Norman Smith Geoff Emerick
1963/07/01 14:30 17:30 Abbey Road, Studio Two Recording I’ll Get You Get You In The End takes unknown George Martin Norman Smith Geoff Emerick
1963/07/04 10:00 13:00 Abbey Road, Studio Two Editing She Loves You of unknown take numbers George Martin unknown unknown
1963/07/04 10:00 13:00 Abbey Road, Studio Two Mono mixing She Loves You from edit of unknown take numbers George Martin unknown unknown
1963/07/04 10:00 13:00 Abbey Road, Studio Two Mono mixing I’ll Get You Get You In The End from unknown take number George Martin unknown unknown
1963/07/18 19:00 22:45 Abbey Road, Studio Two Recording You Really Got A Hold On Me takes 1-11 George Martin Norman Smith Richard Langham
1963/07/18 19:00 22:45 Abbey Road, Studio Two Recording Money (That’s What I Want) takes 1-7 George Martin Norman Smith Richard Langham
1963/07/18 19:00 22:45 Abbey Road, Studio Two Recording Devil In Her Heart takes 1-6 George Martin Norman Smith Richard Langham
1963/07/18 19:00 22:45 Abbey Road, Studio Two Recording Till There Was You takes 1-3 George Martin Norman Smith Richard Langham
1963/07/30 10:00 13:30 Abbey Road, Studio Two Recording Please Mister Postman takes 1-9 George Martin Norman Smith Richard Langham
1963/07/30 10:00 13:30 Abbey Road, Studio Two Recording It Won’t Be Long takes 1-10 George Martin Norman Smith Richard Langham
1963/07/30 17:00 22:00 Abbey Road, Studio Two Recording Money (That’s What I Want) piano test, plus takes 8-14 George Martin Norman Smith Richard Langham
1963/07/30 17:00 22:00 Abbey Road, Studio Two Recording Till There Was You [re-make] takes 4-8 George Martin Norman Smith Richard Langham
1963/07/30 17:00 22:00 Abbey Road, Studio Two Recording Roll Over Beethoven takes 1-8 George Martin Norman Smith Richard Langham
1963/07/30 17:00 22:00 Abbey Road, Studio Two Recording It Won’t Be Long takes 11-23 George Martin Norman Smith Richard Langham
1963/07/30 17:00 22:00 Abbey Road, Studio Two Recording All My Loving takes 1-14 George Martin Norman Smith Richard Langham
1963/08/21 10:00 17:30 Abbey Road, Studio Three Editing Money (That’s What I Want) of takes 6 and 7 George Martin Norman Smith Geoff Emerick
1963/08/21 10:00 17:30 Abbey Road, Studio Three Editing You Really Got A Hold On Me of takes 7, 10 and 11 George Martin Norman Smith Geoff Emerick
1963/08/21 10:00 17:30 Abbey Road, Studio Three Editing Roll Over Beethoven of takes 7 and 8 George Martin Norman Smith Geoff Emerick
1963/08/21 10:00 17:30 Abbey Road, Studio Three Editing It Won’t Be Long of takes 17 and 21 George Martin Norman Smith Geoff Emerick
1963/08/21 10:00 17:30 Abbey Road, Studio Three Mono mixing Devil In Her Heart from take 6 George Martin Norman Smith Geoff Emerick
1963/08/21 10:00 17:30 Abbey Road, Studio Three Mono mixing Money (That’s What I Want) from edit of takes 6 and 7 George Martin Norman Smith Geoff Emerick
1963/08/21 10:00 17:30 Abbey Road, Studio Three Mono mixing You Really Got A Hold On Me from edit takes 7, 10 and 11 George Martin Norman Smith Geoff Emerick
1963/08/21 10:00 17:30 Abbey Road, Studio Three Mono mixing Please Mister Postman from take 9 George Martin Norman Smith Geoff Emerick
1963/08/21 10:00 17:30 Abbey Road, Studio Three Mono mixing Till There Was You from take 8 George Martin Norman Smith Geoff Emerick
1963/08/21 10:00 17:30 Abbey Road, Studio Three Mono mixing Roll Over Beethoven from edit of takes 7 and 8 George Martin Norman Smith Geoff Emerick
1963/08/21 10:00 17:30 Abbey Road, Studio Three Mono mixing All My Loving from take 14 George Martin Norman Smith Geoff Emerick
1963/08/21 10:00 17:30 Abbey Road, Studio Three Mono mixing It Won’t Be Long from edit of takes 17 and 21 George Martin Norman Smith Geoff Emerick
1963/09/11 14:30 18:00 Abbey Road, Studio Two Recording I Wanna Be Your Man take 1 George Martin Norman Smith Richard Langham
1963/09/11 14:30 18:00 Abbey Road, Studio Two Recording Little Child takes 1-2 George Martin Norman Smith Richard Langham
1963/09/11 14:30 18:00 Abbey Road, Studio Two Recording All I’ve Got To Do takes 1-15 George Martin Norman Smith Richard Langham
1963/09/11 19:00 22:15 Abbey Road, Studio Two Recording Not A Second Time takes 1-9 George Martin Norman Smith Richard Langham
1963/09/11 19:00 22:15 Abbey Road, Studio Two Recording Don’t Bother Me takes 1-7 George Martin Norman Smith Richard Langham
1963/09/12 14:30 18:30 Abbey Road, Studio Two Recording Messages to Australia takes 1-4 George Martin Norman Smith Richard Langham
1963/09/12 14:30 18:30 Abbey Road, Studio Two Recording Hold Me Tight [re-make] takes 20-29 George Martin Norman Smith Richard Langham
1963/09/12 19:00 11:30 Abbey Road, Studio Two Recording Don’t Bother Me [re-make] takes 10-19 George Martin Norman Smith Richard Langham
1963/09/12 19:00 11:30 Abbey Road, Studio Two Recording Little Child takes 3-18 George Martin Norman Smith Richard Langham
1963/09/12 19:00 11:30 Abbey Road, Studio Two Recording I Wanna Be Your Man takes 2-7 George Martin Norman Smith Richard Langham
1963/09/30 10:00 13:15 Abbey Road, Studio Two Editing Little Child of takes 15 and 18 George Martin Norman Smith Geoff Emerick
1963/09/30 10:00 13:15 Abbey Road, Studio Two Editing Hold Me Tight of takes 26 and 29 George Martin Norman Smith Geoff Emerick
1963/09/30 10:00 13:15 Abbey Road, Studio Two Recording Money (That’s What I Want) three unnumbered takes of SI onto take 7 George Martin Norman Smith Geoff Emerick
1963/09/30 10:00 13:15 Abbey Road, Studio Two Recording I Wanna Be Your Man six takes, numbered 8-13, of SI onto take 7 George Martin Norman Smith Geoff Emerick
1963/09/30 10:00 13:15 Abbey Road, Studio Two Mono mixing All I’ve Got To Do from take 15 George Martin Norman Smith Geoff Emerick
1963/09/30 10:00 13:15 Abbey Road, Studio Two Mono mixing Don’t Bother Me from take 15 George Martin Norman Smith Geoff Emerick
1963/09/30 10:00 13:15 Abbey Road, Studio Two Mono mixing Little Child from edit of takes 15 and 18 George Martin Norman Smith Geoff Emerick
1963/09/30 10:00 13:15 Abbey Road, Studio Two Mono mixing Hold Me Tight from edit of takes 26 and 29 George Martin Norman Smith Geoff Emerick
1963/09/30 10:00 13:15 Abbey Road, Studio Two Mono mixing Not A Second Time from take 9 George Martin Norman Smith Geoff Emerick
1963/10/03 19:00 22:00 Abbey Road, Studio Two Recording I Wanna Be Your Man takes 14-15 George Martin Norman Smith unknown
1963/10/03 19:00 22:00 Abbey Road, Studio Two Recording Little Child takes 9-21 George Martin Norman Smith unknown
1963/10/17 14:30 17:30 Abbey Road, Studio Two Recording The Beatles’ Christmas Record takes unnumbered George Martin Norman Smith Geoff Emerick
1963/10/17 14:30 17:30 Abbey Road, Studio Two Recording You Really Got A Hold On Me take 12 George Martin Norman Smith Geoff Emerick
1963/10/17 14:30 17:30 Abbey Road, Studio Two Recording I Want To Hold You Hand takes 1-17 George Martin Norman Smith Geoff Emerick
1963/10/17 14:30 17:30 Abbey Road, Studio Two Recording This Boy takes 1-17 George Martin Norman Smith Geoff Emerick
1963/10/21 10:00 13:00 Abbey Road, Studio One Mono mixing I Want To Hold You Hand from take 17 George Martin Norman Smith n/a
1963/10/21 10:00 13:00 Abbey Road, Studio One This Boy remixes 1 and 2, from take 15 George Martin Norman Smith n/a
1963/10/21 10:00 13:00 Abbey Road, Studio One Editing This Boy of mono remixes 1 and 2 George Martin Norman Smith n/a
1963/10/21 10:00 13:00 Abbey Road, Studio One Stereo mixing I Want To Hold You Hand remix 1, from take 17 George Martin Norman Smith n/a
1963/10/23 10:00 13:00 Abbey Road, Studio Two Recording I Wanna Be Your Man take 16 George Martin Norman Smith unknown
1963/10/23 10:00 13:00 Abbey Road, Studio Two Mono mixing I Wanna Be Your Man from take 16 George Martin Norman Smith unknown
1963/10/23 10:00 13:00 Abbey Road, Studio Two Mono mixing Little Child from takes 15 and 18 George Martin Norman Smith unknown
1963/10/23 10:00 13:00 Abbey Road, Studio Two Mono mixing Hold Me Tight from takes 26 and 29 George Martin Norman Smith unknown
1963/10/29 10:00 13:00 Abbey Road, Studio Three Stereo mixing It Won’t Be Long from edit of takes 17 and 21 George Martin Norman Smith Geoff Emerick and B. T. (Full name unknown)
1963/10/29 10:00 13:00 Abbey Road, Studio Three Stereo mixing All I’ve Got To Do from take 15 George Martin Norman Smith Geoff Emerick and B. T. (Full name unknown)
1963/10/29 10:00 13:00 Abbey Road, Studio Three Stereo mixing All My Loving from take 14 George Martin Norman Smith Geoff Emerick and B. T. (Full name unknown)
1963/10/29 10:00 13:00 Abbey Road, Studio Three Stereo mixing Don’t Bother Me from take 15 George Martin Norman Smith Geoff Emerick and B. T. (Full name unknown)
1963/10/29 10:00 13:00 Abbey Road, Studio Three Stereo mixing Little Child from take 21 George Martin Norman Smith Geoff Emerick and B. T. (Full name unknown)
1963/10/29 10:00 13:00 Abbey Road, Studio Three Stereo mixing Till There Was You from take 8 George Martin Norman Smith Geoff Emerick and B. T. (Full name unknown)
1963/10/29 10:00 13:00 Abbey Road, Studio Three Stereo mixing Please Mister Postman from take 9 George Martin Norman Smith Geoff Emerick and B. T. (Full name unknown)
1963/10/29 10:00 13:00 Abbey Road, Studio Three Stereo mixing Roll Over Beethoven from edit of takes 7 and 8 George Martin Norman Smith Geoff Emerick and B. T. (Full name unknown)
1963/10/29 10:00 13:00 Abbey Road, Studio Three Stereo mixing Hold Me Tight from edit of takes 26 and 29 George Martin Norman Smith Geoff Emerick and B. T. (Full name unknown)
1963/10/29 10:00 13:00 Abbey Road, Studio Three Stereo mixing You Really Got A Hold On Me from edit of takes 7, 10 and 11 George Martin Norman Smith Geoff Emerick and B. T. (Full name unknown)
1963/10/29 10:00 13:00 Abbey Road, Studio Three Stereo mixing I Wanna Be Your Man from take 16 George Martin Norman Smith Geoff Emerick and B. T. (Full name unknown)
1963/10/29 10:00 13:00 Abbey Road, Studio Three Stereo mixing Devil In Her Heart from take 6 George Martin Norman Smith Geoff Emerick and B. T. (Full name unknown)
1963/10/29 10:00 13:00 Abbey Road, Studio Three Stereo mixing Not A Second Time from take 9 George Martin Norman Smith Geoff Emerick and B. T. (Full name unknown)
1963/10/29 10:00 13:00 Abbey Road, Studio Three Stereo mixing Money (That’s What I Want) from edit of takes 6 and 7 George Martin Norman Smith Geoff Emerick and B. T. (Full name unknown)
1963/10/30 14:30 17:30 Abbey Road, Studio Three Stereo mixing Money (That’s What I Want) from take 7 George Martin Norman Smith A. B. Lincoln
1964/01/24 10:00 10:45 Abbey Road, Studio One Tape copying I Want To Hold You Hand from take 17 n/a Norman Smith A. B. Lincoln and Geoff Emerick
1964/01/29 EMI Pathé Marconi Studios Recording Komm, Gib Mir Deine Hand takes 1-11 George Martin Norman Smith Jacques Esmenjaud
1964/01/29 EMI Pathé Marconi Studios Recording Sie Liebt Dich takes 1-14 George Martin Norman Smith Jacques Esmenjaud
1964/01/29 EMI Pathé Marconi Studios Recording Can’t Buy Me Love takes 1-4 George Martin Norman Smith Jacques Esmenjaud
1964/01/29 EMI Pathé Marconi Studios Editing Komm, Gib Mir Deine Hand of takes 5 and 7 George Martin Norman Smith Jacques Esmenjaud
1964/02/25 10:00 13:00 Abbey Road, Studio Two Recording You Can’t Do That takes 1-9 George Martin Norman Smith Richard Langham
1964/02/25 14:30 17:30 Abbey Road, Studio Two Recording And I Love Her takes 1-2 George Martin Norman Smith Richard Langham
1964/02/25 14:30 17:30 Abbey Road, Studio Two Recording I Should Have Known Better takes 1-3 George Martin Norman Smith Richard Langham
1964/02/26 10:00 13:00 Abbey Road, Studio Two Mono mixing You Can’t Do That remixes 1-4, from take 9 George Martin Norman Smith Richard Langham
1964/02/26 10:00 13:00 Abbey Road, Studio Two Mono mixing Can’t Buy Me Love from take 4 George Martin Norman Smith Richard Langham
1964/02/26 14:30 17:30 Abbey Road, Studio Two Recording I Should Have Known Better [re-make] takes 4-22 George Martin Norman Smith Richard Langham
1964/02/26 19:00 22:00 Abbey Road, Studio Two Recording And I Love Her [re-make] takes 3-19 George Martin Norman Smith Richard Langham
1964/02/27 10:00 13:00 Abbey Road, Studio Two Recording And I Love Her [re-re-make] takes 20-21 George Martin Norman Smith Richard Langham
1964/02/27 10:00 13:00 Abbey Road, Studio Two Recording Tell Me Why takes 1-8 George Martin Norman Smith Richard Langham
1964/02/27 14:30 17:30 Abbey Road, Studio Two Recording If I Fell takes 1-15 George Martin Norman Smith Richard Langham
1964/03/01 10:00 13:30 Abbey Road, Studio Two Recording I’m Happy Just To Dance With You takes 1-4 George Martin Norman Smith Richard Langham
1964/03/01 10:00 13:30 Abbey Road, Studio Two Recording Long Tall Sally take 1 George Martin Norman Smith Richard Langham
1964/03/01 10:00 13:30 Abbey Road, Studio Two Recording I Call Your Name takes 1-7 George Martin Norman Smith Richard Langham
1964/03/03 10:00 13:45 Abbey Road, Studio One Mono mixing I Should Have Known Better from take 22 George Martin Norman Smith A. B. Lincoln
1964/03/03 10:00 13:45 Abbey Road, Studio One Mono mixing If I Fell from take 15 George Martin Norman Smith A. B. Lincoln
1964/03/03 10:00 13:45 Abbey Road, Studio One Mono mixing Tell Me Why from take 8 George Martin Norman Smith A. B. Lincoln
1964/03/03 10:00 13:45 Abbey Road, Studio One Mono mixing And I Love Her remix 1, from take 21 George Martin Norman Smith A. B. Lincoln
1964/03/03 10:00 13:45 Abbey Road, Studio One Mono mixing I’m Happy Just To Dance With You from take 4 George Martin Norman Smith A. B. Lincoln
1964/03/03 10:00 13:45 Abbey Road, Studio One Mono mixing I Call Your Name from take 7 George Martin Norman Smith A. B. Lincoln
1964/03/04 10:00 11:00 Abbey Road, Studio Three Mono mixing I Call Your Name from take 7 George Martin unknown n/a
1964/03/10 10:00 13:00 Abbey Road, Studio Two Stereo mixing Can’t Buy Me Love from take 4 George Martin Norman Smith unknown
1964/03/10 10:00 13:00 Abbey Road, Studio Two Stereo mixing Long Tall Sally from take 1 George Martin Norman Smith unknown
1964/03/10 10:00 13:00 Abbey Road, Studio Two Stereo mixing I Call Your Name from take 7 George Martin Norman Smith unknown
1964/03/10 10:00 13:00 Abbey Road, Studio Two Stereo mixing You Can’t Do That from take 9 George Martin Norman Smith unknown
1964/03/10 10:00 13:00 Abbey Road, Studio Two Mono mixing Long Tall Sally from take 1 George Martin Norman Smith unknown
1964/03/10 10:00 13:00 Abbey Road, Studio Two Mono mixing Komm, Gib Mir Deine Hand from edit of takes 5 and 7 George Martin Norman Smith unknown
1964/03/10 10:00 13:00 Abbey Road, Studio Two Mono mixing Sie Liebt Dich from take 14 George Martin Norman Smith unknown
1964/03/12 10:00 12:00 Abbey Road, Studio Three Stereo mixing Komm, Gib Mir Deine Hand from edit of takes 5 and 7 George Martin Norman Smith n/a
1964/03/12 10:00 12:00 Abbey Road, Studio Three Stereo mixing Sie Liebt Dich from take 14 George Martin Norman Smith n/a
1964/04/16 10:00 13:00 Abbey Road, Studio Two Recording A Hard Day’s Night takes 1-9 George Martin Norman Smith Geoff Emerick
1964/04/20 14:00 15:15 Abbey Road, Studio Two Mono mixing A Hard Day’s Night from take 9 George Martin Norman Smith A. B. Lincoln
1964/04/20 14:00 15:15 Abbey Road, Studio Two Stereo mixing A Hard Day’s Night from take 9 George Martin Norman Smith A. B. Lincoln
1964/05/22 10:00 11:00 Abbey Road, Studio Two Recording You Can’t Do That SI take 10 George Martin Norman Smith A. B. Lincoln and B. T. (Full name unknown)
1964/06/01 14:30 17:30 Abbey Road, Studio Two Recording Matchbox takes 1-5 George Martin Norman Smith Ken Scott
1964/06/01 14:30 17:30 Abbey Road, Studio Two Recording I’ll Cry Instead (Section A) takes 1-6 George Martin Norman Smith Ken Scott
1964/06/01 14:30 17:30 Abbey Road, Studio Two Recording I’ll Cry Instead (Section B) takes 7-8 George Martin Norman Smith Ken Scott
1964/06/01 14:30 17:30 Abbey Road, Studio Two Recording Slow Down takes 1-6 George Martin Norman Smith Ken Scott
1964/06/01 19:00 22:00 Abbey Road, Studio Two Recording I’ll Be Back takes 1-16 George Martin Norman Smith Ken Scott
1964/06/02 14:30 17:30 Abbey Road, Studio Two Recording Any Time At All takes 1-7 George Martin Norman Smith Ken Scott
1964/06/02 14:30 17:30 Abbey Road, Studio Two Recording Things We Said Today takes 1-3 George Martin Norman Smith Ken Scott
1964/06/02 19:00 22:00 Abbey Road, Studio Two Recording When I Get Home takes 1-11 George Martin Norman Smith Ken Scott
1964/06/02 19:00 22:00 Abbey Road, Studio Two Recording Any Time At All takes 8-11 George Martin Norman Smith Ken Scott
1964/06/03 15:00 16:00 Abbey Road, Studio Two Rehearsing I Want To Hold You Hand
1964/06/03 15:00 16:00 Abbey Road, Studio Two Rehearsing She Loves You
1964/06/03 15:00 16:00 Abbey Road, Studio Two Rehearsing I Saw Her Standing There
1964/06/03 15:00 16:00 Abbey Road, Studio Two Rehearsing This Boy
1964/06/03 15:00 16:00 Abbey Road, Studio Two Rehearsing Can’t Buy Me Love
1964/06/03 15:00 16:00 Abbey Road, Studio Two Rehearsing Long Tall Sally
1964/06/04 14:30 19:00 Abbey Road, Studio Two Mono mixing Long Tall Sally from take 1 George Martin Norman Smith Richard Langham
1964/06/04 14:30 19:00 Abbey Road, Studio Two Mono mixing Matchbox from take 5 George Martin Norman Smith Richard Langham
1964/06/04 14:30 19:00 Abbey Road, Studio Two Mono mixing I Call Your Name remixes 1 and 2, from takes 5 and 7 George Martin Norman Smith Richard Langham
1964/06/04 14:30 19:00 Abbey Road, Studio Two Editing I Call Your Name of mono remixes 1 and 2 George Martin Norman Smith Richard Langham
1964/06/04 14:30 19:00 Abbey Road, Studio Two Recording Slow Down SI onto take 6 George Martin Norman Smith Richard Langham
1964/06/04 14:30 19:00 Abbey Road, Studio Two Mono mixing Slow Down from take 6 George Martin Norman Smith Richard Langham
1964/06/04 14:30 19:00 Abbey Road, Studio Two Mono mixing When I Get Home remix 1, from take 11 George Martin Norman Smith Richard Langham
1964/06/04 14:30 19:00 Abbey Road, Studio Two Mono mixing Any Time At All remix 1, from take 11 George Martin Norman Smith Richard Langham
1964/06/04 14:30 19:00 Abbey Road, Studio Two Mono mixing I’ll Cry Instead (Section A) from take 6 George Martin Norman Smith Richard Langham
1964/06/04 14:30 19:00 Abbey Road, Studio Two Mono mixing I’ll Cry Instead (Section B) from take 8 George Martin Norman Smith Richard Langham
1964/06/04 14:30 19:00 Abbey Road, Studio Two Editing I’ll Cry Instead of mono remixes of takes 6 and 8 George Martin Norman Smith Richard Langham
1964/06/09 14:00 17:45 Abbey Road, Studio Three Mono tape copying I Should Have Known Better George Martin Norman Smith Ken Scott
1964/06/09 14:00 17:45 Abbey Road, Studio Three Mono tape copying If I Fell George Martin Norman Smith Ken Scott
1964/06/09 14:00 17:45 Abbey Road, Studio Three Mono tape copying Tell Me Why George Martin Norman Smith Ken Scott
1964/06/09 14:00 17:45 Abbey Road, Studio Three Mono tape copying And I Love Her George Martin Norman Smith Ken Scott
1964/06/09 14:00 17:45 Abbey Road, Studio Three Mono tape copying I’m Happy Just To Dance With You George Martin Norman Smith Ken Scott
1964/06/09 14:00 17:45 Abbey Road, Studio Three Mono tape copying I’ll Cry Instead George Martin Norman Smith Ken Scott
1964/06/09 14:00 17:45 Abbey Road, Studio Three Mono tape copying Can’t Buy Me Love George Martin Norman Smith Ken Scott
1964/06/09 14:00 17:45 Abbey Road, Studio Three Mono tape copying A Hard Day’s Night George Martin Norman Smith Ken Scott
1964/06/09 14:00 17:45 Abbey Road, Studio Three Mono mixing A Hard Day’s Night from take 9 George Martin Norman Smith Ken Scott
1964/06/09 14:00 17:45 Abbey Road, Studio Three Mono mixing Things We Said Today from take 3 George Martin Norman Smith Ken Scott
1964/06/10 10:00 11:00 Abbey Road, Studio Two Mono mixing I’ll Be Back remix 1, from take 16 George Martin Norman Smith Richard Langham
1964/06/22 10:00 11:30 Abbey Road, Studio One Mono mixing Any Time At All remix 2, for the UK, from take 11 George Martin Norman Smith Geoff Emerick
1964/06/22 10:00 11:30 Abbey Road, Studio One Mono mixing Any Time At All remix 3, for the USA, from take 11 George Martin Norman Smith Geoff Emerick
1964/06/22 10:00 11:30 Abbey Road, Studio One Mono mixing When I Get Home remix 2, for the UK, from take 11 George Martin Norman Smith Geoff Emerick
1964/06/22 10:00 11:30 Abbey Road, Studio One Mono mixing When I Get Home remix 3, for the USA, from take 11 George Martin Norman Smith Geoff Emerick
1964/06/22 10:00 11:30 Abbey Road, Studio One Mono mixing I’ll Be Back remix 2, for the UK, from take 16 George Martin Norman Smith Geoff Emerick
1964/06/22 10:00 11:30 Abbey Road, Studio One Mono mixing I’ll Be Back remix 3, for the USA, from take 16 George Martin Norman Smith Geoff Emerick
1964/06/22 10:00 11:30 Abbey Road, Studio One Mono mixing And I Love Her remix 2, from take 21 George Martin Norman Smith Geoff Emerick
1964/06/22 11:30 13:00 Abbey Road, Studio One Stereo mixing And I Love Her from take 21 George Martin Norman Smith Geoff Emerick
1964/06/22 11:30 13:00 Abbey Road, Studio One Stereo mixing When I Get Home from take 11 George Martin Norman Smith Geoff Emerick
1964/06/22 11:30 13:00 Abbey Road, Studio One Stereo mixing Any Time At All from take 11 George Martin Norman Smith Geoff Emerick
1964/06/22 11:30 13:00 Abbey Road, Studio One Stereo mixing I’ll Be Back from take 16 George Martin Norman Smith Geoff Emerick
1964/06/22 11:30 13:00 Abbey Road, Studio One Stereo mixing If I Fell from take 15 George Martin Norman Smith Geoff Emerick
1964/06/22 11:30 13:00 Abbey Road, Studio One Stereo mixing A Hard Day’s Night from take 9 George Martin Norman Smith Geoff Emerick
1964/06/22 11:30 13:00 Abbey Road, Studio One Stereo mixing I Should Have Known Better from take 22 George Martin Norman Smith Geoff Emerick
1964/06/22 11:30 13:00 Abbey Road, Studio One Stereo mixing I’m Happy Just To Dance With You from take 4 George Martin Norman Smith Geoff Emerick
1964/06/22 11:30 13:00 Abbey Road, Studio One Stereo mixing I Call Your Name remixes 1 and 2, from takes 5 and 7 George Martin Norman Smith Geoff Emerick
1964/06/22 11:30 13:00 Abbey Road, Studio One Editing I Call Your Name of stereo remixes 1 and 2 George Martin Norman Smith Geoff Emerick
1964/06/22 14:30 17:30 Abbey Road, Studio One Stereo mixing Can’t Buy Me Love from take 4 George Martin Norman Smith Geoff Emerick
1964/06/22 14:30 17:30 Abbey Road, Studio One Stereo mixing You Can’t Do That from take 9 George Martin Norman Smith Geoff Emerick
1964/06/22 14:30 17:30 Abbey Road, Studio One Stereo mixing Tell Me Why from take 8 George Martin Norman Smith Geoff Emerick
1964/06/22 14:30 17:30 Abbey Road, Studio One Stereo mixing Matchbox from take 5 George Martin Norman Smith Geoff Emerick
1964/06/22 14:30 17:30 Abbey Road, Studio One Stereo mixing Slow Down from take 6 George Martin Norman Smith Geoff Emerick
1964/06/22 14:30 17:30 Abbey Road, Studio One Stereo mixing Long Tall Sally from take 1 George Martin Norman Smith Geoff Emerick
1964/06/22 14:30 17:30 Abbey Road, Studio One Stereo mixing I’ll Cry Instead (Section A) from take 6 George Martin Norman Smith Geoff Emerick
1964/06/22 14:30 17:30 Abbey Road, Studio One Stereo mixing I’ll Cry Instead (Section B) from take 8 George Martin Norman Smith Geoff Emerick
1964/06/22 14:30 17:30 Abbey Road, Studio One Editing I’ll Cry Instead of stereo remixes of takes 6 and 8 George Martin Norman Smith Geoff Emerick
1964/06/22 17:45 21:00 Abbey Road, Studio Two Tape copying Slow Down copy of 4 June mono remix George Martin Norman Smith Geoff Emerick
1964/06/22 17:45 21:00 Abbey Road, Studio Two Tape copying Matchbox copy of 4 June mono remix George Martin Norman Smith Geoff Emerick
1964/06/22 17:45 21:00 Abbey Road, Studio Two Tape copying Things We Said Today copy of 22 June stereo mix George Martin Norman Smith Geoff Emerick
1964/08/11 19:00 23:00 Abbey Road, Studio Two Recording Baby’s In Black takes 1-14, and 13 (unnumbered) edit pieces George Martin Norman Smith Ron Pender
1964/08/14 19:00 21:00 Abbey Road, Studio Two Recording I’m A Loser takes 1-8 George Martin Norman Smith Ron Pender
1964/08/14 19:00 21:00 Abbey Road, Studio Two Recording Mr. Moonlight takes 1-4 George Martin Norman Smith Ron Pender
1964/08/14 21:00 22:00 Abbey Road, Studio Two Mono mixing I’m A Loser remix 1, from take 8 George Martin Norman Smith Ron Pender
1964/08/14 21:00 22:00 Abbey Road, Studio Two Mono mixing Baby’s In Black remix 1, from take 14 George Martin Norman Smith Ron Pender
1964/08/14 21:00 22:00 Abbey Road, Studio Two Recording Leave My Kitten Alone takes 1-5 George Martin Norman Smith Ron Pender
1964/08/23 Hollywood Bowl Live Recording Introduction (by announcer) Voyle Gilmore with George Martin Hugh Davies n/a
1964/08/23 Hollywood Bowl Live Recording Twist And Shout [Live at the Hollywood Bowl] Voyle Gilmore with George Martin Hugh Davies n/a
1964/08/23 Hollywood Bowl Live Recording You Can’t Do That [Live at the Hollywood Bowl] Voyle Gilmore with George Martin Hugh Davies n/a
1964/08/23 Hollywood Bowl Live Recording All My Loving [Live at the Hollywood Bowl] Voyle Gilmore with George Martin Hugh Davies n/a
1964/08/23 Hollywood Bowl Live Recording She Loves You [Live at the Hollywood Bowl] Voyle Gilmore with George Martin Hugh Davies n/a
1964/08/23 Hollywood Bowl Live Recording Things We Said Today [Live at the Hollywood Bowl] Voyle Gilmore with George Martin Hugh Davies n/a
1964/08/23 Hollywood Bowl Live Recording Roll Over Beethoven [Live at the Hollywood Bowl] Voyle Gilmore with George Martin Hugh Davies n/a
1964/08/23 Hollywood Bowl Live Recording Can’t Buy Me Love [Live at the Hollywood Bowl] Voyle Gilmore with George Martin Hugh Davies n/a
1964/08/23 Hollywood Bowl Live Recording If I Fell [Live at the Hollywood Bowl] Voyle Gilmore with George Martin Hugh Davies n/a
1964/08/23 Hollywood Bowl Live Recording I Want To Hold You Hand [Live at the Hollywood Bowl] Voyle Gilmore with George Martin Hugh Davies n/a
1964/08/23 Hollywood Bowl Live Recording Boys [Live at the Hollywood Bowl] Voyle Gilmore with George Martin Hugh Davies n/a
1964/08/23 Hollywood Bowl Live Recording A Hard Day’s Night [Live at the Hollywood Bowl] Voyle Gilmore with George Martin Hugh Davies n/a
1964/08/23 Hollywood Bowl Live Recording Long Tall Sally [Live at the Hollywood Bowl] Voyle Gilmore with George Martin Hugh Davies n/a
1964/08/27 Studio, Capitol Records Stereo mixing Introduction (by announcer) Voyle Gilmore Hugh Davies n/a
1964/08/27 Studio, Capitol Records Stereo mixing Twist And Shout [Live at the Hollywood Bowl] Voyle Gilmore Hugh Davies n/a
1964/08/27 Studio, Capitol Records Stereo mixing You Can’t Do That [Live at the Hollywood Bowl] Voyle Gilmore Hugh Davies n/a
1964/08/27 Studio, Capitol Records Stereo mixing All My Loving [Live at the Hollywood Bowl] Voyle Gilmore Hugh Davies n/a
1964/08/27 Studio, Capitol Records Stereo mixing She Loves You [Live at the Hollywood Bowl] Voyle Gilmore Hugh Davies n/a
1964/08/27 Studio, Capitol Records Stereo mixing Things We Said Today [Live at the Hollywood Bowl] Voyle Gilmore Hugh Davies n/a
1964/08/27 Studio, Capitol Records Stereo mixing Roll Over Beethoven [Live at the Hollywood Bowl] Voyle Gilmore Hugh Davies n/a
1964/08/27 Studio, Capitol Records Stereo mixing Can’t Buy Me Love [Live at the Hollywood Bowl] Voyle Gilmore Hugh Davies n/a
1964/08/27 Studio, Capitol Records Stereo mixing If I Fell [Live at the Hollywood Bowl] Voyle Gilmore Hugh Davies n/a
1964/08/27 Studio, Capitol Records Stereo mixing I Want To Hold You Hand [Live at the Hollywood Bowl] Voyle Gilmore Hugh Davies n/a
1964/08/27 Studio, Capitol Records Stereo mixing Boys [Live at the Hollywood Bowl] Voyle Gilmore Hugh Davies n/a
1964/08/27 Studio, Capitol Records Stereo mixing A Hard Day’s Night [Live at the Hollywood Bowl] Voyle Gilmore Hugh Davies n/a
1964/08/27 Studio, Capitol Records Stereo mixing Long Tall Sally [Live at the Hollywood Bowl] Voyle Gilmore Hugh Davies n/a
1964/09/29 14:30 18:30 Abbey Road, Studio Two Recording Every Little Thing takes 1-4 George Martin Norman Smith Ken Scott
1964/09/29 14:30 18:30 Abbey Road, Studio Two Recording I Don’t Want To Spoil The Party takes 1-7 George Martin Norman Smith Ken Scott
1964/09/29 19:00 22:45 Abbey Road, Studio Two Recording I Don’t Want To Spoil The Party takes 8-19 George Martin Norman Smith Ken Scott and Mike Stone
1964/09/29 19:00 22:45 Abbey Road, Studio Two Recording What You’re Doing takes 1-7 George Martin Norman Smith Ken Scott and Mike Stone
1964/09/30 14:30 17:30 Abbey Road, Studio Two Recording Every Little Thing takes 5-9 George Martin Norman Smith Ken Scott
1964/09/30 18:30 22:30 Abbey Road, Studio Two Recording What You’re Doing takes 8-12 George Martin Norman Smith Ken Scott and Mike Stone
1964/09/30 18:30 22:30 Abbey Road, Studio Two Recording No Reply takes 1-8 George Martin Norman Smith Ken Scott and Mike Stone
1964/10/06 15:00 18:45 Abbey Road, Studio Two Recording Eight Days A Week takes 1-6 George Martin Norman Smith Ken Scott
1964/10/06 19:00 22:00 Abbey Road, Studio Two Recording Eight Days A Week takes 7-13 George Martin Norman Smith Ken Scott and Mike Stone
1964/10/08 14:30 18:00 Abbey Road, Studio Two Recording She’s A Woman takes 1-7 George Martin Norman Smith Ken Scott and Mike Stone
1964/10/12 10:00 10:30 Abbey Road, Studio Two Mono mixing She’s A Woman remix 1, from take 6 George Martin Norman Smith Ken Scott
1964/10/12 10:00 10:30 Abbey Road, Studio Two Stereo mixing She’s A Woman from take 6 George Martin Norman Smith Ken Scott
1964/10/12 14:30 15:00 Abbey Road, Studio Two Mono mixing Eight Days A Week remix 1, from take 13 George Martin Norman Smith Ken Scott
1964/10/16 14:30 17:30 Abbey Road, Studio One Mono mixing No Reply remixes 1 and 2, from take 8 George Martin Norman Smith A. B. Lincoln
1964/10/18 14:30 23:30 Abbey Road, Studio Two Recording Eight Days A Week takes 14-15 George Martin Norman Smith Geoff Emerick
1964/10/18 14:30 23:30 Abbey Road, Studio Two Recording Kansas City / Hey-Hey-Hey-Hey! takes 1-2 George Martin Norman Smith Geoff Emerick
1964/10/18 14:30 23:30 Abbey Road, Studio Two Recording Mr. Moonlight [re-make] takes 5-8 George Martin Norman Smith Geoff Emerick
1964/10/18 14:30 23:30 Abbey Road, Studio Two Recording I Feel Fine takes 1-9 George Martin Norman Smith Geoff Emerick
1964/10/18 14:30 23:30 Abbey Road, Studio Two Recording I’ll Follow The Sun takes 1-8 George Martin Norman Smith Geoff Emerick
1964/10/18 14:30 23:30 Abbey Road, Studio Two Recording Everybody’s Trying To Be My Baby take 1 George Martin Norman Smith Geoff Emerick
1964/10/18 14:30 23:30 Abbey Road, Studio Two Recording Rock And Roll Music take 1 George Martin Norman Smith Geoff Emerick
1964/10/18 14:30 23:30 Abbey Road, Studio Two Recording Words Of Love takes 1-3 George Martin Norman Smith Geoff Emerick
1964/10/21 14:30 17:45 Abbey Road, Room 65 Mono mixing I Feel Fine remixes 1-4 from take 9 George Martin Norman Smith Ron Pender
1964/10/21 14:30 17:45 Abbey Road, Room 65 Mono mixing I’ll Follow The Sun from take 8 George Martin Norman Smith Ron Pender
1964/10/21 14:30 17:45 Abbey Road, Room 65 Mono mixing She’s A Woman remix 2, from take 6 George Martin Norman Smith Ron Pender
1964/10/21 14:30 17:45 Abbey Road, Room 65 Mono mixing Everybody’s Trying To Be My Baby from take 1 George Martin Norman Smith Ron Pender
1964/10/22 11:00 12:00 Abbey Road, Studio One Mono mixing I Feel Fine remix 5, from take 9 George Martin Norman Smith Ron Pender
1964/10/26 10:00 12:45 Abbey Road, Studio Two Mono mixing I Don’t Want To Spoil The Party from take 19 George Martin Norman Smith Tony Clark
1964/10/26 10:00 12:45 Abbey Road, Studio Two Mono mixing Rock And Roll Music from take 1 George Martin Norman Smith Tony Clark
1964/10/26 10:00 12:45 Abbey Road, Studio Two Mono mixing Words Of Love from take 3 George Martin Norman Smith Tony Clark
1964/10/26 10:00 12:45 Abbey Road, Studio Two Mono mixing Baby’s In Black remix 2, from take 14 George Martin Norman Smith Tony Clark
1964/10/26 10:00 12:45 Abbey Road, Studio Two Mono mixing I’m A Loser remix 2, from take 8 George Martin Norman Smith Tony Clark
1964/10/26 10:00 12:45 Abbey Road, Studio Two Mono mixing Kansas City / Hey-Hey-Hey-Hey! from take 1 George Martin Norman Smith Tony Clark
1964/10/26 12:45 13:05 Abbey Road, Studio Two Stereo mixing Kansas City / Hey-Hey-Hey-Hey! from take 1 George Martin Norman Smith Tony Clark
1964/10/26 16:30 18:30 Abbey Road, Studio Two Recording Honey Don’t takes 1-5 George Martin Norman Smith A. B. Lincoln
1964/10/26 19:30 22:00 Abbey Road, Studio Two Recording What You’re Doing [re-make] takes 13-19 George Martin Norman Smith A. B. Lincoln
1964/10/26 19:30 22:00 Abbey Road, Studio Two Recording Another Beatles Christmas Record takes 1-5 George Martin Norman Smith A. B. Lincoln
1964/10/26 19:30 22:00 Abbey Road, Studio Two Editing Another Beatles Christmas Record from takes 1-5 George Martin Norman Smith A. B. Lincoln
1964/10/27 10:00 12:30 Abbey Road, Studio Two Mono mixing What You’re Doing from take 19 George Martin Norman Smith Ken Scott
1964/10/27 10:00 12:30 Abbey Road, Studio Two Mono mixing Honey Don’t from take 5 George Martin Norman Smith Ken Scott
1964/10/27 10:00 12:30 Abbey Road, Studio Two Mono mixing Mr. Moonlight remixes 1 and 2, from takes 4 and 8 George Martin Norman Smith Ken Scott
1964/10/27 10:00 12:30 Abbey Road, Studio Two Mono mixing Every Little Thing from take 9 George Martin Norman Smith Ken Scott
1964/10/27 10:00 12:30 Abbey Road, Studio Two Mono mixing Eight Days A Week remixes 2 and 3, from takes 13 and 15 George Martin Norman Smith Ken Scott
1964/10/27 10:00 12:30 Abbey Road, Studio Two Editing Mr. Moonlight of mono remixes 1 and 2 George Martin Norman Smith Ken Scott
1964/10/27 10:00 12:30 Abbey Road, Studio Two Editing Eight Days A Week of mono remixes 2 and 3 George Martin Norman Smith Ken Scott
1964/10/27 12:30 13:00 Abbey Road, Studio Two Stereo mixing Eight Days A Week remixes 1 and 2, from takes 13 and 15 George Martin Norman Smith Ken Scott
1964/10/27 12:30 13:00 Abbey Road, Studio Two Stereo mixing Every Little Thing from take 9 George Martin Norman Smith Ken Scott
1964/10/27 12:30 13:00 Abbey Road, Studio Two Stereo mixing What You’re Doing from take 19 George Martin Norman Smith Ken Scott
1964/10/27 12:30 13:00 Abbey Road, Studio Two Stereo mixing Honey Don’t from take 5 George Martin Norman Smith Ken Scott
1964/10/27 12:30 13:00 Abbey Road, Studio Two Editing Eight Days A Week of stereo remixes 1 and 2 George Martin Norman Smith Ken Scott
1964/11/04 10:00 13:00 Abbey Road, Studio Two Stereo mixing I’ll Follow The Sun from take 8 George Martin Norman Smith Mike Stone
1964/11/04 10:00 13:00 Abbey Road, Studio Two Stereo mixing Everybody’s Trying To Be My Baby from take 1 George Martin Norman Smith Mike Stone
1964/11/04 10:00 13:00 Abbey Road, Studio Two Stereo mixing Rock And Roll Music from take 1 George Martin Norman Smith Mike Stone
1964/11/04 10:00 13:00 Abbey Road, Studio Two Stereo mixing Words Of Love from take 3 George Martin Norman Smith Mike Stone
1964/11/04 10:00 13:00 Abbey Road, Studio Two Stereo mixing Mr. Moonlight remixes 1 and 2, from takes 4 and 8 George Martin Norman Smith Mike Stone
1964/11/04 10:00 13:00 Abbey Road, Studio Two Stereo mixing I Don’t Want To Spoil The Party from take 19 George Martin Norman Smith Mike Stone
1964/11/04 10:00 13:00 Abbey Road, Studio Two Stereo mixing I’m Loser from take 8 George Martin Norman Smith Mike Stone
1964/11/04 10:00 13:00 Abbey Road, Studio Two Stereo mixing Baby’s In Black from take 14 George Martin Norman Smith Mike Stone
1964/11/04 10:00 13:00 Abbey Road, Studio Two Stereo mixing No Reply from take 8 George Martin Norman Smith Mike Stone
1964/11/04 10:00 13:00 Abbey Road, Studio Two Stereo mixing I Feel Fine from take 9 George Martin Norman Smith Mike Stone
1964/11/04 10:00 13:00 Abbey Road, Studio Two Editing Mr. Moonlight of stereo remixes 1 and 2 George Martin Norman Smith Mike Stone
1965/02/15 14:30 17:45 Abbey Road, Studio Two Recording Ticket To Ride takes 1-2 George Martin Norman Smith Ken Scott
1965/02/15 19:00 22:00 Abbey Road, Studio Two Recording Another Girl take 1, and 10 (unnumbered) edit pieces George Martin Norman Smith Ken Scott and Jerry Boys
1965/02/15 19:00 22:00 Abbey Road, Studio Two Recording I Need You takes 1-5 George Martin Norman Smith Ken Scott and Jerry Boys
1965/02/16 14:30 17:00 Abbey Road, Studio Two Recording I Need You SI onto take 5 George Martin Norman Smith Ken Scott
1965/02/16 14:30 17:00 Abbey Road, Studio Two Recording Another Girl SI onto take 1 George Martin Norman Smith Ken Scott and Jerry Boys
1965/02/16 17:00 19:00 Abbey Road, Studio Two Recording Yes It Is takes 1-14 George Martin Norman Smith Ken Scott and Jerry Boys
1965/02/16 19:00 22:00 Abbey Road, Studio Two Recording Yes It Is SI onto take 14 George Martin Norman Smith Ken Scott and Jerry Boys
1965/02/17 14:00 19:00 Abbey Road, Studio Two Recording The Night Before takes 1-2 George Martin Norman Smith Ken Scott
1965/02/17 19:00 23:00 Abbey Road, Studio Two Recording You Like Me Too Much takes 1-8 George Martin Norman Smith Ken Scott
1965/02/18 10:00 13:00 Abbey Road, Studio Two Mono mixing Ticket To Ride remix 1, from take 2 George Martin Norman Smith Ken Scott
1965/02/18 10:00 13:00 Abbey Road, Studio Two Mono mixing Another Girl from take 1 George Martin Norman Smith Ken Scott
1965/02/18 10:00 13:00 Abbey Road, Studio Two Mono mixing I Need You from take 5 George Martin Norman Smith Ken Scott
1965/02/18 10:00 13:00 Abbey Road, Studio Two Mono mixing Yes It Is from take 14 George Martin Norman Smith Ken Scott
1965/02/18 14:30 17:15 Abbey Road, Studio Two Recording You’ve Got To Hide Your Love Away takes 1-9 George Martin Norman Smith Ken Scott
1965/02/18 17:15 18:00 Abbey Road, Studio Two Mono mixing The Night Before from take 2 George Martin Norman Smith Ken Scott
1965/02/18 17:15 18:00 Abbey Road, Studio Two Mono mixing You Like Me Too Much from take 8 George Martin Norman Smith Ken Scott
1965/02/18 18:00 22:30 Abbey Road, Studio Two Recording If You’ve Got Trouble take 1 George Martin Norman Smith Ken Scott
1965/02/18 18:00 22:30 Abbey Road, Studio Two Recording Tell Me What You See takes 1-4 George Martin Norman Smith Ken Scott
1965/02/19 15:30 18:20 Abbey Road, Studio Two Recording You’re Going To Lose That Girl takes 2-3 George Martin Norman Smith Ken Scott
1965/02/20 11:00 12:00 Abbey Road, Studio Two Mono mixing If You’ve Got Trouble from take 1 George Martin Norman Smith Ken Scott
1965/02/20 11:00 12:00 Abbey Road, Studio Two Mono mixing Tell Me What You See from take 4 George Martin Norman Smith Ken Scott
1965/02/20 11:00 12:00 Abbey Road, Studio Two Mono mixing You’re Going To Lose That Girl from take 3 George Martin Norman Smith Ken Scott
1965/02/20 12:00 17:15 Abbey Road, Studio Two Recording That Means A Lot take 1, tape reduction take 1 into take 2, SI onto take 2 George Martin Norman Smith Ken Scott
1965/02/20 17:15 18:00 Abbey Road, Studio Two Mono mixing That Means A Lot from take 1 George Martin Norman Smith Ken Scott
1965/02/20 17:15 18:00 Abbey Road, Studio Two Mono mixing You’ve Got To Hide Your Love Away from take 9 George Martin Norman Smith Ken Scott
1965/02/23 10:00 13:00 Abbey Road, Studio Two Stereo mixing Yes It Is from take 14 n/a Norman Smith Malcolm Davies
1965/02/23 10:00 13:00 Abbey Road, Studio Two Stereo mixing You’ve Got To Hide Your Love Away from take 9 n/a Norman Smith Malcolm Davies
1965/02/23 10:00 13:00 Abbey Road, Studio Two Stereo mixing If You’ve Got Trouble from take 1 n/a Norman Smith Malcolm Davies
1965/02/23 10:00 13:00 Abbey Road, Studio Two Stereo mixing Tell Me What You See from take 4 n/a Norman Smith Malcolm Davies
1965/02/23 10:00 13:00 Abbey Road, Studio Two Stereo mixing I Need You from take 5 n/a Norman Smith Malcolm Davies
1965/02/23 10:00 13:00 Abbey Road, Studio Two Stereo mixing Another Girl from take 1 n/a Norman Smith Malcolm Davies
1965/02/23 10:00 13:00 Abbey Road, Studio Two Stereo mixing Ticket To Ride from take 2 n/a Norman Smith Malcolm Davies
1965/02/23 10:00 13:00 Abbey Road, Studio Two Stereo mixing You Like Me Too Much from take 8 n/a Norman Smith Malcolm Davies
1965/02/23 10:00 13:00 Abbey Road, Studio Two Stereo mixing The Night Before remix 1, from take 2 n/a Norman Smith Malcolm Davies
1965/02/23 10:00 13:00 Abbey Road, Studio Two Stereo mixing You’re Going To Lose That Girl remix 1, from take 3 n/a Norman Smith Malcolm Davies
1965/02/23 10:00 13:00 Abbey Road, Studio Two Stereo mixing That Means A Lot from take 1 n/a Norman Smith Malcolm Davies
1965/02/23 10:00 13:00 Abbey Road, Studio Two Stereo mixing You’re Going To Lose That Girl remix 2, from take 3 n/a Norman Smith Malcolm Davies
1965/03/15 10:00 11:00 Abbey Road, Studio Two Mono mixing Ticket To Ride remix 2, from take 2 n/a Norman Smith unknown
1965/03/30 19:00 22:00 Abbey Road, Studio Two Recording That Means A Lot [re-make] takes 20-24 George Martin Norman Smith Ron Pender and Vic Gann
1965/04/02 10:00 11:00 Abbey Road, Studio Two Stereo mixing You’re Going To Lose That Girl remix 3, from take 3 George Martin Norman Smith unknown
1965/04/13 19:00 23:00 Abbey Road, Studio Two Recording Help! takes 1-12 George Martin Norman Smith Ken Scott
1965/04/18 10:00 12:30 Abbey Road, Room 65 Mono mixing Help! remixes 1-3, from take 12 George Martin Norman Smith Phil McDonald
1965/04/18 10:00 12:30 Abbey Road, Room 65 Stereo mixing Help! remixes 1, from take 12 George Martin Norman Smith Phil McDonald
1965/04/18 10:00 12:30 Abbey Road, Room 65 Stereo mixing The Night Before remix 2, from take 2 George Martin Norman Smith Phil McDonald
1965/05/10 20:00 23:30 Abbey Road, Studio Two Recording Dizzy Miss Lizzy takes 1-2 George Martin Norman Smith Ken Scott
1965/05/10 20:00 23:30 Abbey Road, Studio Two Recording Bad Boy takes 1-4 George Martin Norman Smith Ken Scott
1965/05/10 20:00 23:30 Abbey Road, Studio Two Recording Dizzy Miss Lizzy takes 3-7 George Martin Norman Smith Ken Scott
1965/05/10 23:30 1:15 Abbey Road, Studio Two Mono mixing Dizzy Miss Lizzy from take 7 George Martin Norman Smith Ken Scott
1965/05/10 23:30 1:15 Abbey Road, Studio Two Mono mixing Bad Boy from take 4 George Martin Norman Smith Ken Scott
1965/05/10 23:30 1:15 Abbey Road, Studio Two Stereo mixing Dizzy Miss Lizzy from take 7 George Martin Norman Smith Ken Scott
1965/05/10 23:30 1:15 Abbey Road, Studio Two Stereo mixing Bad Boy from take 4 George Martin Norman Smith Ken Scott
1965/06/08 10:00 10:30 Abbey Road, Studio One Stereo mixing I Want To Hold You Hand remix 2, from take 17 n/a Norman Smith Ron Pender
1965/06/14 14:30 17:30 Abbey Road, Studio Two Recording I’ve Just Seen A Face takes 1-6 George Martin Norman Smith Phil McDonald
1965/06/14 14:30 17:30 Abbey Road, Studio Two Recording I’m Down takes 1-7 George Martin Norman Smith Phil McDonald
1965/06/14 19:00 22:00 Abbey Road, Studio Two Recording Yesterday takes 1-2 George Martin Norman Smith Phil McDonald
1965/06/15 14:30 17:30 Abbey Road, Studio Two Recording It’s Only Love takes 1-6 George Martin Norman Smith Phil McDonald
1965/06/17 14:30 17:30 Abbey Road, Studio Two Recording Act Naturally takes 1-13 George Martin Norman Smith Phil McDonald
1965/06/17 19:00 22:00 Abbey Road, Studio Two Recording Wait takes 1-4 George Martin Norman Smith Phil McDonald
1965/06/17 19:00 22:00 Abbey Road, Studio Two Mono mixing Yesterday remixes 1 and 2, from take 2 George Martin Norman Smith Phil McDonald
1965/06/18 10:00 12:30 Abbey Road, Studio Two Mono mixing I’ve Just Seen A Face from take 6 George Martin Norman Smith Phil McDonald
1965/06/18 10:00 12:30 Abbey Road, Studio Two Mono mixing I’m Down from take 7 George Martin Norman Smith Phil McDonald
1965/06/18 10:00 12:30 Abbey Road, Studio Two Mono mixing It’s Only Love from take 6 George Martin Norman Smith Phil McDonald
1965/06/18 10:00 12:30 Abbey Road, Studio Two Mono mixing Act Naturally from take 13 George Martin Norman Smith Phil McDonald
1965/06/18 10:00 12:30 Abbey Road, Studio Two Mono mixing Wait remix 1, from take 4 George Martin Norman Smith Phil McDonald
1965/06/18 10:00 12:30 Abbey Road, Studio Two Mono mixing Help! remix 4, from take 12 George Martin Norman Smith Phil McDonald
1965/06/18 12:30 13:30 Abbey Road, Studio Two Stereo mixing I’ve Just Seen A Face from take 6 George Martin Norman Smith Phil McDonald
1965/06/18 12:30 13:30 Abbey Road, Studio Two Stereo mixing I’m Down from take 7 George Martin Norman Smith Phil McDonald
1965/06/18 12:30 13:30 Abbey Road, Studio Two Stereo mixing Yesterday from take 2 George Martin Norman Smith Phil McDonald
1965/06/18 12:30 13:30 Abbey Road, Studio Two Stereo mixing It’s Only Love from take 6 George Martin Norman Smith Phil McDonald
1965/06/18 12:30 13:30 Abbey Road, Studio Two Stereo mixing Act Naturally from take 13 George Martin Norman Smith Phil McDonald
1965/06/18 12:30 13:30 Abbey Road, Studio Two Stereo mixing Help! remix 2, from take 12 George Martin Norman Smith Phil McDonald
1965/08/29 Hollywood Bowl Live Recording Introduction (by KRLA disc-jockeys) Engeman (christian name unknown) Hugh Davies n/a
1965/08/29 Hollywood Bowl Live Recording Twist And Shout [Live at the Hollywood Bowl] Engeman (christian name unknown) Hugh Davies n/a
1965/08/29 Hollywood Bowl Live Recording She’s A Woman [Live at the Hollywood Bowl] Engeman (christian name unknown) Hugh Davies n/a
1965/08/29 Hollywood Bowl Live Recording I Feel Fine [Live at the Hollywood Bowl] Engeman (christian name unknown) Hugh Davies n/a
1965/08/29 Hollywood Bowl Live Recording Dizzy Miss Lizzy [Live at the Hollywood Bowl] Engeman (christian name unknown) Hugh Davies n/a
1965/08/29 Hollywood Bowl Live Recording Ticket To Ride [Live at the Hollywood Bowl] Engeman (christian name unknown) Hugh Davies n/a
1965/08/29 Hollywood Bowl Live Recording Everybody’s Trying To Be My Baby [Live at the Hollywood Bowl] Engeman (christian name unknown) Hugh Davies n/a
1965/08/29 Hollywood Bowl Live Recording Can’t Buy Me Love [Live at the Hollywood Bowl] Engeman (christian name unknown) Hugh Davies n/a
1965/08/29 Hollywood Bowl Live Recording Baby’s In Black [Live at the Hollywood Bowl] Engeman (christian name unknown) Hugh Davies n/a
1965/08/29 Hollywood Bowl Live Recording I Wanna Be Your Man [Live at the Hollywood Bowl] Engeman (christian name unknown) Hugh Davies n/a
1965/08/29 Hollywood Bowl Live Recording A Hard Day’s Night [Live at the Hollywood Bowl] Engeman (christian name unknown) Hugh Davies n/a
1965/08/29 Hollywood Bowl Live Recording Help! [Live at the Hollywood Bowl] Engeman (christian name unknown) Hugh Davies n/a
1965/08/29 Hollywood Bowl Live Recording I’m Down [Live at the Hollywood Bowl] Engeman (christian name unknown) Hugh Davies n/a
1965/08/30 Hollywood Bowl Live Recording Twist And Shout [Live at the Hollywood Bowl] Voyle Gilmore Pete Abbott n/a
1965/08/30 Hollywood Bowl Live Recording She’s A Woman [Live at the Hollywood Bowl] Voyle Gilmore Pete Abbott n/a
1965/08/30 Hollywood Bowl Live Recording I Feel Fine [Live at the Hollywood Bowl] Voyle Gilmore Pete Abbott n/a
1965/08/30 Hollywood Bowl Live Recording Dizzy Miss Lizzy [Live at the Hollywood Bowl] Voyle Gilmore Pete Abbott n/a
1965/08/30 Hollywood Bowl Live Recording Ticket To Ride [Live at the Hollywood Bowl] Voyle Gilmore Pete Abbott n/a
1965/08/30 Hollywood Bowl Live Recording Everybody’s Trying To Be My Baby [Live at the Hollywood Bowl] Voyle Gilmore Pete Abbott n/a
1965/08/30 Hollywood Bowl Live Recording Can’t Buy Me Love [Live at the Hollywood Bowl] Voyle Gilmore Pete Abbott n/a
1965/08/30 Hollywood Bowl Live Recording Baby’s In Black [Live at the Hollywood Bowl] Voyle Gilmore Pete Abbott n/a
1965/08/30 Hollywood Bowl Live Recording I Wanna Be Your Man [Live at the Hollywood Bowl] Voyle Gilmore Pete Abbott n/a
1965/08/30 Hollywood Bowl Live Recording A Hard Day’s Night [Live at the Hollywood Bowl] Voyle Gilmore Pete Abbott n/a
1965/08/30 Hollywood Bowl Live Recording Help! [Live at the Hollywood Bowl] Voyle Gilmore Pete Abbott n/a
1965/08/30 Hollywood Bowl Live Recording I’m Down [Live at the Hollywood Bowl] Voyle Gilmore Pete Abbott n/a
1965/10/12 14:30 19:00 Abbey Road, Studio Two Recording Run For Your Life takes 1-5 George Martin Norman Smith Ken Scott and Phil McDonald
1965/10/12 19:00 23:30 Abbey Road, Studio Two Recording Norwegian Wood (This Bird Has Flown) This Bird Has Flown take 1 George Martin Norman Smith Ken Scott
1965/10/13 19:00 0:15 Abbey Road, Studio Two Recording Drive My Car takes 1-4 George Martin Norman Smith Ken Scott
1965/10/16 14:30 19:00 Abbey Road, Studio Two Recording Day Tripper takes 1-3 George Martin Norman Smith Ken Scott
1965/10/16 19:00 0:00 Abbey Road, Studio Two Recording Day Tripper SI onto take 3 George Martin Norman Smith Ken Scott
1965/10/16 19:00 0:00 Abbey Road, Studio Two Recording If I Needed Someone take 1 George Martin Norman Smith Ken Scott
1965/10/18 14:30 17:45 Abbey Road, Studio Two Recording If I Needed Someone SI onto take 1 George Martin Norman Smith Ken Scott
1965/10/18 14:30 17:45 Abbey Road, Studio Two Recording In My Life takes 1-3 George Martin Norman Smith Ken Scott
1965/10/20 14:30 18:30 Abbey Road, Studio Two Recording We Can Work It Out takes 1-2 George Martin Norman Smith Ken Scott
1965/10/20 19:00 23:45 Abbey Road, Studio Two Recording We Can Work It Out SI onto take 2 George Martin Norman Smith Ken Scott
1965/10/21 14:30 19:00 Abbey Road, Studio Two Recording Norwegian Wood (This Bird Has Flown) [re-make] takes 2-4 George Martin Norman Smith Ken Scott
1965/10/21 19:00 0:00 Abbey Road, Studio Two Recording Nowhere Man takes 1-2 George Martin Norman Smith Ken Scott
1965/10/22 10:30 11:30 Abbey Road, Studio Two Recording In My Life SI onto take 3 George Martin Stuart Eltham Mike Stone
1965/10/22 14:30 19:00 Abbey Road, Studio Two Recording Nowhere Man [re-make] takes 3-5 George Martin Norman Smith Ken Scott
1965/10/22 19:00 23:30 Abbey Road, Studio Two Recording Nowhere Man SI onto take 4 George Martin Norman Smith Ken Scott
1965/10/24 14:30 19:00 Abbey Road, Studio Two Recording I’m Looking Through You take 1 George Martin Norman Smith Ken Scott
1965/10/24 19:00 23:30 Abbey Road, Studio Two Recording I’m Looking Through You SI onto take 1 George Martin Norman Smith Ken Scott
1965/10/25 10:00 13:00 Abbey Road, Studio Two Mono mixing Drive My Car from take 4 George Martin Norman Smith Ken Scott
1965/10/25 10:00 13:00 Abbey Road, Studio Two Mono mixing In My Life from take 3 George Martin Norman Smith Ken Scott
1965/10/25 10:00 13:00 Abbey Road, Studio Two Mono mixing If I Needed Someone from take 1 George Martin Norman Smith Ken Scott
1965/10/25 10:00 13:00 Abbey Road, Studio Two Mono mixing Day Tripper remix 1, from take 3 George Martin Norman Smith Ken Scott
1965/10/25 10:00 13:00 Abbey Road, Studio Two Mono mixing Norwegian Wood (This Bird Has Flown) from take 4 George Martin Norman Smith Ken Scott
1965/10/25 10:00 13:00 Abbey Road, Studio Two Mono mixing Nowhere Man from take 4 George Martin Norman Smith Ken Scott
1965/10/28 17:00 17:30 Abbey Road, Studio Two Mono mixing We Can Work It Out remix 1, from take 2 George Martin Norman Smith Jerry Boys
1965/10/29 14:00 16:00 Abbey Road, Studio Two Recording We Can Work It Out SI onto take 2 George Martin Norman Smith Ken Scott
1965/10/29 16:00 17:00 Abbey Road, Studio Two Mono mixing We Can Work It Out remixes 2 and 3, from take 2 George Martin Norman Smith Ken Scott
1965/10/29 16:00 17:00 Abbey Road, Studio Two Mono mixing Day Tripper remixes 2 and 3 from take 3 George Martin Norman Smith Ken Scott
1965/11/03 14:30 19:00 Abbey Road, Studio Two Recording Michelle take 1 George Martin Norman Smith Ken Scott
1965/11/03 19:00 23:30 Abbey Road, Studio Two Recording Michelle tape reduction take 1 into take 2, SI onto take 2 George Martin Norman Smith Ken Scott
1965/11/04 23:00 3:30 Abbey Road, Studio Two Recording What Goes On take 1 George Martin Norman Smith Ken Scott and Graham Platt
1965/11/04 23:00 3:30 Abbey Road, Studio Two Recording 12-Bar Original takes 1-2 George Martin Norman Smith Ken Scott and Graham Platt
1965/11/06 19:00 1:00 Abbey Road, Studio Two Recording I’m Looking Through You [re-make] takes 2-3 George Martin Norman Smith Ken Scott
1965/11/08 21:00 3:00 Abbey Road, Studio Two Recording Beatle Speech take 1 George Martin Norman Smith Ken Scott
1965/11/08 21:00 3:00 Abbey Road, Studio Two Recording Think For Yourself Won’t Be There With You take 1 George Martin Norman Smith Ken Scott
1965/11/08 21:00 3:00 Abbey Road, Studio Two Recording The Beatles’ Third Christmas Record take 1-3 George Martin Norman Smith Ken Scott
1965/11/09 14:30 17:30 Abbey Road, Room 65 Editing The Beatles’ Third Christmas Record of takes 1-3 George Martin Norman Smith Jerry Boys
1965/11/09 14:30 17:30 Abbey Road, Room 65 Mono mixing Michelle remix 1, from take 2 George Martin Norman Smith Jerry Boys
1965/11/09 14:30 17:30 Abbey Road, Room 65 Mono mixing What Goes On from take 1 George Martin Norman Smith Jerry Boys
1965/11/09 14:30 17:30 Abbey Road, Room 65 Mono mixing Run For Your Life from take 5 George Martin Norman Smith Jerry Boys
1965/11/09 14:30 17:30 Abbey Road, Room 65 Mono mixing Think For Yourself from take 1 George Martin Norman Smith Jerry Boys
1965/11/09 14:30 17:30 Abbey Road, Room 65 Mono mixing The Beatles’ Third Christmas Record from edit of takes 1-3 George Martin Norman Smith Jerry Boys
1965/11/09 14:30 17:30 Abbey Road, Room 65 Stereo mixing Think For Yourself from take 1 George Martin Norman Smith Jerry Boys
1965/11/09 14:30 17:30 Abbey Road, Room 65 Stereo mixing Michelle from take 2 George Martin Norman Smith Jerry Boys
1965/11/09 14:30 17:30 Abbey Road, Room 65 Stereo mixing What Goes On from take 1 George Martin Norman Smith Jerry Boys
1965/11/10 14:30 17:30 Abbey Road, Room 65 Stereo mixing Run For Your Life from take 5 George Martin Norman Smith Jerry Boys
1965/11/10 14:30 17:30 Abbey Road, Room 65 Stereo mixing We Can Work It Out from take 2 George Martin Norman Smith Jerry Boys
1965/11/10 21:00 4:00 Abbey Road, Studio Two Recording The Word takes 1-3 George Martin Norman Smith Ken Scott
1965/11/10 21:00 4:00 Abbey Road, Studio Two Recording I’m Looking Through You [re-re-make] take 4 George Martin Norman Smith Ken Scott
1965/11/11 16:00 17:30 Abbey Road, Room 65 Mono mixing The Word from take 3 George Martin Norman Smith Mike Stone
1965/11/11 16:00 17:30 Abbey Road, Room 65 Stereo mixing The Word remix 1, from take 3 George Martin Norman Smith Mike Stone
1965/11/11 18:00 7:00 Abbey Road, Studio Two Recording You Won’t See Me takes 1-2 George Martin Norman Smith Ken Scott
1965/11/11 18:00 7:00 Abbey Road, Studio Two Recording Girl takes 1-2 George Martin Norman Smith Ken Scott
1965/11/11 18:00 7:00 Abbey Road, Studio Two Recording Wait SI onto take 4 George Martin Norman Smith Ken Scott
1965/11/11 18:00 7:00 Abbey Road, Studio Two Recording I’m Looking Through You SI onto take 4 George Martin Norman Smith Ken Scott
1965/11/15 14:30 17:30 Abbey Road, Studio One Mono mixing I’m Looking Through You from take 4 George Martin Norman Smith Richard Lush
1965/11/15 14:30 17:30 Abbey Road, Studio One Mono mixing You Won’t See Me from take 2 George Martin Norman Smith Richard Lush
1965/11/15 14:30 17:30 Abbey Road, Studio One Mono mixing Girl from take 2 George Martin Norman Smith Richard Lush
1965/11/15 14:30 17:30 Abbey Road, Studio One Mono mixing Wait remix 2, from take 4 George Martin Norman Smith Richard Lush
1965/11/15 14:30 17:30 Abbey Road, Studio One Stereo mixing Wait from take 4 George Martin Norman Smith Richard Lush
1965/11/15 14:30 17:30 Abbey Road, Studio One Stereo mixing I’m Looking Through You from take 4 George Martin Norman Smith Richard Lush
1965/11/15 14:30 17:30 Abbey Road, Studio One Stereo mixing You Won’t See Me from take 2 George Martin Norman Smith Richard Lush
1965/11/15 14:30 17:30 Abbey Road, Studio One Stereo mixing Girl from take 2 George Martin Norman Smith Richard Lush
1965/11/15 14:30 17:30 Abbey Road, Studio One Stereo mixing The Word remix 2, from take 13 George Martin Norman Smith Richard Lush
1965/11/15 14:30 17:30 Abbey Road, Studio One Mono mixing Michelle remix 2, from take 2 George Martin Norman Smith Richard Lush
1965/11/30 16:45 17:00 Abbey Road, Room 65 Mono mixing 12-Bar Original from take 2 n/a Norman Smith Ron Pender
1966/04/06 20:00 1:15 Abbey Road, Studio Three Recording Tomorrow Never Knows Mark I takes 1-3 George Martin Geoff Emerick Phil McDonald
1966/04/07 14:30 19:15 Abbey Road, Studio Three Recording Tomorrow Never Knows Mark I SI onto take 3 George Martin Geoff Emerick Phil McDonald
1966/04/07 20:15 1:30 Abbey Road, Studio Three Recording Got To Get You Into My Life takes 1-5 George Martin Geoff Emerick Phil McDonald
1966/04/08 14:30 21:00 Abbey Road, Studio Two Recording Got To Get You Into My Life takes 6-8 George Martin Geoff Emerick Phil McDonald
1966/04/11 14:30 19:00 Abbey Road, Studio Two Recording Got To Get You Into My Life SI onto take 8 George Martin Geoff Emerick Phil McDonald
1966/04/11 14:30 19:00 Abbey Road, Studio Two Recording Love You To Granny Smith takes 1-3 George Martin Geoff Emerick Phil McDonald
1966/04/11 20:00 0:45 Abbey Road, Studio Two Recording Love You To Granny Smith takes 4-6 George Martin Geoff Emerick Phil McDonald
1966/04/11 0:45 1:00 Abbey Road, Studio Two Mono mixing Love You To Granny Smith remix 1, from take 6 George Martin Geoff Emerick Phil McDonald
1966/04/13 14:30 18:30 Abbey Road, Studio Three Recording Love You To Granny Smith tape reduction take 6 into take 7, SI onto take 7 George Martin Geoff Emerick Richard Lush
1966/04/13 14:30 18:30 Abbey Road, Studio Three Mono mixing Love You To Granny Smith remixes 1-3, from take 7 George Martin Geoff Emerick Richard Lush
1966/04/13 14:30 18:30 Abbey Road, Studio Three Editing Love You To Granny Smith of mono remixes 1-3 George Martin Geoff Emerick Richard Lush
1966/04/13 20:00 2:30 Abbey Road, Studio Three Recording Paperback Writer takes 1-2 George Martin Geoff Emerick Richard Lush
1966/04/14 14:30 19:30 Abbey Road, Studio Three Recording Paperback Writer SI onto take 2 George Martin Geoff Emerick Phil McDonald
1966/04/14 19:30 20:00 Abbey Road, Studio Three Mono mixing Paperback Writer remixes 1 and 2, from take 2 George Martin Geoff Emerick Phil McDonald
1966/04/14 20:30 1:30 Abbey Road, Studio Three Recording Rain takes 1-5 George Martin Geoff Emerick Phil McDonald
1966/04/16 14:30 1:30 Abbey Road, Studio Two Recording Rain SI onto take 5, tape reduction take 5 into take 6, takes 7-8 George Martin Geoff Emerick Phil McDonald
1966/04/16 14:30 1:30 Abbey Road, Studio Two Mono mixing Rain remixes 1-4, from take 7 George Martin Geoff Emerick Phil McDonald
1966/04/17 14:30 22:30 Abbey Road, Studio Two Recording Doctor Robert takes 1-7 George Martin Geoff Emerick Phil McDonald
1966/04/19 14:30 0:00 Abbey Road, Studio Two Recording Doctor Robert SI onto take 7 George Martin Geoff Emerick Phil McDonald
1966/04/19 14:30 0:00 Abbey Road, Studio Two Mono mixing Doctor Robert remixes 1-3, from take 7 George Martin Geoff Emerick Phil McDonald
1966/04/20 14:30 2:30 Abbey Road, Studio Two Recording And Your Bird Can Sing takes 1-2 George Martin Geoff Emerick Phil McDonald
1966/04/20 14:30 2:30 Abbey Road, Studio Two Recording Taxman takes 1-4 George Martin Geoff Emerick Phil McDonald
1966/04/20 14:30 2:30 Abbey Road, Studio Two Mono mixing And Your Bird Can Sing remixes 1-5, from take 2 George Martin Geoff Emerick Phil McDonald
1966/04/21 14:30 0:50 Abbey Road, Studio Two Recording Taxman takes 1-11 George Martin Geoff Emerick Phil McDonald
1966/04/22 14:30 23:30 Abbey Road, Studio Two Recording Taxman tape reduction take 11 into take 12 George Martin Geoff Emerick Phil McDonald
1966/04/22 14:30 23:30 Abbey Road, Studio Two Recording Tomorrow Never Knows Mark I SI onto take 3 George Martin Geoff Emerick Phil McDonald
1966/04/25 10:00 11:00 Abbey Road, Room 65 Mono mixing Got To Get You Into My Life remixes 1 and 2, from take 8 n/a Peter Vince n/a
1966/04/26 14:30 2:45 Abbey Road, Studio Two Recording And Your Bird Can Sing [re-make] takes 3-13, SI onto take 10 George Martin Geoff Emerick Phil McDonald
1966/04/27 18:00 23:30 Abbey Road, Studio Three Mono mixing Taxman remix 1, from take 12 George Martin Geoff Emerick Phil McDonald
1966/04/27 18:00 23:30 Abbey Road, Studio Three Mono mixing And Your Bird Can Sing remix 6, from take 10 George Martin Geoff Emerick Phil McDonald
1966/04/27 18:00 23:30 Abbey Road, Studio Three Mono mixing Tomorrow Never Knows Mark I remixes 1-9, from take 3 George Martin Geoff Emerick Phil McDonald
1966/04/27 23:30 3:00 Abbey Road, Studio Three Recording I’m Only Sleeping takes 1-11 George Martin Geoff Emerick Phil McDonald
1966/04/28 17:00 19:50 Abbey Road, Studio Two Recording Eleanor Rigby takes 1-14, tape reduction take 14 into take 15 George Martin Geoff Emerick Phil McDonald
1966/04/29 17:00 1:00 Abbey Road, Studio Three Recording Eleanor Rigby SI onto take 15 George Martin Geoff Emerick Phil McDonald
1966/04/29 17:00 1:00 Abbey Road, Studio Three Mono mixing Eleanor Rigby remixes 1-3, from take 15 George Martin Geoff Emerick Phil McDonald
1966/04/29 17:00 1:00 Abbey Road, Studio Three Recording I’m Only Sleeping SI onto take 11 George Martin Geoff Emerick Phil McDonald
1966/05/05 21:30 3:00 Abbey Road, Studio Three Recording I’m Only Sleeping SI onto take 11 George Martin Geoff Emerick Phil McDonald
1966/05/06 14:30 1:00 Abbey Road, Studio Two Recording I’m Only Sleeping SI onto take 11, tape reduction take 11 into takes 12 and 13 George Martin Geoff Emerick Phil McDonald
1966/05/06 1:00 2:15 Abbey Road, Studio Two Mono mixing I’m Only Sleeping remixes 1-4, from take 13 George Martin Geoff Emerick Phil McDonald
1966/05/09 19:00 23:00 Abbey Road, Studio Two Recording For No One takes 1-10 George Martin Geoff Emerick Phil McDonald
1966/05/12 13:45 15:30 Abbey Road, Studio Three Mono mixing Doctor Robert remix 4, from take 7 George Martin Geoff Emerick Jerry Boys
1966/05/12 13:45 15:30 Abbey Road, Studio Three Mono mixing I’m Only Sleeping remix 5, from take 13 George Martin Geoff Emerick Jerry Boys
1966/05/12 13:45 15:30 Abbey Road, Studio Three Mono mixing And Your Bird Can Sing remixes 7 and 8, from takes 10 and 6 George Martin Geoff Emerick Jerry Boys
1966/05/12 13:45 15:30 Abbey Road, Studio Three Editing And Your Bird Can Sing of mono remixes 7 and 8 George Martin Geoff Emerick Jerry Boys
1966/05/12 13:45 15:30 Abbey Road, Studio Three Editing Doctor Robert of remix mono 4 George Martin Geoff Emerick Jerry Boys
1966/05/16 14:30 1:30 Abbey Road, Studio Two Recording Taxman SI onto take 12 George Martin Geoff Emerick Phil McDonald
1966/05/16 14:30 1:30 Abbey Road, Studio Two Tape copying Love You To Granny Smith copies of remix mono 3, numbered mono remixes 4 and 5 George Martin Geoff Emerick Phil McDonald
1966/05/16 14:30 1:30 Abbey Road, Studio Two Mono mixing Taxman of remix mono 4 George Martin Geoff Emerick Phil McDonald
1966/05/16 14:30 1:30 Abbey Road, Studio Two Mono mixing Love You To Granny Smith of remix mono 5 George Martin Geoff Emerick Phil McDonald
1966/05/16 14:30 1:30 Abbey Road, Studio Two Mono mixing Tomorrow Never Knows Mark I of remix mono 8 George Martin Geoff Emerick Phil McDonald
1966/05/18 14:30 2:30 Abbey Road, Studio Two Recording Got To Get You Into My Life SI onto take 8, tape reduction take 8 into takes 9-11, SI onto take 9 George Martin Geoff Emerick Phil McDonald
1966/05/18 14:30 2:30 Abbey Road, Studio Two Mono mixing Got To Get You Into My Life remixes 1 and 2, from take 9 George Martin Geoff Emerick Phil McDonald
1966/05/19 19:00 23:00 Abbey Road, Studio Three Recording For No One SI onto take 14 George Martin Geoff Emerick Phil McDonald
1966/05/20 11:00 12:30 Abbey Road, Studio One Stereo mixing And Your Bird Can Sing remixes 1 and 2, from takes 10 and 6 George Martin Geoff Emerick Phil McDonald
1966/05/20 11:00 12:30 Abbey Road, Studio One Stereo mixing Doctor Robert remixes 1 and 2, from take 7 George Martin Geoff Emerick Phil McDonald
1966/05/20 11:00 12:30 Abbey Road, Studio One Stereo mixing I’m Only Sleeping remixes 1 and 2, from take 13 George Martin Geoff Emerick Phil McDonald
1966/05/20 11:00 12:30 Abbey Road, Studio One Editing And Your Bird Can Sing of stereo remixes 1 and 2 George Martin Geoff Emerick Phil McDonald
1966/05/20 11:00 12:30 Abbey Road, Studio One Editing Doctor Robert of stereo remixes 1 and 2 George Martin Geoff Emerick Phil McDonald
1966/05/26 19:00 1:00 Abbey Road, Studio Three Recording Yellow Submarine takes 1-4, tape reduction take 4 into take 5 n/a Geoff Emerick Phil McDonald
1966/06/01 14:30 2:30 Abbey Road, Studio Two Recording Yellow Submarine SI onto take 5 George Martin Geoff Emerick Phil McDonald
1966/06/02 19:00 3:30 Abbey Road, Studio Two Recording I Want To Tell You Laxton’s Superb (also “I Don’t Know”) takes 1-5, SI onto take 3, tape reduction take 3 into take 4 George Martin Geoff Emerick Phil McDonald
1966/06/02 19:00 3:30 Abbey Road, Studio Two Mono mixing Yellow Submarine remix 1, from take 5 George Martin Geoff Emerick Phil McDonald
1966/06/03 19:00 2:30 Abbey Road, Studio Two Recording I Want To Tell You Laxton’s Superb (also “I Don’t Know”) SI onto take 4 George Martin Geoff Emerick Phil McDonald
1966/06/03 19:00 2:30 Abbey Road, Studio Two Mono mixing I Want To Tell You Laxton’s Superb (also “I Don’t Know”) remixes 1-4, from take 4 George Martin Geoff Emerick Phil McDonald
1966/06/03 19:00 2:30 Abbey Road, Studio Two Mono mixing Yellow Submarine remixes 1-5, from take 5 George Martin Geoff Emerick Phil McDonald
1966/06/06 19:00 0:00 Abbey Road, Studio Three Tape copying I Want To Tell You 2 copies of remix mono 1, numbered mono remixes 5 and 6 George Martin Geoff Emerick Phil McDonald
1966/06/06 19:00 0:00 Abbey Road, Studio Three Mono mixing And Your Bird Can Sing remixes 9 and 10, from takes 10 and 4 George Martin Geoff Emerick Phil McDonald
1966/06/06 19:00 0:00 Abbey Road, Studio Three Mono mixing For No One remixes 1-6, from take 14 George Martin Geoff Emerick Phil McDonald
1966/06/06 19:00 0:00 Abbey Road, Studio Three Mono mixing I’m Only Sleeping remixes 5 and 6, from take 13 George Martin Geoff Emerick Phil McDonald
1966/06/06 19:00 0:00 Abbey Road, Studio Three Mono mixing Tomorrow Never Knows remixes 10-12, from take 3 George Martin Geoff Emerick Phil McDonald
1966/06/06 0:00 1:30 Abbey Road, Studio Three Recording Eleanor Rigby SI onto take 15 George Martin Geoff Emerick Phil McDonald
1966/06/08 13:00 14:00 Abbey Road, Studio Two Editing And Your Bird Can Sing of mho remixes 9 and 10 n/a Geoff Emerick n/a
1966/06/08 14:30 2:30 Abbey Road, Studio Two Recording Good Day Sunshine A Good Day’s Sunshine takes 1-3 George Martin Geoff Emerick Richard Lush
1966/06/09 14:30 20:00 Abbey Road, Studio Two Recording Good Day Sunshine A Good Day’s Sunshine SI onto take 1 George Martin Geoff Emerick Phil McDonald
1966/06/09 14:30 20:00 Abbey Road, Studio Two Mono mixing Good Day Sunshine A Good Day’s Sunshine remixes 1-6, from take 1 George Martin Geoff Emerick Phil McDonald
1966/06/14 19:00 2:00 Abbey Road, Studio Two Recording Here, There And Everywhere takes 1-4 George Martin Geoff Emerick Phil McDonald
1966/06/16 19:00 3:30 Abbey Road, Studio Two Recording Here, There And Everywhere takes 5-13, tape reduction take 13 into take 14, SI onto take 14 George Martin Geoff Emerick Phil McDonald
1966/06/17 19:00 1:30 Abbey Road, Studio Two Recording Here, There And Everywhere SI onto take 14 George Martin Geoff Emerick Phil McDonald
1966/06/17 19:00 1:30 Abbey Road, Studio Two Recording Got To Get You Into My Life SI onto take 9 George Martin Geoff Emerick Phil McDonald
1966/06/17 19:00 1:30 Abbey Road, Studio Two Mono mixing Got To Get You Into My Life remixes 3-7, from take 9 George Martin Geoff Emerick Phil McDonald
1966/06/17 19:00 1:30 Abbey Road, Studio Two Mono mixing Here, There And Everywhere remix 1, from take 14 George Martin Geoff Emerick Phil McDonald
1966/06/20 18:00 20:30 Abbey Road, Studio One Mono mixing and recording Got To Get You Into My Life tape copy of remix 7 into remix 8 with SI added from take 8 George Martin Geoff Emerick Phil McDonald
1966/06/21 10:00 13:00 Abbey Road, Studio Three Stereo mixing Love You To Granny Smith remixes 1-3, from take 7 George Martin Geoff Emerick Phil McDonald
1966/06/21 10:00 13:00 Abbey Road, Studio Three Editing Love You To Granny Smith of stereo remixes 1-3 George Martin Geoff Emerick Phil McDonald
1966/06/21 10:00 13:00 Abbey Road, Studio Three Stereo mixing I Want To Tell You remixes 1 and 2, from take 4 George Martin Geoff Emerick Phil McDonald
1966/06/21 10:00 13:00 Abbey Road, Studio Three Stereo mixing Here, There And Everywhere remixes 1 and 2, from take 14 George Martin Geoff Emerick Phil McDonald
1966/06/21 10:00 13:00 Abbey Road, Studio Three Mono mixing Here, There And Everywhere remixes 2 and 3, from take 14 George Martin Geoff Emerick Phil McDonald
1966/06/21 14:30 18:30 Abbey Road, Studio Three Mono mixing For No One remixes 7 and 8, from take 14 George Martin Geoff Emerick Phil McDonald
1966/06/21 14:30 18:30 Abbey Road, Studio Three Mono mixing Doctor Robert remixes 4-6, from take 7 George Martin Geoff Emerick Phil McDonald
1966/06/21 14:30 18:30 Abbey Road, Studio Three Mono mixing Taxman remixes 5 and 6, from take 12 George Martin Geoff Emerick Phil McDonald
1966/06/21 14:30 18:30 Abbey Road, Studio Three Editing Doctor Robert of remix mono 6 George Martin Geoff Emerick Phil McDonald
1966/06/21 14:30 18:30 Abbey Road, Studio Three Editing Taxman of mono remixes 5 and 6 George Martin Geoff Emerick Phil McDonald
1966/06/21 14:30 18:30 Abbey Road, Studio Three Stereo mixing For No One remix 1, from take 14 George Martin Geoff Emerick Phil McDonald
1966/06/21 14:30 18:30 Abbey Road, Studio Three Stereo mixing Taxman remixes 1 and 2, from take 12 George Martin Geoff Emerick Phil McDonald
1966/06/21 14:30 18:30 Abbey Road, Studio Three Editing Taxman of stereo remixes 1 and 2 George Martin Geoff Emerick Phil McDonald
1966/06/21 19:00 3:45 Abbey Road, Studio Two Recording She Said She Said Untitled takes 1-3, tape reduction take 3 into take 4, SI onto take 4 George Martin Geoff Emerick Phil McDonald
1966/06/21 19:00 3:45 Abbey Road, Studio Two Mono mixing She Said She Said remixes 1-3, from take 4 George Martin Geoff Emerick Phil McDonald
1966/06/22 19:00 1:30 Abbey Road, Studio Three Mono mixing Eleanor Rigby remixes 4 and 5, from take 15 George Martin Geoff Emerick Jerry Boys
1966/06/22 19:00 1:30 Abbey Road, Studio Three Mono mixing She Said She Said remix 4, from take 4 George Martin Geoff Emerick Jerry Boys
1966/06/22 19:00 1:30 Abbey Road, Studio Three Mono mixing Good Day Sunshine remix 7, from take 1 George Martin Geoff Emerick Jerry Boys
1966/06/22 19:00 1:30 Abbey Road, Studio Three Stereo mixing Eleanor Rigby remix 1, from take 15 George Martin Geoff Emerick Jerry Boys
1966/06/22 19:00 1:30 Abbey Road, Studio Three Stereo mixing She Said She Said remix 1, from take 4 George Martin Geoff Emerick Jerry Boys
1966/06/22 19:00 1:30 Abbey Road, Studio Three Stereo mixing Good Day Sunshine remix 1, from take 1 George Martin Geoff Emerick Jerry Boys
1966/06/22 19:00 1:30 Abbey Road, Studio Three Stereo mixing Yellow Submarine remixes 1 and 2, from take 5 George Martin Geoff Emerick Jerry Boys
1966/06/22 19:00 1:30 Abbey Road, Studio Three Stereo mixing Tomorrow Never Knows remixes 1-6, from take 3 George Martin Geoff Emerick Jerry Boys
1966/06/22 19:00 1:30 Abbey Road, Studio Three Stereo mixing Got To Get You Into My Life remix 1, from take 9 George Martin Geoff Emerick Jerry Boys
1966/10/31 14:30 16:30 Abbey Road, Studio One Stereo mixing Paperback Writer remixes 1-3, from take 2 George Martin Geoff Emerick Phil McDonald
1966/11/07 14:30 17:30 Abbey Road, Studio One Stereo mixing I Want To Hold You Hand remix 1, from take 17 George Martin Geoff Emerick Mike Stone
1966/11/08 16:00 17:30 Abbey Road, Room 53 Stereo mixing She Loves You remixes 1 and 2, from single’s master tape n/a Geoff Emerick n/a
1966/11/10 14:00 16:30 Abbey Road, Room 65 Stereo mixing This Boy remixes 1 and 2, from take 15 and 17 n/a Peter Bown Graham Kirkby
1966/11/10 14:00 16:30 Abbey Road, Room 65 Stereo mixing Day Tripper remix 2, from take 3 n/a Peter Bown Graham Kirkby
1966/11/10 14:00 16:30 Abbey Road, Room 65 Stereo mixing We Can Work It Out remix 2, from take 2 n/a Peter Bown Graham Kirkby
1966/11/10 14:00 16:30 Abbey Road, Room 65 Editing This Boy of stereo remixes 1 and 2 n/a Peter Bown Graham Kirkby
1966/11/24 19:00 2:30 Abbey Road, Studio Two Recording Strawberry Fields Forever take 1 George Martin Geoff Emerick Phil McDonald
1966/11/25 Studio, Dick James House Recording Pantomine : Everywhere It’s Christmas takes unknown George Martin n/a unknown
1966/11/28 19:00 1:30 Abbey Road, Studio Two Recording Strawberry Fields Forever takes 2-4 George Martin Geoff Emerick Phil McDonald
1966/11/28 19:00 1:30 Abbey Road, Studio Two Mono mixing Strawberry Fields Forever remixes 1-3, from take 4 George Martin Geoff Emerick Phil McDonald
1966/11/29 14:30 20:00 Abbey Road, Studio Two Recording Strawberry Fields Forever takes 5-6, tape reduction take 6 into take 7, SI onto take 7 George Martin Geoff Emerick Phil McDonald
1966/11/29 14:30 20:00 Abbey Road, Studio Two Mono mixing Strawberry Fields Forever remixes 1-3, from take 7 George Martin Geoff Emerick Phil McDonald
1966/12/02 9:00 12:00 Abbey Road, Room 53 Mono mixing and editing Pantomine : Everywhere It’s Christmas from unknown take numbers Tony Barrow Geoff Emerick Phil McDonald
1966/12/06 18:45 1:50 Abbey Road, Studio Two Recording Christmas Messages for Radio London takes 1 and 2 George Martin Geoff Emerick Phil McDonald
1966/12/06 18:45 1:50 Abbey Road, Studio Two Recording Christmas Messages for Radio Caroline takes 1 and 2 George Martin Geoff Emerick Phil McDonald
1966/12/06 18:45 1:50 Abbey Road, Studio Two Recording When I’m Sixty-Four takes 1 and 2 George Martin Geoff Emerick Phil McDonald
1966/12/08 14:30 17:30 Abbey Road, Studio One Recording When I’m Sixty-Four SI onto take 2 George Martin Geoff Emerick Phil McDonald
1966/12/08 19:00 3:40 Abbey Road, Studio Two Recording Strawberry Fields Forever [re-make] takes 9-24 Dave Harries and George Martin Dave Harries and Geoff Emerick Phil McDonald
1966/12/08 19:00 3:40 Abbey Road, Studio Two Editing Strawberry Fields Forever of takes 15 and 24 Dave Harries and George Martin Dave Harries and Geoff Emerick Phil McDonald
1966/12/09 14:30 22:00 Abbey Road, Studio Two Recording Strawberry Fields Forever tape reduction from edit of takes 15 and 24 into take 25, SI onto take 25 George Martin Geoff Emerick Phil McDonald
1966/12/09 14:30 22:00 Abbey Road, Studio Two Mono mixing Strawberry Fields Forever remix 4, from take 25 George Martin Geoff Emerick Phil McDonald
1966/12/09 14:30 22:00 Abbey Road, Studio Two Recording Strawberry Fields Forever SI onto take 25 George Martin Geoff Emerick Phil McDonald
1966/12/15 14:30 0:00 Abbey Road, Studio Two Recording Strawberry Fields Forever SI onto take 25, tape reduction take 25 into take 26, SI onto take 26 George Martin Geoff Emerick Phil McDonald
1966/12/15 14:30 0:00 Abbey Road, Studio Two Mono mixing Strawberry Fields Forever remixes 5-9, from take 26 George Martin Geoff Emerick Phil McDonald
1966/12/20 19:00 1:00 Abbey Road, Studio Two Recording When I’m Sixty-Four SI onto take 2, tape reduction take 2 into takes 3 and 4 George Martin Geoff Emerick Phil McDonald
1966/12/21 19:00 21:00 Abbey Road, Studio Two Recording When I’m Sixty-Four SI onto take 4 George Martin Geoff Emerick Phil McDonald
1966/12/21 21:00 22:00 Abbey Road, Studio Two Mono mixing When I’m Sixty-Four remixes 1-3, from take 4 George Martin Geoff Emerick Phil McDonald
1966/12/21 22:00 23:45 Abbey Road, Studio Two Recording Strawberry Fields Forever SI onto take 26 George Martin Geoff Emerick Phil McDonald
1966/12/22 19:00 23:30 Abbey Road, Studio Two Mono mixing Strawberry Fields Forever remix 10, from take 7, and remix 11, from take 26 George Martin Geoff Emerick Phil McDonald
1966/12/22 19:00 23:30 Abbey Road, Studio Two Editing Strawberry Fields Forever of mono remixes 10 and 11, edit numbered remix 12 George Martin Geoff Emerick Phil McDonald
1966/12/29 14:30 16:45 Abbey Road, Studio Three Mono mixing When I’m Sixty-Four remixes 4-7, from take 4 George Martin Geoff Emerick Phil McDonald
1966/12/29 14:30 16:45 Abbey Road, Studio Three Tape copying Strawberry Fields Forever of remix mono 12, numbered remix mono 13 George Martin Geoff Emerick Phil McDonald
1966/12/29 16:45 17:40 Abbey Road, Studio Three Stereo mixing Strawberry Fields Forever remix 1, from take 7, remixes 2 and 4, from take 26 George Martin Geoff Emerick Phil McDonald
1966/12/29 16:45 17:40 Abbey Road, Studio Three Editing Strawberry Fields Forever stereo remixes 1 and 2 edited together as remix 3, stereo remixes 1 and 4 edited together as remix 5 George Martin Geoff Emerick Phil McDonald
1966/12/29 19:00 2:15 Abbey Road, Studio Three Recording Penny Lane Untitled takes 1-6 George Martin Geoff Emerick Phil McDonald
1966/12/29 19:00 2:15 Abbey Road, Studio Three Mono mixing Penny Lane Untitled remixes 1 and 2, from take 6 George Martin Geoff Emerick Phil McDonald
1966/12/30 19:00 3:00 Abbey Road, Studio Two Mono mixing When I’m Sixty-Four remix 8, from take 4 George Martin Geoff Emerick Phil McDonald
1966/12/30 19:00 3:00 Abbey Road, Studio Two Tape copying Strawberry Fields Forever of remix mono 12 George Martin Geoff Emerick Phil McDonald
1966/12/30 19:00 3:00 Abbey Road, Studio Two Recording Penny Lane tape reduction take 6 into take 7, SI onto take 7 George Martin Geoff Emerick Phil McDonald
1966/12/30 19:00 3:00 Abbey Road, Studio Two Mono mixing Penny Lane remixes 1 and 2, from take 7 George Martin Geoff Emerick Phil McDonald
1967/01/02 14:30 16:00 Abbey Road, Studio Two Tape copying When I’m Sixty-Four of remix mono 8 George Martin Geoff Emerick Phil McDonald
1967/01/02 14:30 16:00 Abbey Road, Studio Two Tape copying Strawberry Fields Forever of remix mono 12 George Martin Geoff Emerick Phil McDonald
1967/01/04 19:00 2:45 Abbey Road, Studio Two Recording Penny Lane SI onto take 7 George Martin Geoff Emerick Phil McDonald
1967/01/05 19:00 0:15 Abbey Road, Studio Two Recording Penny Lane SI onto take 7 George Martin Geoff Emerick Phil McDonald
1967/01/05 19:00 0:15 Abbey Road, Studio Two Recording Untitled (Carnival Of Light) take 1 George Martin Geoff Emerick Phil McDonald
1967/01/05 19:00 0:15 Abbey Road, Studio Two Mono mixing Untitled (Carnival Of Light) from take 1 George Martin Geoff Emerick Phil McDonald
1967/01/06 19:00 1:00 Abbey Road, Studio Two Recording Penny Lane SI onto take 7, tape reduction take 7 into take 8, SI onto take 8, tape reduction take 8 into take 9 George Martin Geoff Emerick Phil McDonald
1967/01/09 19:00 1:45 Abbey Road, Studio Two Recording Penny Lane SI onto take 9 George Martin Geoff Emerick Phil McDonald
1967/01/09 19:00 1:45 Abbey Road, Studio Two Mono mixing Penny Lane remixes 5 and 6, from take 9 George Martin Geoff Emerick Phil McDonald
1967/01/10 19:00 1:40 Abbey Road, Studio Three Recording Penny Lane SI onto take 9 George Martin Geoff Emerick Phil McDonald
1967/01/12 14:30 23:00 Abbey Road, Studio Three Recording Penny Lane SI onto take 9 George Martin Geoff Emerick Phil McDonald
1967/01/12 14:30 23:00 Abbey Road, Studio Three Mono mixing Penny Lane remixes 7 and 8, from take 9 George Martin Geoff Emerick Phil McDonald
1967/01/17 19:00 0:30 Abbey Road, Studio Two Recording Penny Lane SI onto take 9 George Martin Geoff Emerick Phil McDonald
1967/01/17 19:00 0:30 Abbey Road, Studio Two Mono mixing Penny Lane remixes 9-11, from take 9 George Martin Geoff Emerick Phil McDonald
1967/01/17 19:00 0:30 Abbey Road, Studio Two Tape copying Penny Lane of remix mono 11 George Martin Geoff Emerick Phil McDonald
1967/01/19 19:30 2:30 Abbey Road, Studio Two Recording A Day In The Life In The Life Of… takes 1-4 George Martin Geoff Emerick Phil McDonald
1967/01/20 19:00 1:10 Abbey Road, Studio Two Recording A Day In The Life tape reduction take 4 into takes 5-7, SI onto take 6 George Martin Geoff Emerick Phil McDonald
1967/01/25 18:30 20:30 Abbey Road, Studio One Mono mixing Penny Lane remixes 12-14, from take 9 George Martin Geoff Emerick Phil McDonald
1967/01/25 21:00 22:00 Abbey Road, Studio One Tape copying Penny Lane of remix mono 14 George Martin Geoff Emerick Phil McDonald
1967/01/30 19:00 20:30 Abbey Road, Studio Three Mono mixing A Day In The Life remix 1, from take 6 George Martin Geoff Emerick Richard Lush
1967/02/01 19:00 2:30 Abbey Road, Studio Two Recording Sgt. Pepper’s Lonely Hearts Club Band takes 1-9 George Martin Geoff Emerick Richard Lush
1967/02/02 19:00 1:45 Abbey Road, Studio Two Recording Sgt. Pepper’s Lonely Hearts Club Band SI onto take 9, tape reduction take 9 into take 10 George Martin Geoff Emerick Richard Lush
1967/02/02 19:00 1:45 Abbey Road, Studio Two Mono mixing Sgt. Pepper’s Lonely Hearts Club Band remix 1, from take 10 George Martin Geoff Emerick Richard Lush
1967/02/03 19:00 1:15 Abbey Road, Studio Two Recording A Day In The Life SI onto take 6 George Martin Geoff Emerick Richard Lush
1967/02/08 19:00 2:15 Abbey Road, Studio Two Recording Good Morning, Good Morning takes 1-8 George Martin Geoff Emerick Richard Lush
1967/02/09 Regent Sound Studio Recording Fixing A Hole takes 1-3 George Martin Adrian Ibbetson unknown
1967/02/10 20:00 1:00 Abbey Road, Studio One Recording A Day In The Life tape reduction take 6 into take 7, SI onto take 7, reduction of take 7 with SI onto take 6, edit piece takes 8-11 George Martin Geoff Emerick Richard Lush
1967/02/13 19:00 3:30 Abbey Road, Studio Two Mono mixing A Day In The Life remixes 2-5, from take 7 George Martin Geoff Emerick Richard Lush
1967/02/13 19:00 3:30 Abbey Road, Studio Two Recording Only A Northern Song Not Known takes 1-9 George Martin Geoff Emerick Richard Lush
1967/02/14 19:00 0:30 Abbey Road, Studio Two Recording Only A Northern Song tape reduction take 3 into takes 10-12, SI onto take 12 George Martin Geoff Emerick Richard Lush
1967/02/14 19:00 0:30 Abbey Road, Studio Two Mono mixing Only A Northern Song remixes 1-3, from take 12 George Martin Geoff Emerick Richard Lush
1967/02/16 19:00 1:45 Abbey Road, Studio Three Recording Good Morning, Good Morning SI onto take 8, tape reduction take 8 into takes 9 and 10 George Martin Geoff Emerick Richard Lush
1967/02/16 19:00 1:45 Abbey Road, Studio Three Mono mixing Good Morning, Good Morning remix 1, from take 8 George Martin Geoff Emerick Richard Lush
1967/02/17 19:00 3:00 Abbey Road, Studio Two Recording Being For The Benefit Of Mr. Kite! takes 1-7, tape reduction take 7 into takes 8 and 9, SI onto take 9 George Martin Geoff Emerick Richard Lush
1967/02/17 19:00 3:00 Abbey Road, Studio Two Mono mixing Being For The Benefit Of Mr. Kite! remix 1, from take 9 George Martin Geoff Emerick Richard Lush
1967/02/20 19:00 2:15 Abbey Road, Studio Three Recording Being For The Benefit Of Mr. Kite! unnumbered take George Martin Geoff Emerick Richard Lush
1967/02/20 19:00 2:15 Abbey Road, Studio Three Mono mixing Good Morning, Good Morning remix 1, from take 10 George Martin Geoff Emerick Richard Lush
1967/02/21 19:00 0:45 Abbey Road, Studio Two Recording Fixing A Hole take 1, tape reduction take 2 into take 3, SI onto take 3 George Martin Geoff Emerick Richard Lush
1967/02/21 19:00 0:45 Abbey Road, Studio Two Mono mixing Fixing A Hole remixes 2-6, from take 3 George Martin Geoff Emerick Richard Lush
1967/02/21 19:00 0:45 Abbey Road, Studio Two Editing Fixing A Hole of mono remixes 3 and 6 George Martin Geoff Emerick Richard Lush
1967/02/22 19:00 3:45 Abbey Road, Studio Two Recording A Day In The Life edit pieces 1-9 George Martin Geoff Emerick Richard Lush
1967/02/22 19:00 3:45 Abbey Road, Studio Two Mono mixing A Day In The Life remixes 6-9, from takes 6 and 7 George Martin Geoff Emerick Richard Lush
1967/02/22 19:00 3:45 Abbey Road, Studio Two Editing A Day In The Life of remix mono 9 and edit piece take 9 George Martin Geoff Emerick Richard Lush
1967/02/22 19:00 3:45 Abbey Road, Studio Two Stereo mixing A Day In The Life remixes 1-9, from takes 6 and 7 George Martin Geoff Emerick Richard Lush
1967/02/22 19:00 3:45 Abbey Road, Studio Two Recording Anything (a.k.a. “Drum Track (1)”) take 1 George Martin Geoff Emerick Richard Lush
1967/02/23 19:00 3:45 Abbey Road, Studio Two Stereo mixing A Day In The Life remixes 10-12, from takes 6 and 7 George Martin Geoff Emerick Richard Lush
1967/02/23 19:00 3:45 Abbey Road, Studio Two Editing A Day In The Life of remix stereo 12 and edit piece 9 George Martin Geoff Emerick Richard Lush
1967/02/23 19:00 3:45 Abbey Road, Studio Two Recording Lovely Rita takes 1-8, tape reduction take 8 into take 9 George Martin Geoff Emerick Richard Lush
1967/02/24 19:00 1:15 Abbey Road, Studio Two Recording Lovely Rita SI onto take 9, tape reduction take 9 into takes 10 and 11 George Martin Geoff Emerick Richard Lush
1967/02/28 19:00 3:00 Abbey Road, Studio Two Recording Lucy In The Sky With Diamonds rehearsal only George Martin Geoff Emerick Richard Lush
1967/03/01 19:00 2:15 Abbey Road, Studio Two Recording A Day In The Life SI onto take 6 George Martin Geoff Emerick Richard Lush
1967/03/01 19:00 2:15 Abbey Road, Studio Two Recording Lucy In The Sky With Diamonds takes 1-7, tape reduction take 7 into take 8 George Martin Geoff Emerick Richard Lush
1967/03/02 19:00 3:30 Abbey Road, Studio Two Recording Lucy In The Sky With Diamonds SI onto take 8 George Martin Geoff Emerick Richard Lush
1967/03/02 19:00 3:30 Abbey Road, Studio Two Mono mixing Lucy In The Sky With Diamonds remixes 1-11, from take 8 George Martin Geoff Emerick Richard Lush
1967/03/03 19:00 2:15 Abbey Road, Studio Two Recording Sgt. Pepper’s Lonely Hearts Club Band SI onto take 10 George Martin Geoff Emerick Richard Lush
1967/03/03 19:00 2:15 Abbey Road, Studio Two Mono mixing Lucy In The Sky With Diamonds remixes 1-4, from take 8 George Martin Geoff Emerick Richard Lush
1967/03/06 19:00 0:30 Abbey Road, Studio Two Recording Sgt. Pepper’s Lonely Hearts Club Band SI onto take 10 George Martin Geoff Emerick Richard Lush
1967/03/06 19:00 0:30 Abbey Road, Studio Two Mono mixing Sgt. Pepper’s Lonely Hearts Club Band remixes 2 and 3, from take 10 George Martin Geoff Emerick Richard Lush
1967/03/06 19:00 0:30 Abbey Road, Studio Two Stereo mixing Sgt. Pepper’s Lonely Hearts Club Band remixes 1-8, from take 10 George Martin Geoff Emerick Richard Lush
1967/03/07 19:00 2:30 Abbey Road, Studio Two Recording Lovely Rita SI onto take 11 George Martin Geoff Emerick Richard Lush
1967/03/09 19:00 3:30 Abbey Road, Studio Two Recording Getting Better takes 1-7, tape reduction take 7 into takes 8-12 George Martin Malcolm Addey and Ken Townsend Graham Kirkby
1967/03/10 19:00 4:00 Abbey Road, Studio Two Recording Getting Better SI onto take 12 George Martin Geoff Emerick Richard Lush
1967/03/13 19:00 2:30 Abbey Road, Studio Two Recording Good Morning, Good Morning SI onto take 10 George Martin Geoff Emerick Richard Lush
1967/03/15 19:00 1:30 Abbey Road, Studio Two Recording Within You, Without You Untitled take 1 George Martin Geoff Emerick Richard Lush
1967/03/17 19:00 0:45 Abbey Road, Studio Two Recording She’s Leaving Home takes 1-6 George Martin Geoff Emerick Richard Lush
1967/03/20 19:00 3:30 Abbey Road, Studio Two Recording Beatle Talk take 1 George Martin Geoff Emerick Ken Scott
1967/03/20 19:00 3:30 Abbey Road, Studio Two Recording She’s Leaving Home tape reduction take 1 into takes 7-9, tape reduction take 6 into take 10, SI onto take 9 George Martin Geoff Emerick Ken Scott
1967/03/20 19:00 3:30 Abbey Road, Studio Two Mono mixing She’s Leaving Home remixes 1-6, from take 9 George Martin Geoff Emerick Ken Scott
1967/03/20 19:00 3:30 Abbey Road, Studio Two Editing She’s Leaving Home of remix mono 6 George Martin Geoff Emerick Ken Scott
1967/03/21 19:00 2:45 Abbey Road, Studio Two Recording Getting Better tape reduction take 12 into take 13 and 14, SI onto take 14 George Martin Geoff Emerick Richard Lush
1967/03/21 19:00 2:45 Abbey Road, Studio Two Recording Lovely Rita SI onto take 11 George Martin Geoff Emerick Richard Lush
1967/03/21 19:00 2:45 Abbey Road, Studio Two Mono mixing Lovely Rita remixes 1-15, from take 11 George Martin Geoff Emerick Richard Lush
1967/03/21 19:00 2:45 Abbey Road, Studio Two Editing Lovely Rita of mono remixes 11 and 14 George Martin Geoff Emerick Richard Lush
1967/03/22 19:00 2:15 Abbey Road, Studio Two Recording Within You, Without You SI onto take 1, tape reduction take 1 into take 2 George Martin Geoff Emerick Richard Lush
1967/03/22 19:00 2:15 Abbey Road, Studio Two Mono mixing Within You, Without You remix 1, from take 2 George Martin Geoff Emerick Richard Lush
1967/03/23 19:00 3:45 Abbey Road, Studio Two Recording Getting Better SI onto take 14, tape reduction take 14 into take 15, SI onto take 15 Peter Vince Peter Vince Ken Scott
1967/03/23 19:00 3:45 Abbey Road, Studio Two Mono mixing Getting Better remixes 1-3, from take 15 Peter Vince Peter Vince Ken Scott
1967/03/28 19:00 4:45 Abbey Road, Studio Two Recording Good Morning, Good Morning SI onto take 10, tape reduction take 10 into take 11, SI onto take 11, unnumbered take George Martin Geoff Emerick Richard Lush
1967/03/28 19:00 4:45 Abbey Road, Studio Two Recording Being For The Benefit Of Mr. Kite! SI onto take 9 George Martin Geoff Emerick Richard Lush
1967/03/29 19:00 5:45 Abbey Road, Studio Two Recording Good Morning, Good Morning unnumbered take, SI of unnumbered take onto take 11 George Martin Geoff Emerick Richard Lush
1967/03/29 19:00 5:45 Abbey Road, Studio Two Recording Being For The Benefit Of Mr. Kite! SI onto take 9 George Martin Geoff Emerick Richard Lush
1967/03/29 19:00 5:45 Abbey Road, Studio Two Recording With A Little Help From My Friends Bad Finger Boogie takes 1-10, tape reduction take 10 into take 11, SI onto take 11 George Martin Geoff Emerick Richard Lush
1967/03/30 23:00 7:30 Abbey Road, Studio Two Recording With A Little Help From My Friends SI onto take 11 George Martin Geoff Emerick Richard Lush
1967/03/31 19:00 3:00 Abbey Road, Studio Two Mono mixing With A Little Help From My Friends remixes 1-15, from take 11 George Martin Geoff Emerick Richard Lush
1967/03/31 19:00 3:00 Abbey Road, Studio Two Recording Being For The Benefit Of Mr. Kite! SI onto take 9 George Martin Geoff Emerick Richard Lush
1967/03/31 19:00 3:00 Abbey Road, Studio Two Mono mixing Being For The Benefit Of Mr. Kite! remixes 1-7, from take 9 George Martin Geoff Emerick Richard Lush
1967/04/01 19:00 6:00 Abbey Road, Studio One Recording Sgt. Pepper’s Lonely Hearts Club Band (Reprise) takes 1-9 George Martin Geoff Emerick Richard Lush
1967/04/01 19:00 6:00 Abbey Road, Studio One Mono mixing Sgt. Pepper’s Lonely Hearts Club Band (Reprise) remixes 1-9, from take 9 George Martin Geoff Emerick Richard Lush
1967/04/03 19:00 3:00 Abbey Road, Studio One Recording Within You, Without You SI onto take 2 George Martin Geoff Emerick Richard Lush
1967/04/03 3:00 6:30 Abbey Road, Studio Two Mono mixing Within You, Without You remixes 1-3 from ‘Part 1’ of take 2, remixes 4 and 5 from ‘Parts 2 and 3’ of take 2 George Martin Geoff Emerick Richard Lush
1967/04/04 19:00 0:45 Abbey Road, Studio Two Mono mixing Within You, Without You remixes 6-11 from ‘Part 1’ of take 2, remix 12 from ‘Parts 2 and 3’ of take 2 George Martin Geoff Emerick Richard Lush
1967/04/04 19:00 0:45 Abbey Road, Studio Two Editing Within You, Without You of mono remixes 10 and 12, with SI George Martin Geoff Emerick Richard Lush
1967/04/04 19:00 0:45 Abbey Road, Studio Two Stereo mixing Within You, Without You remixes 1-3 from ‘Part 1’ of take 2, remixes 4 and 5, from ‘Parts 2 and 3’ of take 2 George Martin Geoff Emerick Richard Lush
1967/04/04 19:00 0:45 Abbey Road, Studio Two Editing Within You, Without You of stereo remixes 3 and 5, with SI George Martin Geoff Emerick Richard Lush
1967/04/06 19:00 1:00 Abbey Road, Studio Two Mono mixing Crossfades for LP; Good Morning, Good Morning remixes 1 and 2, from take 11 George Martin Geoff Emerick Richard Lush
1967/04/06 19:00 1:00 Abbey Road, Studio Two Stereo mixing Good Morning, Good Morning remixes 1-5, from take 11 George Martin Geoff Emerick Richard Lush
1967/04/07 19:00 1:00 Abbey Road, Studio Two Stereo mixing Crossfades for LP; With A Little Help From My Friends remixes 1-3, from take 11 George Martin Geoff Emerick Richard Lush
1967/04/07 19:00 1:00 Abbey Road, Studio Two Stereo mixing Being For The Benefit Of Mr. Kite! remixes 1-8, from take 9 George Martin Geoff Emerick Richard Lush
1967/04/07 19:00 1:00 Abbey Road, Studio Two Stereo mixing Fixing A Hole remix 1, from take 3 George Martin Geoff Emerick Richard Lush
1967/04/07 19:00 1:00 Abbey Road, Studio Two Stereo mixing Lucy In The Sky With Diamonds remixes 1-5, from take 8 George Martin Geoff Emerick Richard Lush
1967/04/17 19:00 22:30 Abbey Road, Studio Two Stereo mixing Getting Better remix 1, from take 15 George Martin Geoff Emerick Richard Lush
1967/04/17 19:00 22:30 Abbey Road, Studio Two Stereo mixing She’s Leaving Home remixes 1-6, from take 9 George Martin Geoff Emerick Richard Lush
1967/04/17 19:00 22:30 Abbey Road, Studio Two Stereo mixing When I’m Sixty-Four remix 1, from take 4 George Martin Geoff Emerick Richard Lush
1967/04/17 19:00 22:30 Abbey Road, Studio Two Stereo mixing Lovely Rita remixes 1 and 2, from take 11 George Martin Geoff Emerick Richard Lush
1967/04/17 19:00 22:30 Abbey Road, Studio Two Editing She’s Leaving Home of remix stereo 6 George Martin Geoff Emerick Richard Lush
1967/04/19 19:00 0:30 Abbey Road, Studio Two Mono mixing Good Morning, Good Morning remixes 10-23, from take 11 George Martin Geoff Emerick Richard Lush
1967/04/19 19:00 0:30 Abbey Road, Studio Two Mono mixing Only A Northern Song remix 4, from take 12 George Martin Geoff Emerick Richard Lush
1967/04/20 17:00 18:15 Abbey Road, Studio Three Stereo mixing Sgt. Pepper’s Lonely Hearts Club Band (Reprise) remixes 1-10, from take 9 n/a Geoff Emerick Richard Lush
1967/04/20 19:00 2:15 Abbey Road, Studio Two Recording Only A Northern Song SI onto take 3, SI onto take 11 George Martin Geoff Emerick Richard Lush
1967/04/21 19:00 1:30 Abbey Road, Studio Two Mono mixing Only A Northern Song remixes 1-11, from takes 3 and 11 George Martin Geoff Emerick Richard Lush
1967/04/21 19:00 1:30 Abbey Road, Studio Two Recording Edit for LP end take 1 George Martin Geoff Emerick Richard Lush
1967/04/25 19:00 3:45 Abbey Road, Studio Three Recording Magical Mystery Tour tape loop of coach noise, takes 1-3, tape reduction take 3 into take 4-8 George Martin Geoff Emerick Richard Lush
1967/04/26 19:00 2:00 Abbey Road, Studio Three Recording Magical Mystery Tour SI onto take 8, tape reduction take 8 into take 9 George Martin Geoff Emerick Richard Lush
1967/04/27 19:00 0:45 Abbey Road, Studio Three Recording Magical Mystery Tour SI onto take 9 George Martin Geoff Emerick Richard Lush
1967/04/27 19:00 0:45 Abbey Road, Studio Three Mono mixing Magical Mystery Tour remixes 1-4, from take 9 George Martin Geoff Emerick Richard Lush
1967/05/03 19:00 0:15 Abbey Road, Studio Three Recording Magical Mystery Tour SI onto take 9 George Martin Malcolm Addey Richard Lush
1967/05/04 19:00 23:15 Abbey Road, Studio Three Mono mixing Magical Mystery Tour remixes 1-7, from take 9 George Martin Geoff Emerick Richard Lush
1967/05/09 23:00 6:15 Abbey Road, Studio Two Recording Untitled take 1 George Martin Geoff Emerick Richard Lush
1967/05/11 21:00 3:00 Studio One, Olympic Sound Studios Recording Baby, You’re A Rich Man takes 1-12, tape reduction take 12 into takes 1 and 2 George Martin Keith Grant Eddie Kramer
1967/05/11 21:00 3:00 Studio One, Olympic Sound Studios Mono mixing Baby, You’re A Rich Man remix 1, from take 2 George Martin Keith Grant Eddie Kramer
1967/05/12 19:00 0:30 Abbey Road, Studio Two Recording All Together Now takes 1-9 n/a Geoff Emerick Richard Lush
1967/05/12 19:00 0:30 Abbey Road, Studio Two Mono mixing All Together Now remixes 1-6, from take 9 n/a Geoff Emerick Richard Lush
1967/05/17 19:00 2:30 Abbey Road, Studio Two Recording You Know My Name (Look Up The Number) Part 1, takes 1-14 Geoff Emerick Geoff Emerick Richard Lush
1967/05/25 De Lane Lea Music Recording Studios Recording It’s All Too Much Too Much takes 1-4 n/a Dave Siddle Mike Weighell
1967/05/26 De Lane Lea Music Recording Studios Recording It’s All Too Much Too Much tape reduction take 4 into takes 1 and 2, SI onto take 2 n/a Dave Siddle Mike Weighell
1967/06/01 De Lane Lea Music Recording Studios Recording Untitled no numbered takes George Martin Dave Siddle Mike Weighell
1967/06/02 20:30 2:00 De Lane Lea Music Recording Studios Recording It’s All Too Much SI onto take 2 George Martin Dave Siddle Mike Weighell
1967/06/02 20:30 2:00 De Lane Lea Music Recording Studios Recording Untitled no numbered takes George Martin Dave Siddle Mike Weighell
1967/06/07 19:00 2:00 Abbey Road, Studio Two Recording You Know My Name (Look Up The Number) SI onto take 9, takes 20-24 George Martin Geoff Emerick Richard Lush
1967/06/08 19:00 1:00 Abbey Road, Studio Two Recording You Know My Name (Look Up The Number) Part 2, takes 1-12, Part 3, takes 1-4, Part 4 takes 1-6, Part 5, take 1 George Martin Geoff Emerick Richard Lush
1967/06/09 19:00 23:00 Abbey Road, Studio Two Editing You Know My Name (Look Up The Number) take 30, consisting of take 9 of part 1, take 12 of part 2, take 4 of part 3, take 6 of part 4 and take 1 of part 5 George Martin Geoff Emerick Richard Lush
1967/06/09 19:00 23:00 Abbey Road, Studio Two Mono mixing You Know My Name (Look Up The Number) remix 1, from take 30 George Martin Geoff Emerick Richard Lush
1967/06/14 Studio One, Olympic Sound Studios Recording All You Need Is Love takes 1-33, tape reduction of take 10 George Martin Eddie Kramer George Chkiantz
1967/06/19 19:00 1:45 Abbey Road, Studio Three Tape copying All You Need Is Love of take 10 George Martin Geoff Emerick Richard Lush
1967/06/19 19:00 1:45 Abbey Road, Studio Three Recording All You Need Is Love SI onto take 10 George Martin Geoff Emerick Richard Lush
1967/06/21 16:30 17:00 Abbey Road, Room 53 Mono mixing All You Need Is Love remix 1, from take 10 George Martin Malcolm Addey Phil McDonald
1967/06/21 19:00 23:30 Abbey Road, Studio Three Mono mixing All You Need Is Love demo remix, unnumbered George Martin Geoff Emerick Richard Lush
1967/06/23 20:00 23:00 Abbey Road, Studio One Recording All You Need Is Love tape reduction of take 10, takes 34-43 as SI onto take 10 George Martin Geoff Emerick Richard Lush
1967/06/24 17:00 20:00 Abbey Road, Studio One Recording All You Need Is Love takes 44-47 as SI onto take 10 George Martin Geoff Emerick Richard Lush
1967/06/25 14:00 1:00 Abbey Road, Studio One Recording All You Need Is Love takes 48-50, BBC rehearsal takes 1-3; takes 51-53; takes 54-58 [58 being live BBC broadcast]; SI onto take 58 George Martin Geoff Emerick Richard Lush and Martin Benge
1967/06/26 14:00 17:00 Abbey Road, Studio Two Mono mixing All You Need Is Love remixes 2-10, from take 58 George Martin Geoff Emerick Richard Lush
1967/08/22 Chappell Recording Studios Recording Your Mother Should Know takes 1-8 George Martin John Timperley John Iles
1967/08/23 Chappell Recording Studios Recording Your Mother Should Know tape reduction take 8 into take 9, SI onto take 9 George Martin John Timperley John Iles
1967/09/05 19:00 1:00 Abbey Road, Studio One Recording I Am The Walrus takes 1-16 George Martin Geoff Emerick Ken Scott and Richard Lush
1967/09/06 19:00 3:00 Abbey Road, Studio Two Recording I Am The Walrus tape reduction take 16 into take 17, SI onto take 17 George Martin Geoff Emerick Ken Scott
1967/09/06 19:00 3:00 Abbey Road, Studio Two Mono mixing I Am The Walrus remixes 1-4, from take 17 George Martin Geoff Emerick Ken Scott
1967/09/06 19:00 3:00 Abbey Road, Studio Two Recording The Fool On The Hill take 1 George Martin Geoff Emerick Ken Scott
1967/09/06 19:00 3:00 Abbey Road, Studio Two Recording Blue Jay Way take 1 George Martin Geoff Emerick Ken Scott
1967/09/07 19:00 3:15 Abbey Road, Studio Two Recording Blue Jay Way tape reduction take 1 into take 2, SI onto take 2, tape reduction take 2 into take 3, SI onto take 3 George Martin Peter Vince Ken Scott
1967/09/08 19:00 2:45 Abbey Road, Studio Three Recording Flying Aerial Tour Instrumental takes 1-6, tape reduction take 6 into takes 7 and 8, SI onto take 8 George Martin Geoff Emerick Richard Lush
1967/09/08 19:00 2:45 Abbey Road, Studio Three Mono mixing Flying Aerial Tour Instrumental remixes 1-4, from take 8 George Martin Geoff Emerick Richard Lush
1967/09/16 19:00 3:45 Abbey Road, Studio Three Recording Your Mother Should Know [re-make] takes 20-30 George Martin Ken Scott Jeff Jarratt
1967/09/16 19:00 3:45 Abbey Road, Studio Three Mono mixing Blue Jay Way remix 1, from take 3 George Martin Ken Scott Jeff Jarratt
1967/09/16 19:00 3:45 Abbey Road, Studio Three Tape copying I Am The Walrus of remix mono 4 George Martin Ken Scott Jeff Jarratt
1967/09/16 19:00 3:45 Abbey Road, Studio Three Tape copying Blue Jay Way of remix mono 1 George Martin Ken Scott Jeff Jarratt
1967/09/25 19:00 3:00 Abbey Road, Studio Two Recording The Fool On The Hill takes 1-3, tape reduction take 3 into take 4, SI onto take 4 George Martin Ken Scott Richard Lush
1967/09/25 19:00 3:00 Abbey Road, Studio Two Mono mixing The Fool On The Hill remix 1, from take 4 George Martin Ken Scott Richard Lush
1967/09/26 19:00 4:15 Abbey Road, Studio Two Recording The Fool On The Hill tape reduction take 4 into take 5, SI onto take 5, tape reduction take 5 into take 6, SI onto take 6 n/a Ken Scott Richard Lush
1967/09/27 14:30 17:30 Abbey Road, Studio One Recording I Am The Walrus tape reduction take 17 into takes 18-24, with SI onto takes 18-24 George Martin Ken Scott Richard Lush
1967/09/27 19:00 3:30 Abbey Road, Studio Two Recording I Am The Walrus tape reduction take 20 into take 25, SI onto take 25 George Martin Ken Scott Richard Lush
1967/09/27 19:00 3:30 Abbey Road, Studio Two Recording The Fool On The Hill SI onto take 6 George Martin Ken Scott Richard Lush
1967/09/27 19:00 3:30 Abbey Road, Studio Two Mono mixing The Fool On The Hill remix 2, from take 6 George Martin Ken Scott Richard Lush
1967/09/28 16:00 17:30 Abbey Road, Studio Two Tape copying Magical Mystery Tour of remix mono 7 George Martin Ken Scott Richard Lush
1967/09/28 16:00 17:30 Abbey Road, Studio Two Tape copying Flying Aerial Tour Instrumental of remix mono 4 George Martin Ken Scott Richard Lush
1967/09/28 16:00 17:30 Abbey Road, Studio Two Recording I Am The Walrus tape reduction of take 25 as SI onto take 17 George Martin Ken Scott Richard Lush
1967/09/28 19:00 3:00 Abbey Road, Studio Two Mono mixing I Am The Walrus remixes 2-5, from take 17 George Martin Ken Scott Richard Lush
1967/09/28 19:00 3:00 Abbey Road, Studio Two Editing I Am The Walrus of remix mono 2 George Martin Ken Scott Richard Lush
1967/09/28 19:00 3:00 Abbey Road, Studio Two Recording Flying Aerial Tour Instrumental SI onto take 8, takes 1-5 of SI onto take 8 George Martin Ken Scott Richard Lush
1967/09/28 19:00 3:00 Abbey Road, Studio Two Mono mixing Flying Aerial Tour Instrumental remixes 5 and 6, from take 8 George Martin Ken Scott Richard Lush
1967/09/28 19:00 3:00 Abbey Road, Studio Two Editing Flying Aerial Tour Instrumental of remix mono 6 George Martin Ken Scott Richard Lush
1967/09/29 19:00 5:00 Abbey Road, Studio Two Mono mixing I Am The Walrus remixes 6-22, from take 17 George Martin Ken Scott Graham Kirkby
1967/09/29 19:00 5:00 Abbey Road, Studio Two Editing I Am The Walrus of mono remixes 10 and 22, called remix mono 23 George Martin Ken Scott Graham Kirkby
1967/09/29 19:00 5:00 Abbey Road, Studio Two Recording Your Mother Should Know tape reduction take 9 into takes 50-52, SI onto take 52 George Martin Ken Scott Graham Kirkby
1967/09/29 19:00 5:00 Abbey Road, Studio Two Mono mixing Your Mother Should Know remix 20, from take 52 George Martin Ken Scott Graham Kirkby
1967/10/02 22:00 2:30 Abbey Road, Studio Two Mono mixing Your Mother Should Know remixes 21-25, from take 52 George Martin Ken Scott Graham Kirkby
1967/10/02 22:00 2:30 Abbey Road, Studio Two Recording Hello, Goodbye Hello, Hello takes 1-14, tape reduction take 14 into takes 15 and 16 George Martin Ken Scott Graham Kirkby
1967/10/06 19:00 0:00 Abbey Road, Studio Two Recording Blue Jay Way SI onto take 3 George Martin Geoff Emerick Richard Lush
1967/10/12 14:30 20:00 De Lane Lea Music Recording Studios Mono mixing It’s All Too Much remixes 1 and 2, from take 2 George Martin Dave Siddle Mike Weighell
1967/10/12 18:30 2:00 Abbey Road, Studio Three Mono mixing Blue Jay Way remixes 2-9, from take 3 John Lennon Ken Scott Richard Lush
1967/10/12 18:30 2:00 Abbey Road, Studio Three Editing Blue Jay Way of mono remixes 6 and 9 John Lennon Ken Scott Richard Lush
1967/10/12 18:30 2:00 Abbey Road, Studio Three Recording Shirley’s Wild Accordion Accordion (Wild) takes 1-8, tape reduction take 8 into takes 9 and 10, SI onto take 10, takes 11-15 John Lennon Ken Scott Richard Lush
1967/10/12 18:30 2:00 Abbey Road, Studio Three Mono mixing Shirley’s Wild Accordion Accordion (Wild) remixes 1, 2 and 3, from takes 10, 7 abd 14 respectively John Lennon Ken Scott Richard Lush
1967/10/19 19:00 3:30 Abbey Road, Studio One Recording Hello, Goodbye Hello, Hello SI onto take 16, tape reduction take 16 into take 17 George Martin Ken Scott Richard Lush
1967/10/20 19:00 3:45 Abbey Road, Studio Three Recording The Fool On The Hill SI onto take 6 George Martin Ken Scott Phil McDonald
1967/10/20 19:00 3:45 Abbey Road, Studio Three Recording Hello, Goodbye Hello, Hello SI onto take 17 George Martin Ken Scott Phil McDonald
1967/10/25 19:00 3:00 Abbey Road, Studio Two Mono mixing The Fool On The Hill remixes 10-12, from take 6 George Martin Ken Scott Graham Kirkby
1967/10/25 19:00 3:00 Abbey Road, Studio Two Editing The Fool On The Hill of remix mono 12 George Martin Ken Scott Graham Kirkby
1967/10/25 19:00 3:00 Abbey Road, Studio Two Recording Hello, Goodbye Hello, Hello tape reduction take 17 into takes 18-21, SI onto take 21 George Martin Ken Scott Graham Kirkby
1967/11/01 10:00 13:00 Abbey Road, Room 53 Mono mixing All You Need Is Love remix 11, from take 58 George Martin Geoff Emerick Richard Lush
1967/11/01 10:00 13:00 Abbey Road, Room 53 Mono mixing Lucy In The Sky With Diamonds remix 20, from take 8 George Martin Geoff Emerick Richard Lush
1967/11/01 14:30 18:00 Abbey Road, Studio Three Recording Untitled Sound Effects take 20 George Martin Geoff Emerick Graham Kirkby
1967/11/01 14:30 18:00 Abbey Road, Studio Three Recording Hello, Goodbye tape reduction take 21 into takes 22-25 George Martin Geoff Emerick Graham Kirkby
1967/11/01 14:30 18:00 Abbey Road, Studio Three Stereo mixing The Fool On The Hill remixes 1-5, from take 6 George Martin Geoff Emerick Graham Kirkby
1967/11/01 14:30 18:00 Abbey Road, Studio Three Editing The Fool On The Hill of remix stereo 5 George Martin Geoff Emerick Graham Kirkby
1967/11/02 14:30 18:00 Abbey Road, Studio Three Recording Hello, Goodbye SI onto take 22 George Martin Geoff Emerick Jeff Jarratt
1967/11/02 14:30 18:00 Abbey Road, Studio Three Mono mixing Hello, Goodbye remixes 1-6, from take 22 George Martin Geoff Emerick Jeff Jarratt
1967/11/06 14:30 18:00 Abbey Road, Studio Three Stereo mixing Hello, Goodbye remixes 1 and 2, from take 22 George Martin Geoff Emerick Ken Scott
1967/11/06 14:30 18:00 Abbey Road, Studio Three Stereo mixing I Am The Walrus remixes 1-7, from take 17 and from remix mono 22 George Martin Geoff Emerick Ken Scott
1967/11/06 14:30 18:00 Abbey Road, Studio Three Stereo mixing Your Mother Should Know remixes 1 and 2, from take 52 George Martin Geoff Emerick Ken Scott
1967/11/06 14:30 18:00 Abbey Road, Studio Three Stereo mixing Magical Mystery Tour remixes 1-4, from take 9 George Martin Geoff Emerick Ken Scott
1967/11/06 14:30 18:00 Abbey Road, Studio Three Editing I Am The Walrus of stereo remix 6 and 7 George Martin Geoff Emerick Ken Scott
1967/11/07 14:30 17:45 Abbey Road, Studio Two Stereo mixing Blue Jay Way remixes 1 and 2, from take 3 George Martin Ken Scott Peter Mew
1967/11/07 14:30 17:45 Abbey Road, Studio Two Stereo mixing Flying remix 1, from take 8 George Martin Ken Scott Peter Mew
1967/11/07 14:30 17:45 Abbey Road, Studio Two Editing Blue Jay Way of remix stereo 2 George Martin Ken Scott Peter Mew
1967/11/07 14:30 17:45 Abbey Road, Studio Two Editing Flying of remix stereo 1 George Martin Ken Scott Peter Mew
1967/11/07 21:00 4:30 Abbey Road, Studio One Mono mixing Blue Jay Way remixes 20-28, from take 3 George Martin Geoff Emerick Graham Kirkby
1967/11/07 21:00 4:30 Abbey Road, Studio One Stereo mixing Blue Jay Way remixes 10-12, from take 3 George Martin Geoff Emerick Graham Kirkby
1967/11/07 21:00 4:30 Abbey Road, Studio One Editing Blue Jay Way of remix mono 27; of remix stereo 12 George Martin Geoff Emerick Graham Kirkby
1967/11/07 21:00 4:30 Abbey Road, Studio One Stereo mixing and recording Magical Mystery Tour remixes 5 and 6 from remix stereo 4 with new SI George Martin Geoff Emerick Graham Kirkby
1967/11/07 21:00 4:30 Abbey Road, Studio One Mono mixing and recording Magical Mystery Tour remixes 8-10, from remix mono 7 with new SI George Martin Geoff Emerick Graham Kirkby
1967/11/07 21:00 4:30 Abbey Road, Studio One Tape copying I Am The Walrus of remix mono 23 George Martin Geoff Emerick Graham Kirkby
1967/11/07 21:00 4:30 Abbey Road, Studio One Tape copying Your Mother Should Know of remix mono 25 George Martin Geoff Emerick Graham Kirkby
1967/11/07 21:00 4:30 Abbey Road, Studio One Tape copying Flying of edit of remix mono 6 and of edit of remix stereo 1 George Martin Geoff Emerick Graham Kirkby
1967/11/07 21:00 4:30 Abbey Road, Studio One Tape copying Magical Mystery Tour of remix mono 10 and of remix stereo 6 George Martin Geoff Emerick Graham Kirkby
1967/11/07 21:00 4:30 Abbey Road, Studio One Tape copying Blue Jay Way of edit of remix mono 27 and of edit of remix stereo 12 George Martin Geoff Emerick Graham Kirkby
1967/11/07 21:00 4:30 Abbey Road, Studio One Tape copying The Fool On The Hill of edit of remix mono 12 George Martin Geoff Emerick Graham Kirkby
1967/11/07 21:00 4:30 Abbey Road, Studio One Tape copying Strawberry Fields Forever of remix stereo 3 George Martin Geoff Emerick Graham Kirkby
1967/11/15 10:30 11:00 Abbey Road, Studio Two Mono mixing Hello, Goodbye remix 10, from take 22 n/a Geoff Emerick Richard Lush
1967/11/15 10:30 11:00 Abbey Road, Studio Two Tape copying It’s All Too Much of remix mono 1 n/a Geoff Emerick Richard Lush
1967/11/15 10:30 11:00 Abbey Road, Studio Two Tape copying All Together Now of remix mono 6 n/a Geoff Emerick Richard Lush
1967/11/15 10:30 11:00 Abbey Road, Studio Two Tape copying Only A Northern Song of remix mono 6 n/a Geoff Emerick Richard Lush
1967/11/17 10:00 13:15 Abbey Road, Room 53 Stereo mixing I Am The Walrus remix 25, from take 17 George Martin Geoff Emerick Ken Scott
1967/11/17 10:00 13:15 Abbey Road, Room 53 Editing I Am The Walrus of stereo remixes 25 and 7 George Martin Geoff Emerick Ken Scott
1967/11/28 18:00 2:45 Abbey Road, Studio Three Recording Christmas Time (Is Here Again) take 1[music], takes 1-10[speech], SI of sound effects onto edit/remix George Martin Geoff Emerick Richard Lush
1967/11/28 18:00 2:45 Abbey Road, Studio Three Mono mixing Christmas Time (Is Here Again) of takes 1[music], 2, 6 and 10[speech] George Martin Geoff Emerick Richard Lush
1967/11/29 14:30 17:30 Abbey Road, Studio One Editing Christmas Time (Is Here Again) of unnumbered mono remixes George Martin Geoff Emerick Richard Lush
1967/11/29 14:30 17:30 Abbey Road, Studio One Tape copying Christmas Time (Is Here Again) of master version George Martin Geoff Emerick Richard Lush
1968/01/12 EMI Recording Studio, Bombay, India Recording The Inner Light Untitled takes 1-5 George Harrison J. P. Sen and S. N. Gupta unknown
1968/02/03 14:30 18:00 Abbey Road, Studio Three Recording Lady Madonna takes 1-3 George Martin Ken Scott Richard Lush
1968/02/03 19:00 1:30 Abbey Road, Studio Three Recording Lady Madonna SI onto take 3 George Martin Ken Scott Richard Lush
1968/02/04 14:30 17:30 Abbey Road, Studio Three Recording Across The Universe takes 1-7 George Martin Ken Scott Richard Lush
1968/02/04 20:00 2:00 Abbey Road, Studio Three Recording Across The Universe SI onto take 7, tape reduction take 7 into take 8, SI onto take 8, sound effects take 1-3 George Martin Martin Benge Phil McDonald
1968/02/06 14:30 20:00 Abbey Road, Studio One Tape copying The Inner Light of take 5, numbered take 6 George Martin Geoff Emerick Jerry Boys
1968/02/06 14:30 20:00 Abbey Road, Studio One Recording The Inner Light SI onto take 6 George Martin Geoff Emerick Jerry Boys
1968/02/06 14:30 20:00 Abbey Road, Studio One Mono mixing The Inner Light remix 1, from take 6 George Martin Geoff Emerick Jerry Boys
1968/02/06 21:00 2:00 Abbey Road, Studio One Recording Lady Madonna tape reduction take 3 into take 4, SI onto take 4, tape reduction take 4 into take 5, SI onto take 5 George Martin Geoff Emerick Jerry Boys
1968/02/06 21:00 2:00 Abbey Road, Studio One Mono mixing Lady Madonna remixes 1 and 2, from take 5 George Martin Geoff Emerick Jerry Boys
1968/02/08 14:30 21:00 Abbey Road, Studio Two Recording The Inner Light SI onto take 6 George Martin Geoff Emerick and Ken Scott Richard Lush
1968/02/08 14:30 21:00 Abbey Road, Studio Two Mono mixing The Inner Light remixes 2-4, from take 6 George Martin Geoff Emerick and Ken Scott Richard Lush
1968/02/08 14:30 21:00 Abbey Road, Studio Two Recording Across The Universe SI onto take 8 George Martin Geoff Emerick and Ken Scott Richard Lush
1968/02/08 22:00 0:15 Abbey Road, Studio Two Mono mixing Across The Universe remixes 1 and 2, from take 8 George Martin Ken Scott Richard Lush
1968/02/11 16:00 2:00 Abbey Road, Studio Three Recording Hey Bulldog takes 1-10 George Martin Geoff Emerick Phil McDonald
1968/02/11 16:00 2:00 Abbey Road, Studio Three Mono mixing Hey Bulldog remixes 1 and 2, from take 10 George Martin Geoff Emerick Phil McDonald
1968/02/15 16:30 18:00 Abbey Road, Studio Three Mono mixing Lady Madonna remixes 3-10, from take 5 George Martin Geoff Emerick Martin Benge
1968/05/30 14:30 2:40 Abbey Road, Studio Two Recording Revolution 1 Revolution takes 1-18 George Martin Geoff Emerick Phil McDonald
1968/05/31 14:30 0:00 Abbey Road, Studio Three Recording Revolution 1 Revolution SI onto take 18, tape reduction take 18 into take 19, SI onto take 19 George Martin Geoff Emerick Phil McDonald
1968/06/04 14:30 1:00 Abbey Road, Studio Three Recording Revolution 1 Revolution SI onto take 19, creation of tape loops takes 1 and 2, tape reduction take 19 into take 20, SI onto take 20 George Martin Peter Bown Phil McDonald
1968/06/04 14:30 1:00 Abbey Road, Studio Three Mono mixing Revolution 1 Revolution unnumbered rough remix, from take 20 George Martin Peter Bown Phil McDonald
1968/06/05 14:30 1:30 Abbey Road, Studio Three Recording Don’t Pass Me By Ringo’s Tune (Untitled) (Also “This Is Some Friendly”) takes 1-3, tape reduction take 3 into takes 4 and 5, SI onto take 5, tape reduction take 5 into take 6 George Martin Geoff Emerick Phil McDonald
1968/06/06 14:30 2:45 Abbey Road, Studio Two Recording Don’t Pass Me By This Is Some Friendly SI onto take 5, tape reduction take 5 into take 7, SI onto take 7 George Martin Geoff Emerick Phil McDonald
1968/06/06 14:30 2:45 Abbey Road, Studio Two Mono mixing Don’t Pass Me By This Is Some Friendly unnumbered rough remix, from take 7 George Martin Geoff Emerick Phil McDonald
1968/06/06 14:30 2:45 Abbey Road, Studio Two Recording Revolution 9 sound effects takes 1-12 George Martin Geoff Emerick Phil McDonald
1968/06/10 14:30 17:45 Abbey Road, Studio Three Recording Revolution 9 sound effects takes 1-3 George Martin Geoff Emerick Phil McDonald
1968/06/11 18:30 0:15 Abbey Road, Studio Two Recording Blackbird takes 1-32 George Martin Geoff Emerick Phil McDonald
1968/06/11 18:30 0:15 Abbey Road, Studio Two Mono mixing Blackbird remixes 1-6, from take 32 George Martin Geoff Emerick Phil McDonald
1968/06/11 19:00 22:15 Abbey Road, Studio Three Recording Revolution 9 unnumbered takes of sound effects George Martin Geoff Emerick Phil McDonald
1968/06/20 19:00 3:30 Abbey Road, Studios One, Two and Three Recording Revolution 9 sound effects takes 1 and 2, compilation of master version, with SI George Martin Geoff Emerick Richard Lush
1968/06/21 14:30 21:00 Abbey Road, Studio Two Recording Revolution 1 Revolution SI onto take 20, tape reduction take 20 into takes 21 and 22, SI onto take 22 George Martin Geoff Emerick Richard Lush and Nick Webb
1968/06/21 22:00 3:30 Abbey Road, Studio Two Recording Revolution 9 SI onto master version George Martin Geoff Emerick Richard Lush
1968/06/21 22:00 3:30 Abbey Road, Studio Two Stereo mixing Revolution 1 remixes 1-7, from take 22 George Martin Geoff Emerick Richard Lush
1968/06/21 22:00 3:30 Abbey Road, Studio Two Stereo mixing Revolution 9 remixes 1 and 2, from master version George Martin Geoff Emerick Richard Lush
1968/06/25 14:00 20:00 Abbey Road, Studio Two Stereo mixing Revolution 1 remixes 8-12, from take 22 George Martin Geoff Emerick Richard Lush
1968/06/25 14:00 20:00 Abbey Road, Studio Two Editing Revolution 9 of remix stereo 2 George Martin Geoff Emerick Richard Lush
1968/06/25 14:00 20:00 Abbey Road, Studio Two Tape copying Revolution 1 of remix stereo 12 George Martin Geoff Emerick Richard Lush
1968/06/25 14:00 20:00 Abbey Road, Studio Two Tape copying Revolution 9 of edit of remix stereo 2 George Martin Geoff Emerick Richard Lush
1968/06/26 19:00 3:30 Abbey Road, Studio Two Recording Everybody’s Got Something To Hide Except Me And My Monkey Untitled rehearsal only George Martin Geoff Emerick Richard Lush
1968/06/27 17:00 3:45 Abbey Road, Studio Two Recording Everybody’s Got Something To Hide Except Me And My Monkey Untitled takes 1-6, tape reduction take 6 into takes 7 and 8, SI onto take 8 George Martin Geoff Emerick Richard Lush
1968/06/28 19:00 4:30 Abbey Road, Studio Two Recording Good Night Untitled takes 1-5 George Martin Geoff Emerick Richard Lush
1968/07/01 17:00 3:00 Abbey Road, Studio Two Recording Everybody’s Got Something To Hide Except Me And My Monkey SI onto take 8, tape reduction take 8 into takes 9 and 10, SI onto take 10 George Martin Geoff Emerick Richard Lush
1968/07/02 18:00 0:15 Abbey Road, Studio Two Recording Good Night SI onto take 5, takes 6-15 George Martin Peter Bown Richard Lush
1968/07/03 20:00 3:15 Abbey Road, Studio Two Recording Ob-La-Di, Ob-La-Da takes 1-7, SI onto take 3, SI onto take 7 George Martin Geoff Emerick Richard Lush
1968/07/04 19:00 2:15 Abbey Road, Studio Two Recording Ob-La-Di, Ob-La-Da SI onto take 4, tape reduction take 4 into take 5, SI onto take 5 George Martin Geoff Emerick Richard Lush
1968/07/05 17:00 1:30 Abbey Road, Studio Two Recording Ob-La-Di, Ob-La-Da SI onto take 5 George Martin Geoff Emerick Richard Lush
1968/07/08 17:00 3:00 Abbey Road, Studio Two Recording Ob-La-Di, Ob-La-Da [re-make] takes 1-12, tape reduction take 12 into take 13, SI onto take 13 George Martin Geoff Emerick Richard Lush
1968/07/08 17:00 3:00 Abbey Road, Studio Two Mono mixing Ob-La-Di, Ob-La-Da unnumbered rough remix, from take 13 George Martin Geoff Emerick Richard Lush
1968/07/09 16:00 21:00 Abbey Road, Studio Three Recording Ob-La-Di, Ob-La-Da [re-re-make] takes 20 and 21 George Martin Geoff Emerick Richard Lush
1968/07/09 22:00 3:30 Abbey Road, Studio Three Recording Ob-La-Di, Ob-La-Da [re-make] SI onto take 13, tape reduction take 13 into take 22, SI onto take 22 George Martin Geoff Emerick Richard Lush
1968/07/09 22:00 3:30 Abbey Road, Studio Three Recording Revolution rehearsal only George Martin Geoff Emerick Richard Lush
1968/07/10 19:00 1:30 Abbey Road, Studio Three Recording Revolution takes 1-10, tape reduction take 10 into takes 11-13, SI onto take 13, tape reduction take 13 into takes 14 and 15 George Martin Geoff Emerick Richard Lush
1968/07/11 16:00 19:00 Abbey Road, Studio Three Recording Revolution SI onto take 15 George Martin Geoff Emerick Richard Lush
1968/07/11 19:00 3:45 Abbey Road, Studio Three Recording Ob-La-Di, Ob-La-Da SI onto take 22 George Martin Geoff Emerick Phil McDonald
1968/07/11 19:00 3:45 Abbey Road, Studio Three Recording Revolution tape reduction take 15 into take 16, SI onto take 16 George Martin Geoff Emerick Phil McDonald
1968/07/11 19:00 3:45 Abbey Road, Studio Three Recording Ob-La-Di, Ob-La-Da tape reduction take 22 into takes 23 and 24, SI onto take 23 George Martin Geoff Emerick Phil McDonald
1968/07/11 19:00 3:45 Abbey Road, Studio Three Mono mixing Ob-La-Di, Ob-La-Da remixes 1 and 2, from take 23 George Martin Geoff Emerick Phil McDonald
1968/07/12 15:00 23:00 Abbey Road, Studio Two Recording Don’t Pass Me By SI onto take 7 George Martin Geoff Emerick Richard Lush
1968/07/12 15:00 23:00 Abbey Road, Studio Two Mono mixing Don’t Pass Me By remixes 1-4, from take 7 George Martin Geoff Emerick Richard Lush
1968/07/12 15:00 23:00 Abbey Road, Studio Two Mono mixing Ob-La-Di, Ob-La-Da remixes 10 and 11, from take 23 George Martin Geoff Emerick Richard Lush
1968/07/12 0:00 4:00 Abbey Road, Studio Two Recording Revolution SI onto take 16 George Martin Geoff Emerick Richard Lush
1968/07/12 0:00 4:00 Abbey Road, Studio Two Mono mixing Revolution remixes 10-13, from take 16 George Martin Geoff Emerick Richard Lush
1968/07/15 15:30 20:00 Abbey Road, Studio Two Mono mixing Revolution remixes 20 and 21, from take 16 George Martin Geoff Emerick Richard Lush
1968/07/15 15:30 20:00 Abbey Road, Studio Two Recording Ob-La-Di, Ob-La-Da SI onto take 23 George Martin Geoff Emerick Richard Lush
1968/07/15 15:30 20:00 Abbey Road, Studio Two Mono mixing Ob-La-Di, Ob-La-Da remixes 12-21, from take 23 George Martin Geoff Emerick Richard Lush
1968/07/15 21:00 3:00 Abbey Road, Studio Two Recording Cry Baby Cry approximately 30 unnumbered takes George Martin Geoff Emerick Richard Lush
1968/07/16 16:00 21:00 Abbey Road, Studio Two Recording Cry Baby Cry takes 1-10, tape reduction take 10 into takes 11 and 12 George Martin Geoff Emerick Richard Lush
1968/07/16 22:00 2:00 Abbey Road, Studio Two Recording Cry Baby Cry SI onto take 12 George Martin Geoff Emerick Richard Lush
1968/07/18 14:30 21:30 Abbey Road, Studio Two Recording Cry Baby Cry SI onto take 12 George Martin Ken Scott Richard Lush
1968/07/18 22:30 3:30 Abbey Road, Studio Two Recording Helter Skelter takes 1-3 George Martin Ken Scott Richard Lush
1968/07/19 19:30 4:00 Abbey Road, Studio Two Recording Sexy Sadie takes 1-21 George Martin Ken Scott Richard Lush
1968/07/22 19:00 1:40 Abbey Road, Studio One Recording Don’t Pass Me By edit piece takes 1-4 George Martin Ken Scott Richard Lush
1968/07/22 19:00 1:40 Abbey Road, Studio One Recording Good Night takes 23-34, SI onto take 34 George Martin Ken Scott Richard Lush
1968/07/23 19:00 2:30 Abbey Road, Studio Two Recording Everybody’s Got Something To Hide Except Me And My Monkey SI onto take 10, tape reduction take 10 into takes 11 and 12, SI onto take 12 George Martin Ken Scott Richard Lush
1968/07/23 19:00 2:30 Abbey Road, Studio Two Mono mixing Everybody’s Got Something To Hide Except Me And My Monkey remixes 1-5, from take 12 George Martin Ken Scott Richard Lush
1968/07/23 19:00 2:30 Abbey Road, Studio Two Mono mixing Good Night remixes 1-6, from take 34 George Martin Ken Scott Richard Lush
1968/07/24 19:00 2:30 Abbey Road, Studio Two Recording Sexy Sadie [re-make] takes 25-47 George Martin Ken Scott Richard Lush
1968/07/24 19:00 2:30 Abbey Road, Studio Two Recording Untitled one unnumbered take of sound effects George Martin Ken Scott Richard Lush
1968/07/25 19:00 3:15 Abbey Road, Studio Two Recording While My Guitar Gently Weeps take 1 George Martin Ken Scott Richard Lush
1968/07/29 20:30 4:00 Abbey Road, Studio Two Recording Hey Jude takes 1-6 n/a Ken Scott John Smith
1968/07/30 19:30 3:30 Abbey Road, Studio Two Recording Hey Jude takes 7-23, tape reduction take 23 into takes 24 and 25 George Martin Ken Scott John Smith
1968/07/30 19:30 3:30 Abbey Road, Studio Two Stereo mixing Hey Jude remix 1, from take 25 George Martin Ken Scott John Smith
1968/07/31 14:00 16:00 Trident Studios Recording Hey Jude [re-make] takes 1-4, SI onto take 1 George Martin Barry Sheffield unknown
1968/08/01 17:00 3:00 Trident Studios Recording Hey Jude SI onto take 1 George Martin Barry Sheffield unknown
1968/08/02 14:00 1:30 Trident Studios Stereo mixing Hey Jude remixes 1-3, from take 1 George Martin Barry Sheffield unknown
1968/08/06 17:30 19:30 Trident Studios Mono mixing Hey Jude remix 1, from remix stereo 3 George Martin Barry Sheffield unknown
1968/08/07 15:00 19:45 Abbey Road, Studio Two Tape copying Hey Jude of remix mono 1 George Martin Ken Scott John Smith
1968/08/07 20:45 5:30 Abbey Road, Studio Two Recording Not Guilty takes 1-46 George Martin Ken Scott John Smith
1968/08/08 18:40 6:30 Abbey Road, Studio Two Mono mixing Hey Jude remixes 2-4, from take 1 George Martin Ken Scott John Smith
1968/08/08 18:40 6:30 Abbey Road, Studio Two Recording Not Guilty takes 47-101 George Martin Ken Scott John Smith
1968/08/08 18:40 6:30 Abbey Road, Studio Two Tape copying Hey Jude of remix mono 4, numbered 5 George Martin Ken Scott John Smith
1968/08/08 18:40 6:30 Abbey Road, Studio Two Tape copying Revolution of remix mono 21, numbered 5 George Martin Ken Scott John Smith
1968/08/09 19:30 2:00 Abbey Road, Studio Two Recording Not Guilty tape reduction take 99 into take 102, SI onto take 102 George Martin Ken Scott John Smith
1968/08/09 19:30 2:00 Abbey Road, Studio Two Recording Mother Nature’s Son takes 1-25 George Martin Ken Scott John Smith
1968/08/12 19:00 4:15 Abbey Road, Studio Two Recording Not Guilty SI onto take 102 George Martin Ken Scott John Smith
1968/08/12 19:00 4:15 Abbey Road, Studio Two Mono mixing Not Guilty remix 1, from take 102 George Martin Ken Scott John Smith
1968/08/13 19:00 5:30 Abbey Road, Studio Two and annex Recording Sexy Sadie [re-re-make] takes 100-107, tape reduction take 107 into takes 108-111 George Martin Ken Scott John Smith
1968/08/13 19:00 5:30 Abbey Road, Studio Two and annex Recording Yer Blues takes 1-14, tape reduction take 6 into take 15 and 16, tape reduction extract of take 14 into take 17 George Martin Ken Scott John Smith
1968/08/13 19:00 5:30 Abbey Road, Studio Two and annex Editing Yer Blues of takes 16 and 17 George Martin Ken Scott John Smith
1968/08/14 19:00 4:30 Abbey Road, Studio Two Recording Yer Blues SI onto edit of takes 16 and 17 George Martin Ken Scott John Smith
1968/08/14 19:00 4:30 Abbey Road, Studio Two Mono mixing Yer Blues remixes 1-4, from edit of takes 16 and 17 George Martin Ken Scott John Smith
1968/08/14 19:00 4:30 Abbey Road, Studio Two Recording What’s The New Mary Jane? takes 1-4 George Martin Ken Scott John Smith
1968/08/14 19:00 4:30 Abbey Road, Studio Two Mono mixing What’s The New Mary Jane? remix 1, from take 4 George Martin Ken Scott John Smith
1968/08/14 19:00 4:30 Abbey Road, Studio Two Tape copying Yer Blues of remix mono 3 George Martin Ken Scott John Smith
1968/08/14 19:00 4:30 Abbey Road, Studio Two Tape copying What’s The New Mary Jane? of remix mono 1 George Martin Ken Scott John Smith
1968/08/15 19:00 3:00 Abbey Road, Studio Two Recording Rocky Raccoon takes 1-9, tape reduction take 9 into take 10, SI onto take 10 George Martin Ken Scott John Smith
1968/08/15 19:00 3:00 Abbey Road, Studio Two Mono mixing Rocky Raccoon remix 1, from take 10 George Martin Ken Scott John Smith
1968/08/15 19:00 3:00 Abbey Road, Studio Two Tape copying Yer Blues of remix mono 3 George Martin Ken Scott John Smith
1968/08/15 19:00 3:00 Abbey Road, Studio Two Tape copying Rocky Raccoon of remix mono 1 George Martin Ken Scott John Smith
1968/08/16 19:00 5:00 Abbey Road, Studio Two Recording While My Guitar Gently Weeps [re-make] takes 1-14, tape reduction take 14 into take 15 George Martin Ken Scott John Smith
1968/08/20 17:00 17:30 Abbey Road, Studio Three Recording Yer Blues edit piece take 1 n/a Ken Scott John Smith
1968/08/20 17:00 17:30 Abbey Road, Studio Three Editing Yer Blues of remix mono 3 and edit piece take 1 n/a Ken Scott John Smith
1968/08/20 17:00 17:30 Abbey Road, Studio Three Mono tape copying Revolution 9 mono copy 1, from edit of remix stereo 2 n/a Ken Scott John Smith
1968/08/20 20:00 4:00 Abbey Road, Studio Two Recording Mother Nature’s Son SI onto take 24, tape reduction take 24 into take 26, SI onto take 26 George Martin Ken Scott John Smith
1968/08/20 20:00 4:00 Abbey Road, Studio Two Recording Etcetera take 1 George Martin Ken Scott John Smith
1968/08/20 20:00 4:00 Abbey Road, Studio Two Recording Wild Honey Pie take 1 George Martin Ken Scott John Smith
1968/08/20 20:00 4:00 Abbey Road, Studio Two Mono mixing Mother Nature’s Son remixes 1-8, from take 26 George Martin Ken Scott John Smith
1968/08/20 20:00 4:00 Abbey Road, Studio Two Mono mixing Wild Honey Pie remixes 1-6, from take 1 George Martin Ken Scott John Smith
1968/08/21 19:30 7:15 Abbey Road, Studio Two Recording Sexy Sadie tape reduction take 107 into take 112, tape reduction take 112 into takes 113-115, SI onto take 115, tape reduction take 115 into takes 116 and 117, SI onto 117 George Martin Ken Scott John Smith
1968/08/21 19:30 7:15 Abbey Road, Studio Two Mono mixing Sexy Sadie remixes 1-5, from take 117 George Martin Ken Scott John Smith
1968/08/22 19:00 4:45 Abbey Road, Studio Two Recording Back In The U.S.S.R. takes 1-5 George Martin Ken Scott John Smith
1968/08/22 19:00 4:45 Abbey Road, Studio Two Tape copying Baby, You’re A Rich Man of remix mono 1 George Martin Ken Scott John Smith
1968/08/23 19:00 3:00 Abbey Road, Studio Two Recording Back In The U.S.S.R. SI onto take 5, tape reduction take 5 into take 6, SI onto take 6 George Martin Ken Scott John Smith
1968/08/23 19:00 3:00 Abbey Road, Studio Two Mono mixing Back In The U.S.S.R. remix 1, from take 6 George Martin Ken Scott John Smith
1968/08/23 19:00 3:00 Abbey Road, Studio Two Tape copying Back In The U.S.S.R. of remix mono 1 George Martin Ken Scott John Smith
1968/08/23 19:00 3:00 Abbey Road, Studio Two Tape copying Rocky Raccoon of remix mono 1 George Martin Ken Scott John Smith
1968/08/23 19:00 3:00 Abbey Road, Studio Two Tape copying Wild Honey Pie of remix mono 6 George Martin Ken Scott John Smith
1968/08/23 19:00 3:00 Abbey Road, Studio Two Tape copying Mother Nature’s Son of remix mono 8 George Martin Ken Scott John Smith
1968/08/23 19:00 3:00 Abbey Road, Studio Two Tape copying Sexy Sadie of remix mono 5 George Martin Ken Scott John Smith
1968/08/26 16:00 17:00 Abbey Road, Studio Two Mono tape copying Revolution 9 mono copy 2, from edit of remix stereo 2 n/a Ken Scott John Smith
1968/08/27 16:30 17:00 Abbey Road, Studio Two Tape copying Ob-La-Di, Ob-La-Da of remix mono 21 n/a Ken Scott John Smith
1968/08/27 16:30 17:00 Abbey Road, Studio Two Tape copying Blackbird of remix mono 6 n/a Ken Scott John Smith
1968/08/27 16:30 17:00 Abbey Road, Studio Two Tape copying Not Guilty of remix mono 1 n/a Ken Scott John Smith
1968/08/27 16:30 17:00 Abbey Road, Studio Two Tape copying Revolution 9 of edit of remix stereo 2 n/a Ken Scott John Smith
1968/08/28 17:00 7:00 Trident Studios Recording Dear Prudence take 1 George Martin Barry Sheffield unknown
1968/08/29 19:00 6:00 Trident Studios Recording Dear Prudence SI onto take 1 George Martin Barry Sheffield unknown
1968/08/30 17:00 23:00 Trident Studios Recording Dear Prudence SI onto take 1 George Martin Barry Sheffield unknown
1968/09/03 19:00 3:30 Abbey Road, Studio Two Tape copying While My Guitar Gently Weeps take 15 into take 16 n/a Ken Scott John Smith
1968/09/03 19:00 3:30 Abbey Road, Studio Two Recording While My Guitar Gently Weeps SI onto take 16 n/a Ken Scott John Smith
1968/09/03 19:00 3:30 Abbey Road, Studio Two Tape copying Revolution of take 16, rhythm track only n/a Ken Scott John Smith
1968/09/05 19:00 3:45 Abbey Road, Studio Two Recording While My Guitar Gently Weeps SI onto take 16 n/a Ken Scott John Smith
1968/09/05 19:00 3:45 Abbey Road, Studio Two Recording While My Guitar Gently Weeps [re-re-make] takes 17-44 n/a Ken Scott John Smith
1968/09/06 19:00 2:00 Abbey Road, Studio Two Recording While My Guitar Gently Weeps SI onto take 25 n/a Ken Scott John Smith
1968/09/09 19:00 2:30 Abbey Road, Studio Two Recording Helter Skelter [re-make] takes 4-21 Chris Thomas Ken Scott John Smith
1968/09/10 19:00 3:00 Abbey Road, Studio Two Recording Helter Skelter SI onto take 21 Chris Thomas Ken Scott John Smith
1968/09/11 19:00 3:30 Abbey Road, Studio Two Recording Glass Onion takes 1-34 Chris Thomas Ken Scott John Smith
1968/09/12 20:30 1:30 Abbey Road, Studio Two Recording Glass Onion SI onto take 33 Chris Thomas Ken Scott John Smith
1968/09/13 20:00 1:45 Abbey Road, Studio Two Recording Glass Onion SI onto take 33 Chris Thomas Ken Scott John Smith
1968/09/16 19:00 3:00 Abbey Road, Studio Two Recording I Will takes 1-67 Chris Thomas Ken Scott Mike Sheady
1968/09/16 19:00 3:00 Abbey Road, Studio Two Tape copying I Will take 65 into take 68 Chris Thomas Ken Scott Mike Sheady
1968/09/16 19:00 3:00 Abbey Road, Studio Two Recording Glass Onion SI onto take 33 Chris Thomas Ken Scott Mike Sheady
1968/09/17 19:00 5:00 Abbey Road, Studio Two Mono mixing Helter Skelter remix 1, from take 21 Chris Thomas Ken Scott Mike Sheady
1968/09/17 19:00 5:00 Abbey Road, Studio Two Recording I Will SI onto take 68 Chris Thomas Ken Scott Mike Sheady
1968/09/17 19:00 5:00 Abbey Road, Studio Two Tape copying Cry Baby Cry take 12 into take 13 Chris Thomas Ken Scott Mike Sheady
1968/09/18 17:00 4:30 Abbey Road, Studio Two Recording Birthday takes 1-20 Chris Thomas Ken Scott Mike Sheady
1968/09/18 17:00 4:30 Abbey Road, Studio Two Tape copying Birthday take 20 into takes 21 and 22 Chris Thomas Ken Scott Mike Sheady
1968/09/18 17:00 4:30 Abbey Road, Studio Two Recording Birthday SI onto take 22 Chris Thomas Ken Scott Mike Sheady
1968/09/18 17:00 4:30 Abbey Road, Studio Two Mono mixing Birthday remix 1, from take 22 Chris Thomas Ken Scott Mike Sheady
1968/09/19 19:15 5:30 Abbey Road, Studios One and Two Recording Piggies takes 1-11 Chris Thomas Ken Scott Mike Sheady
1968/09/20 19:00 23:00 Abbey Road, Studio Two Tape copying Piggies take 11 into take 12 Chris Thomas Ken Scott Mike Sheady
1968/09/20 19:00 23:00 Abbey Road, Studio Two Recording Piggies SI onto take 12 Chris Thomas Ken Scott Mike Sheady
1968/09/23 19:00 3:00 Abbey Road, Studio Two Recording Happiness Is A Warm Gun Happiness Is A Warm Gun In Your Hand takes 1-45 Chris Thomas Ken Scott Mike Sheady
1968/09/24 19:00 2:00 Abbey Road, Studio Two Recording Happiness Is A Warm Gun Happiness Is A Warm Gun In Your Hand takes 46-70 Chris Thomas Ken Scott Mike Sheady
1968/09/25 19:30 5:00 Abbey Road, Studio Two Editing Happiness Is A Warm Gun Happiness Is A Warm Gun In Your Hand of takes 53 and 65, called take 65 Chris Thomas Ken Scott Mike Sheady
1968/09/25 19:30 5:00 Abbey Road, Studio Two Recording Happiness Is A Warm Gun Happiness Is A Warm Gun In Your Hand SI onto take 65 Chris Thomas Ken Scott Mike Sheady
1968/09/25 5:00 6:15 Abbey Road, Studio Two Mono mixing Happiness Is A Warm Gun Happiness Is A Warm Gun In Your Hand remixes 1 and 2, from take 65 Chris Thomas Ken Scott Mike Sheady
1968/09/26 19:00 1:30 Abbey Road, Studio Two Mono mixing Happiness Is A Warm Gun remixes 3-12, from take 65 Chris Thomas Ken Scott Mike Sheady
1968/09/26 19:00 1:30 Abbey Road, Studio Two Mono mixing What’s The New Mary Jane? remixes 1 and 2, from take 4 Chris Thomas Ken Scott Mike Sheady
1968/09/26 19:00 1:30 Abbey Road, Studio Two Mono mixing Glass Onion remixes 1 and 2, from take 33 Chris Thomas Ken Scott Mike Sheady
1968/09/26 19:00 1:30 Abbey Road, Studio Two Mono mixing I Will remixes 1 and 2, from take 68 Chris Thomas Ken Scott Mike Sheady
1968/09/26 19:00 1:30 Abbey Road, Studio Two Recording Glass Onion one unnumbered take of sound effects Chris Thomas Ken Scott Mike Sheady
1968/10/01 Trident Studios Recording Honey Pie take 1 George Martin Barry Sheffield unknown
1968/10/01 Trident Studios Mono mixing Honey Pie unnumbered rough remix, from take 13 George Martin Barry Sheffield unknown
1968/10/02 16:00 3:30 Trident Studios Recording Honey Pie SI onto take 1 George Martin Barry Sheffield unknown
1968/10/03 Trident Studios Recording Savoy Truffle take 1 George Martin Barry Sheffield unknown
1968/10/04 16:00 4:30 Trident Studios Recording Martha My Dear take 1 George Martin Barry Sheffield unknown
1968/10/04 16:00 4:30 Trident Studios Recording Honey Pie SI onto take 1 George Martin Barry Sheffield unknown
1968/10/04 16:00 4:30 Trident Studios Recording Martha My Dear SI onto take 1 George Martin Barry Sheffield unknown
1968/10/05 18:00 1:00 Trident Studios Recording Savoy Truffle SI onto take 1 George Martin Barry Sheffield unknown
1968/10/05 18:00 1:00 Trident Studios Recording Martha My Dear SI onto take 1 George Martin Barry Sheffield unknown
1968/10/05 18:00 1:00 Trident Studios Mono mixing Honey Pie remix 1, from take 1 George Martin Barry Sheffield unknown
1968/10/05 18:00 1:00 Trident Studios Mono mixing Martha My Dear remix 1, from take 1 George Martin Barry Sheffield unknown
1968/10/05 18:00 1:00 Trident Studios Mono mixing Dear Prudence remix 1, from take 1 George Martin Barry Sheffield unknown
1968/10/05 18:00 1:00 Trident Studios Stereo mixing Honey Pie remix 1, from take 1 George Martin Barry Sheffield unknown
1968/10/05 18:00 1:00 Trident Studios Stereo mixing Martha My Dear remix 1, from take 1 George Martin Barry Sheffield unknown
1968/10/07 14:30 7:00 Abbey Road, Studio Two Tape copying Honey Pie of remix mono 1 and of remix stereo 1 George Martin Ken Scott Mike Sheady
1968/10/07 14:30 7:00 Abbey Road, Studio Two Tape copying Martha My Dear of remix mono 1 and of remix stereo 1 George Martin Ken Scott Mike Sheady
1968/10/07 14:30 7:00 Abbey Road, Studio Two Stereo mixing While My Guitar Gently Weeps remix 1, from take 25 George Martin Ken Scott Mike Sheady
1968/10/07 14:30 7:00 Abbey Road, Studio Two Mono mixing While My Guitar Gently Weeps remixes 1 and 2, from take 25 George Martin Ken Scott Mike Sheady
1968/10/07 14:30 7:00 Abbey Road, Studio Two Recording Long, Long, Long It’s Been A Long, Long, Long Time takes 1-67 George Martin Ken Scott Mike Sheady
1968/10/08 16:00 8:00 Abbey Road, Studio Two Recording Long, Long, Long It’s Been A Long, Long, Long Time SI onto take 67 George Martin Ken Scott Mike Sheady
1968/10/08 16:00 8:00 Abbey Road, Studio Two Recording I’m So Tired takes 1-14 George Martin Ken Scott Mike Sheady
1968/10/08 16:00 8:00 Abbey Road, Studio Two Recording The Continuing Story Of Bungalow Bill takes 1-3 George Martin Ken Scott Mike Sheady
1968/10/09 19:00 5:30 Abbey Road, Studio Two Stereo mixing The Continuing Story Of Bungalow Bill remixes 1 and 2, from take 3 George Martin Ken Scott John Smith
1968/10/09 19:00 5:30 Abbey Road, Studio Two Mono mixing The Continuing Story Of Bungalow Bill remix 1, from take 3 George Martin Ken Scott John Smith
1968/10/09 19:00 5:30 Abbey Road, Studio Two Recording Long, Long, Long SI onto take 67 George Martin Ken Scott John Smith
1968/10/09 19:00 5:30 Abbey Road, Studio Two Tape copying Helter Skelter of take 3 George Martin Ken Scott John Smith
1968/10/09 Abbey Road, Studio One Recording Why Don’t We Do It In The Road? takes 1-5 n/a Ken Townsend Ken Townsend
1968/10/10 19:00 7:15 Abbey Road, Studio Two Recording Piggies SI onto take 12 George Martin Ken Scott John Smith
1968/10/10 19:00 7:15 Abbey Road, Studio Two Recording Glass Onion SI onto take 33 George Martin Ken Scott John Smith
1968/10/10 19:00 7:15 Abbey Road, Studio Two Stereo mixing Glass Onion remixes 1 and 2, from take 33 George Martin Ken Scott John Smith
1968/10/10 19:00 7:15 Abbey Road, Studio Two Stereo mixing Rocky Raccoon remix 1, from take 10 George Martin Ken Scott John Smith
1968/10/10 19:00 7:15 Abbey Road, Studio Two Stereo mixing Long, Long, Long remixes 1-4, from take 67 George Martin Ken Scott John Smith
1968/10/10 19:00 7:15 Abbey Road, Studio Two Mono mixing Glass Onion remixes 10 and 11, from take 33 George Martin Ken Scott John Smith
1968/10/10 Abbey Road, Studio Three Recording Why Don’t We Do It In The Road? SI onto take 5, tape reduction take 5 into take 6, SI onto take 6 n/a Ken Townsend Ken Townsend
1968/10/11 15:00 18:00 Abbey Road, Studio Two Recording Savoy Truffle SI onto take 1 George Martin Ken Scott John Smith
1968/10/11 18:00 0:00 Abbey Road, Studio Two Mono mixing Piggies remixes 1-4, from take 12 George Martin Ken Scott John Smith
1968/10/11 18:00 0:00 Abbey Road, Studio Two Mono mixing Don’t Pass Me By remix 1, from take 7 and edit of edit piece 4 George Martin Ken Scott John Smith
1968/10/11 18:00 0:00 Abbey Road, Studio Two Mono mixing Good Night remixes 1 and 2, from take 34 George Martin Ken Scott John Smith
1968/10/11 18:00 0:00 Abbey Road, Studio Two Stereo mixing Piggies remixes 1-3, from take 12 George Martin Ken Scott John Smith
1968/10/11 18:00 0:00 Abbey Road, Studio Two Stereo mixing Don’t Pass Me By remix 1, from take 7 and edit of edit piece 4 George Martin Ken Scott John Smith
1968/10/11 18:00 0:00 Abbey Road, Studio Two Stereo mixing Good Night remix 1, from take 34 George Martin Ken Scott John Smith
1968/10/12 19:00 5:45 Abbey Road, Studio Two Stereo mixing Everybody’s Got Something To Hide Except Me And My Monkey remix 1, from take 12 George Martin Ken Scott John Smith
1968/10/12 19:00 5:45 Abbey Road, Studio Two Stereo mixing Helter Skelter remixes 1-5, from take 21 George Martin Ken Scott John Smith
1968/10/12 19:00 5:45 Abbey Road, Studio Two Stereo mixing Mother Nature’s Son remixes 1 and 2, from take 26 George Martin Ken Scott John Smith
1968/10/12 19:00 5:45 Abbey Road, Studio Two Stereo mixing Ob-La-Di, Ob-La-Da remixes 1-4, from take 23 George Martin Ken Scott John Smith
1968/10/12 19:00 5:45 Abbey Road, Studio Two Mono mixing Everybody’s Got Something To Hide Except Me And My Monkey remix 1, from take 12 George Martin Ken Scott John Smith
1968/10/12 19:00 5:45 Abbey Road, Studio Two Mono mixing Mother Nature’s Son remixes 1 and 2, from take 26 George Martin Ken Scott John Smith
1968/10/12 19:00 5:45 Abbey Road, Studio Two Mono mixing Ob-La-Di, Ob-La-Da remix 10, from take 23 George Martin Ken Scott John Smith
1968/10/12 19:00 5:45 Abbey Road, Studio Two Mono mixing Long, Long, Long remix 1, from take 67 George Martin Ken Scott John Smith
1968/10/13 19:00 6:00 Abbey Road, Studio Two Recording Julia takes 1-3 George Martin Ken Scott John Smith
1968/10/13 19:00 6:00 Abbey Road, Studio Two Stereo mixing Julia remix 1, from take 3 George Martin Ken Scott John Smith
1968/10/13 19:00 6:00 Abbey Road, Studio Two Stereo mixing Dear Prudence remix 1, from take 1 George Martin Ken Scott John Smith
1968/10/13 19:00 6:00 Abbey Road, Studio Two Stereo mixing Wild Honey Pie remixes 1 and 2, from take 1 George Martin Ken Scott John Smith
1968/10/13 19:00 6:00 Abbey Road, Studio Two Stereo mixing Back In The U.S.S.R. remix 1, from take 6 George Martin Ken Scott John Smith
1968/10/13 19:00 6:00 Abbey Road, Studio Two Stereo mixing Blackbird remix 1, from take 32 George Martin Ken Scott John Smith
1968/10/13 19:00 6:00 Abbey Road, Studio Two Mono mixing Julia remix 1, from take 3 George Martin Ken Scott John Smith
1968/10/13 19:00 6:00 Abbey Road, Studio Two Mono mixing Dear Prudence remixes 1-5, from take 1 George Martin Ken Scott John Smith
1968/10/13 19:00 6:00 Abbey Road, Studio Two Mono mixing Blackbird remix 10, from take 32 George Martin Ken Scott John Smith
1968/10/14 19:00 7:30 Abbey Road, Studio Two Stereo mixing I Will remix 1, from take 22 George Martin Ken Scott John Smith
1968/10/14 19:00 7:30 Abbey Road, Studio Two Recording Savoy Truffle SI onto take 1 George Martin Ken Scott John Smith
1968/10/14 19:00 7:30 Abbey Road, Studio Two Mono mixing Savoy Truffle remixes 1-6, from take 1 George Martin Ken Scott John Smith
1968/10/14 19:00 7:30 Abbey Road, Studio Two Mono mixing While My Guitar Gently Weeps remixes 10 and 11, from take 25 George Martin Ken Scott John Smith
1968/10/14 19:00 7:30 Abbey Road, Studio Two Mono mixing Long, Long, Long remixes 2 and 3, from take 67 George Martin Ken Scott John Smith
1968/10/14 19:00 7:30 Abbey Road, Studio Two Stereo mixing Savoy Truffle remixes 1 and 2, from take 1 George Martin Ken Scott John Smith
1968/10/14 19:00 7:30 Abbey Road, Studio Two Stereo mixing While My Guitar Gently Weeps remixes 10-12, from take 25 George Martin Ken Scott John Smith
1968/10/14 19:00 7:30 Abbey Road, Studio Two Stereo mixing Yer Blues remixes 1-5, from take 16 and 17 and edit piece take 1 George Martin Ken Scott John Smith
1968/10/14 19:00 7:30 Abbey Road, Studio Two Stereo mixing Sexy Sadie remixes 1-3, from take 117 George Martin Ken Scott John Smith
1968/10/14 19:00 7:30 Abbey Road, Studio Two Stereo mixing What’s The New Mary Jane? remixes 1 and 2, from take 4 George Martin Ken Scott John Smith
1968/10/15 18:00 20:00 Abbey Road, Studio Two Stereo mixing Happiness Is A Warm Gun remixes 1-4, from take 65 George Martin Ken Scott John Smith
1968/10/15 18:00 20:00 Abbey Road, Studio Two Stereo mixing I’m So Tired remixes 1-5, from take 14 George Martin Ken Scott John Smith
1968/10/15 18:00 20:00 Abbey Road, Studio Two Stereo mixing Cry Baby Cry remixes 1-3, from take 12 George Martin Ken Scott John Smith
1968/10/15 18:00 20:00 Abbey Road, Studio Two Mono mixing I’m So Tired remixes -3, from take 14 George Martin Ken Scott John Smith
1968/10/15 18:00 20:00 Abbey Road, Studio Two Mono mixing Cry Baby Cry remix 1, from take 12 George Martin Ken Scott John Smith
1968/10/16 17:00 17:00 Abbey Road, Room 41 and 42 and Studios One, Two and Three Mono mixing Crossfades and edits for LP George Martin Ken Scott John Smith
1968/10/16 17:00 17:00 Abbey Road, Room 41 and 42 and Studios One, Two and Three Mono mixing Why Don’t We Do It In The Road? remix 1, from take 6 George Martin Ken Scott John Smith
1968/10/16 17:00 17:00 Abbey Road, Room 41 and 42 and Studios One, Two and Three Stereo mixing Crossfades and edits for LP George Martin Ken Scott John Smith
1968/10/16 17:00 17:00 Abbey Road, Room 41 and 42 and Studios One, Two and Three Stereo mixing Why Don’t We Do It In The Road? remix 1, from take 6 George Martin Ken Scott John Smith
1968/10/16 Abbey Road, Studio Two Tape copying It’s All Too Much of take 2, called take 196 n/a Ken Scott Dave Harries
1968/10/16 Abbey Road, Studio Two Mono mixing It’s All Too Much remix 1, from take 196 n/a Ken Scott Dave Harries
1968/10/16 Abbey Road, Studio Two Stereo mixing It’s All Too Much remix 1, from take 196 n/a Ken Scott Dave Harries
1968/10/18 12:00 13:00 Abbey Road, Studio One Tape copying Yer Blues of edit of remix mono 3 and edit piece take 1 n/a n/a John Smith
1968/10/18 12:00 13:00 Abbey Road, Studio One Tape copying Don’t Pass Me By of remix mono 1 n/a n/a John Smith
1968/10/29 10:00 13:00 Abbey Road, Studio Three Stereo mixing Hey Bulldog remixes 1-3, from take 10 n/a Geoff Emerick Graham Kirkby
1968/10/29 10:00 13:00 Abbey Road, Studio Three Stereo mixing All Together Now remix 1, from take 9 n/a Geoff Emerick Graham Kirkby
1968/10/29 10:00 13:00 Abbey Road, Studio Three Stereo mixing All You Need Is Love remixes 1-6, from take 58 n/a Geoff Emerick Graham Kirkby
1968/10/29 10:00 13:00 Abbey Road, Studio Three Stereo mixing Only A Northern Song remix 1, from remix mono 3 n/a Geoff Emerick Graham Kirkby
1969/01/22 Apple Studios Recording Going Up The Country George Martin ? Glyn Johns n/a
1969/01/22 Apple Studios Recording Dig A Pony All I Want Is You George Martin ? Glyn Johns n/a
1969/01/22 Apple Studios Recording I’ve Got A Feeling George Martin ? Glyn Johns n/a
1969/01/22 Apple Studios Recording Don’t Let Me Down George Martin ? Glyn Johns n/a
1969/01/22 Apple Studios Recording Rocker George Martin ? Glyn Johns n/a
1969/01/22 Apple Studios Recording Save The Last Dance For Me George Martin ? Glyn Johns n/a
1969/01/22 Apple Studios Recording Don’t Let Me Down George Martin ? Glyn Johns n/a
1969/01/22 Apple Studios Recording Dig A Pony All I Want Is You George Martin ? Glyn Johns n/a
1969/01/22 Apple Studios Recording I’ve Got A Feeling George Martin ? Glyn Johns n/a
1969/01/22 Apple Studios Recording She Came In Through The Bathroom Window Bathroom Window George Martin ? Glyn Johns n/a
1969/01/23 Apple Studios Recording Get Back George Martin Glyn Johns Alan Parsons
1969/01/23 Apple Studios Recording Blues George Martin Glyn Johns Alan Parsons
1969/01/23 Apple Studios Recording Get Back George Martin Glyn Johns Alan Parsons
1969/01/24 Apple Studios Recording Two Of Us On Our Way Home George Martin ? Glyn Johns Neil Richmond
1969/01/24 Apple Studios Recording Teddy Boy George Martin ? Glyn Johns Neil Richmond
1969/01/24 Apple Studios Recording Maggie Mae George Martin ? Glyn Johns Neil Richmond
1969/01/24 Apple Studios Recording Two Of Us On Our Way Home George Martin ? Glyn Johns Neil Richmond
1969/01/24 Apple Studios Recording Dig It version one George Martin ? Glyn Johns Neil Richmond
1969/01/24 Apple Studios Recording Dig A Pony George Martin ? Glyn Johns Neil Richmond
1969/01/24 Apple Studios Recording I’ve Got A Feeling George Martin ? Glyn Johns Neil Richmond
1969/01/25 Apple Studios Recording Untitled Jamming George Martin ? Glyn Johns Alan Parsons
1969/01/25 Apple Studios Recording Two Of Us On Our Way Home George Martin ? Glyn Johns Alan Parsons
1969/01/25 Apple Studios Recording Bye Bye Love George Martin ? Glyn Johns Alan Parsons
1969/01/25 Apple Studios Recording For You Blue George’s Blues (Because You’re Sweet And Lovely) George Martin ? Glyn Johns Alan Parsons
1969/01/25 Apple Studios Recording Let It Be George Martin ? Glyn Johns Alan Parsons
1969/01/26 Apple Studios Recording Dig It version two George Martin Glyn Johns Neil Richmond
1969/01/26 Apple Studios Recording Rip It Up / Shake, Rattle And Roll George Martin Glyn Johns Neil Richmond
1969/01/26 Apple Studios Recording Kansas City George Martin Glyn Johns Neil Richmond
1969/01/26 Apple Studios Recording Miss Ann George Martin Glyn Johns Neil Richmond
1969/01/26 Apple Studios Recording Lawdy Miss Clawdy George Martin Glyn Johns Neil Richmond
1969/01/26 Apple Studios Recording Blue Suede Shoes George Martin Glyn Johns Neil Richmond
1969/01/26 Apple Studios Recording You Really Got A Hold On Me George Martin Glyn Johns Neil Richmond
1969/01/26 Apple Studios Recording Tracks Of My Tears George Martin Glyn Johns Neil Richmond
1969/01/26 Apple Studios Recording Let It Be George Martin Glyn Johns Neil Richmond
1969/01/26 Apple Studios Recording Isn’t It A Pity George’s Demo George Martin Glyn Johns Neil Richmond
1969/01/26 Apple Studios Recording Let It Be George Martin Glyn Johns Neil Richmond
1969/01/26 Apple Studios Recording The Long And Winding Road George Martin Glyn Johns Neil Richmond
1969/01/27 Apple Studios Recording Untitled Jamming George Martin Glyn Johns Alan Parsons
1969/01/27 Apple Studios Recording Get Back George Martin Glyn Johns Alan Parsons
1969/01/27 Apple Studios Recording Oh! Darling George Martin Glyn Johns Alan Parsons
1969/01/27 Apple Studios Recording Get Back George Martin Glyn Johns Alan Parsons
1969/01/27 Apple Studios Recording I’ve Got A Feeling George Martin Glyn Johns Alan Parsons
1969/01/27 Apple Studios Recording The Walk George Martin Glyn Johns Alan Parsons
1969/01/27 Apple Studios Recording I’ve Got A Feeling George Martin Glyn Johns Alan Parsons
1969/01/28 Apple Studios Recording Dig A Pony George Martin Glyn Johns Alan Parsons
1969/01/28 Apple Studios Recording Get Back George Martin Glyn Johns Alan Parsons
1969/01/28 Apple Studios Recording Love Me Do George Martin Glyn Johns Alan Parsons
1969/01/28 Apple Studios Recording Get Back George Martin Glyn Johns Alan Parsons
1969/01/28 Apple Studios Recording Don’t Let Me Down George Martin Glyn Johns Alan Parsons
1969/01/28 Apple Studios Recording I’ve Got A Feeling George Martin Glyn Johns Alan Parsons
1969/01/28 Apple Studios Recording Don’t Let Me Down George Martin Glyn Johns Alan Parsons
1969/01/28 Apple Studios Recording The One After 909 George Martin Glyn Johns Alan Parsons
1969/01/28 Apple Studios Recording I’ve Got A Feeling George Martin Glyn Johns Alan Parsons
1969/01/28 Apple Studios Recording The One After 909 George Martin Glyn Johns Alan Parsons
1969/01/28 Apple Studios Recording Billy’s Song (1) George Martin Glyn Johns Alan Parsons
1969/01/28 Apple Studios Recording Billy’s Song (2) George Martin Glyn Johns Alan Parsons
1969/01/28 Apple Studios Recording Teddy Boy George Martin Glyn Johns Alan Parsons
1969/01/29 Apple Studios Recording I Want You (She’s So Heavy) I Want You George Martin Glyn Johns Alan Parsons
1969/01/29 Apple Studios Recording The One After 909 George Martin Glyn Johns Alan Parsons
1969/01/29 Apple Studios Recording Not Fade Away George Martin Glyn Johns Alan Parsons
1969/01/29 Apple Studios Recording Mailman, Bring Me No More Blues George Martin Glyn Johns Alan Parsons
1969/01/29 Apple Studios Recording Teddy Boy George Martin Glyn Johns Alan Parsons
1969/01/29 Apple Studios Recording Besame Mucho George Martin Glyn Johns Alan Parsons
1969/01/30 Apple Studios (Roof) Recording Get Back two versions George Martin Glyn Johns Alan Parsons
1969/01/30 Apple Studios (Roof) Recording Don’t Let Me Down George Martin Glyn Johns Alan Parsons
1969/01/30 Apple Studios (Roof) Recording I’ve Got A Feeling George Martin Glyn Johns Alan Parsons
1969/01/30 Apple Studios (Roof) Recording The One After 909 George Martin Glyn Johns Alan Parsons
1969/01/30 Apple Studios (Roof) Recording Dig A Pony George Martin Glyn Johns Alan Parsons
1969/01/30 Apple Studios (Roof) Recording God Save The Queen George Martin Glyn Johns Alan Parsons
1969/01/30 Apple Studios (Roof) Recording I’ve Got A Feeling George Martin Glyn Johns Alan Parsons
1969/01/30 Apple Studios (Roof) Recording Don’t Let Me Down George Martin Glyn Johns Alan Parsons
1969/01/30 Apple Studios (Roof) Recording Get Back George Martin Glyn Johns Alan Parsons
1969/01/31 Apple Studios Recording The Long And Winding Road George Martin Glyn Johns Alan Parsons
1969/01/31 Apple Studios Recording Lady Madonna George Martin Glyn Johns Alan Parsons
1969/01/31 Apple Studios Recording The Long And Winding Road George Martin Glyn Johns Alan Parsons
1969/01/31 Apple Studios Recording Let It Be George Martin Glyn Johns Alan Parsons
1969/01/31 Apple Studios Recording Two Of Us On Our Way Home George Martin Glyn Johns Alan Parsons
1969/02/05 Apple Studios Stereo mixing I’ve Got A Feeling two versions George Martin ? Glyn Johns Alan Parsons
1969/02/05 Apple Studios Stereo mixing Don’t Let Me Down George Martin ? Glyn Johns Alan Parsons
1969/02/05 Apple Studios Stereo mixing Get Back two versions George Martin ? Glyn Johns Alan Parsons
1969/02/05 Apple Studios Stereo mixing The One After 909 George Martin ? Glyn Johns Alan Parsons
1969/02/05 Apple Studios Stereo mixing Dig A Pony George Martin ? Glyn Johns Alan Parsons
1969/02/22 Trident Studios Recording I Want You (She’s So Heavy) I Want You takes 1-35 Glyn Johns Barry Sheffield unknown
1969/02/23 Trident Studios Editing I Want You (She’s So Heavy) I Want You unnumbered master, from take 9, 20 and 32 Glyn Johns Barry Sheffield unknown
1969/02/24 Trident Studios Tape copying I Want You (She’s So Heavy) I Want You of unnumbered Trident master n/a Barry Sheffield unknown
1969/02/25 Abbey Road, studio unknown Recording Old Brown Shoe takes 1 and 2 n/a Ken Scott Ken Scott
1969/02/25 Abbey Road, studio unknown Recording All Things Must Pass takes 1 and 2 n/a Ken Scott Ken Scott
1969/02/25 Abbey Road, studio unknown Recording Something take 1 n/a Ken Scott Ken Scott
1969/03/10 Olympic Sound Studios Stereo mixing Get Back George Martin ? Glyn Johns unknown
1969/03/10 Olympic Sound Studios Stereo mixing Teddy Boy George Martin ? Glyn Johns unknown
1969/03/10 Olympic Sound Studios Stereo mixing Two Of Us On Our Way Home George Martin ? Glyn Johns unknown
1969/03/10 Olympic Sound Studios Stereo mixing Dig A Pony George Martin ? Glyn Johns unknown
1969/03/10 Olympic Sound Studios Stereo mixing I’ve Got A Feeling George Martin ? Glyn Johns unknown
1969/03/10 Olympic Sound Studios Stereo mixing The Long And Winding Road George Martin ? Glyn Johns unknown
1969/03/10 Olympic Sound Studios Stereo mixing Let It Be George Martin ? Glyn Johns unknown
1969/03/10 Olympic Sound Studios Stereo mixing Rocker George Martin ? Glyn Johns unknown
1969/03/10 Olympic Sound Studios Stereo mixing Save The Last Dance For Me George Martin ? Glyn Johns unknown
1969/03/10 Olympic Sound Studios Stereo mixing Don’t Let Me Down George Martin ? Glyn Johns unknown
1969/03/10 Olympic Sound Studios Stereo mixing For You Blue Because You’re Sweet And Lovely George Martin ? Glyn Johns unknown
1969/03/10 Olympic Sound Studios Stereo mixing Get Back George Martin ? Glyn Johns unknown
1969/03/10 Olympic Sound Studios Stereo mixing The Walk George Martin ? Glyn Johns unknown
1969/03/11 Olympic Sound Studios Stereo mixing Two Of Us On Our Way Home George Martin ? Glyn Johns unknown
1969/03/11 Olympic Sound Studios Stereo mixing The Long And Winding Road George Martin ? Glyn Johns unknown
1969/03/11 Olympic Sound Studios Stereo mixing Lady Madonna George Martin ? Glyn Johns unknown
1969/03/12 Olympic Sound Studios Stereo mixing The Long And Winding Road George Martin ? Glyn Johns unknown
1969/03/12 Olympic Sound Studios Stereo mixing Let It Be George Martin ? Glyn Johns unknown
1969/03/13 Olympic Sound Studios Stereo mixing I’ve Got A Feeling George Martin ? Glyn Johns unknown
1969/03/13 Olympic Sound Studios Stereo mixing Dig It version one George Martin ? Glyn Johns unknown
1969/03/13 Olympic Sound Studios Stereo mixing Dig It version two George Martin ? Glyn Johns unknown
1969/03/13 Olympic Sound Studios Stereo mixing Maggie Mae George Martin ? Glyn Johns unknown
1969/03/13 Olympic Sound Studios Stereo mixing Shake Rattle And Roll George Martin ? Glyn Johns unknown
1969/03/13 Olympic Sound Studios Stereo mixing Kansas City George Martin ? Glyn Johns unknown
1969/03/13 Olympic Sound Studios Stereo mixing Miss Ann George Martin ? Glyn Johns unknown
1969/03/13 Olympic Sound Studios Stereo mixing Lawdy Miss Clawdy George Martin ? Glyn Johns unknown
1969/03/13 Olympic Sound Studios Stereo mixing Blue Suede Shoes George Martin ? Glyn Johns unknown
1969/03/13 Olympic Sound Studios Stereo mixing You Really Got A Hold On Me George Martin ? Glyn Johns unknown
1969/03/26 Abbey Road, studio unknown Mono mixing Get Back remixes 1-4 George Martin ? Jeff Jarratt n/a
1969/04/07 Olympic Sound Studios Mono mixing Get Back remix 5 George Martin ? Glyn Johns Jerry Boys
1969/04/07 Olympic Sound Studios Mono mixing Don’t Let Me Down remix 1 George Martin ? Glyn Johns Jerry Boys
1969/04/07 Olympic Sound Studios Stereo mixing Get Back remix 1 George Martin ? Glyn Johns Jerry Boys
1969/04/07 Olympic Sound Studios Stereo mixing Don’t Let Me Down remix 1 George Martin ? Glyn Johns Jerry Boys
1969/04/14 14:30 21:00 Abbey Road, Studio Three Recording The Ballad Of John And Yoko The Ballad Of John And Yoko (They’re Gonna Crucify Me) takes 1-11 George Martin Geoff Emerick John Kurlander
1969/04/14 21:00 23:00 Abbey Road, Studio Three Stereo mixing The Ballad Of John And Yoko The Ballad Of John And Yoko (They’re Gonna Crucify Me) remixes 1-5, from take 10 George Martin Geoff Emerick John Kurlander
1969/04/16 14:30 17:00 Abbey Road, Studio Three Recording Old Brown Shoe take 1 George Martin Phil McDonald Richard Lush
1969/04/16 19:00 2:45 Abbey Road, Studio Three Recording Old Brown Shoe takes 1-4 George Martin Jeff Jarratt Richard Lush
1969/04/16 19:00 2:45 Abbey Road, Studio Three Recording Something takes 1-13 George Martin Jeff Jarratt Richard Lush
1969/04/16 19:00 2:45 Abbey Road, Studio Three Stereo mixing Old Brown Shoe remixes 1-3, from take 4 George Martin Jeff Jarratt Richard Lush
1969/04/18 14:30 22:30 Abbey Road, Studio Three Recording Old Brown Shoe SI onto take 4 Chris Thomas Jeff Jarratt John Kurlander
1969/04/18 22:30 1:00 Abbey Road, Studio Three Stereo mixing Old Brown Shoe remixes 5-23, from take 4 Chris Thomas Jeff Jarratt John Kurlander
1969/04/18 1:00 4:30 Abbey Road, Studio Two Recording I Want You (She’s So Heavy) I Want You SI onto unnumbered Trident master, reduction of unnumbered Trident master, called take 1, SI onto take 1 Chris Thomas Jeff Jarratt John Kurlander
1969/04/18 1:00 4:30 Abbey Road, Studio Two Stereo mixing I Want You (She’s So Heavy) I Want You unnumbered rough remix, from take 1 Chris Thomas Jeff Jarratt John Kurlander
1969/04/20 19:00 0:45 Abbey Road, Studio Three Recording I Want You (She’s So Heavy) I Want You SI onto take 1 Chris Thomas Jeff Jarratt John Kurlander
1969/04/20 19:00 0:45 Abbey Road, Studio Three Recording Oh! Darling Oh! Darling (I’ll Never Do You No Harm) takes 1-26 Chris Thomas Jeff Jarratt John Kurlander
1969/04/20 19:00 0:45 Abbey Road, Studio Three Stereo mixing Oh! Darling Oh! Darling (I’ll Never Do You No Harm) remix 1, from take 26 Chris Thomas Jeff Jarratt John Kurlander
1969/04/25 11:30 12:30 Abbey Road, Room 4 Mono mixing Two Of Us On Our Way Home remix 1 n/a Peter Mew Chris Blair
1969/04/26 16:30 4:15 Abbey Road, Studio Two Recording Oh! Darling SI onto take 26 Chris Thomas and the Beatles Jeff Jarratt Richard Langham
1969/04/26 16:30 4:15 Abbey Road, Studio Two Recording Octopus’s Garden takes 1-32 Chris Thomas and the Beatles Jeff Jarratt Richard Langham
1969/04/29 19:30 1:00 Abbey Road, Studio Three Recording Octopus’s Garden SI onto take 32 Chris Thomas Jeff Jarratt Nick Webb
1969/04/29 19:30 1:00 Abbey Road, Studio Three Stereo mixing Octopus’s Garden remixes 1-4, from take 32 Chris Thomas Jeff Jarratt Nick Webb
1969/04/30 19:15 2:00 Abbey Road, Studio Three Recording Let It Be SI onto take 27 Chris Thomas Jeff Jarratt Nick Webb
1969/04/30 19:15 2:00 Abbey Road, Studio Three Recording You Know My Name (Look Up The Number) SI onto take 30 Chris Thomas Jeff Jarratt Nick Webb
1969/04/30 19:15 2:00 Abbey Road, Studio Three Mono mixing You Know My Name (Look Up The Number) remixes 1-3, from take 30 Chris Thomas Jeff Jarratt Nick Webb
1969/05/01 14:30 19:00 Abbey Road, Studio Three Stereo mixing Oh! Darling remixes 2-4, from take 26 Chris Thomas Jeff Jarratt Nick Webb
1969/05/02 19:00 3:40 Abbey Road, Studio Three Recording Something [re-make] takes 1-36 Chris Thomas Jeff Jarratt Nick Webb
1969/05/05 19:30 4:00 Studio One, Olympic Sound Studios Recording Something SI onto take 36 George Martin Glyn Johns Steve Vaughan
1969/05/06 15:00 4:00 Studio One, Olympic Sound Studios Recording You Never Give Me Your Money takes 1-36 George Martin Glyn Johns Steve Vaughan
1969/05/06 15:00 4:00 Studio One, Olympic Sound Studios Stereo mixing You Never Give Me Your Money remix 1, from take 30 George Martin Glyn Johns Steve Vaughan
1969/05/07 20:00 7:30 Studio One, Olympic Sound Studios Stereo mixing Inserts for the Get Back LP George Martin Glyn Johns Steve Vaughan
1969/05/09 15:00 23:00 Studio One, Olympic Sound Studios Stereo mixing Inserts for the Get Back LP George Martin Glyn Johns Steve Vaughan
1969/05/28 Studio One, Olympic Sound Studios Stereo mixing Let It Be of take 27 George Martin Glyn Johns Steve Vaughan
1969/05/28 Studio One, Olympic Sound Studios Master tape banding and compilation Get Back LP George Martin Glyn Johns Steve Vaughan
1969/07/01 15:00 19:30 Abbey Road, Studio Two Recording You Never Give Me Your Money SI onto take 30 George Martin Phil McDonald Chris Blair
1969/07/02 15:00 21:30 Abbey Road, Studio Two Recording Her Majesty takes 1-3 George Martin Phil McDonald Chris Blair
1969/07/02 15:00 21:30 Abbey Road, Studio Two Recording Golden Slumbers / Carry That Weight Golden Slumbers take 1-15 George Martin Phil McDonald Chris Blair
1969/07/03 15:00 20:30 Abbey Road, Studio Two Editing Golden Slumbers / Carry That Weight Golden Slumbers of takes 13 and 15, called take 13 George Martin Phil McDonald Chris Blair
1969/07/03 15:00 20:30 Abbey Road, Studio Two Recording Golden Slumbers / Carry That Weight Golden Slumbers SI onto take 13, tape reduction take 13 into take 16 and 17 George Martin Phil McDonald Chris Blair
1969/07/04 14:45 17:30 Abbey Road, Studio Two Recording Golden Slumbers / Carry That Weight Golden Slumbers SI onto take 17 George Martin Phil McDonald Chris Blair
1969/07/07 14:30 23:45 Abbey Road, Studio Two Recording Here Comes The Sun takes 1-13 George Martin Phil McDonald John Kurlander
1969/07/08 14:30 22:45 Abbey Road, Studio Two Recording Here Comes The Sun SI onto take 13, tape reduction take 13 into takes 14 and 15 George Martin Phil McDonald John Kurlander
1969/07/08 22:45 23:15 Abbey Road, Studio Two Mono mixing Here Comes The Sun unnumbered rough remix, from take 15 George Martin Phil McDonald John Kurlander
1969/07/09 14:30 22:15 Abbey Road, Studio Two Recording Maxwell’s Silver Hammer takes 1-21 George Martin Phil McDonald John Kurlander
0969-07-10 14:30 23:30 Abbey Road, Studio Two Recording Maxwell’s Silver Hammer SI onto take 21 George Martin Phil McDonald John Kurlander
0969-07-10 14:30 23:30 Abbey Road, Studio Two Stereo mixing Maxwell’s Silver Hammer remixes 1-13, from take 21 George Martin Phil McDonald John Kurlander
1969/07/11 14:30 0:00 Abbey Road, Studio Two Recording Maxwell’s Silver Hammer SI onto take 21 George Martin Phil McDonald John Kurlander
1969/07/11 14:30 0:00 Abbey Road, Studio Two Recording Something SI onto take 36 George Martin Phil McDonald John Kurlander
1969/07/11 14:30 0:00 Abbey Road, Studio Two Stereo mixing Something remixes 1-4, from take 36 George Martin Phil McDonald John Kurlander
1969/07/11 14:30 0:00 Abbey Road, Studio Two Recording Something tape reduction take 36 into take 37 George Martin Phil McDonald John Kurlander
1969/07/11 14:30 0:00 Abbey Road, Studio Two Recording You Never Give Me Your Money SI onto take 30 George Martin Phil McDonald John Kurlander
1969/07/15 14:30 18:00 Abbey Road, Studio Three Recording You Never Give Me Your Money SI onto take 30 George Martin Phil McDonald Alan Parsons
1969/07/15 18:00 23:00 Abbey Road, Studio Two Stereo mixing You Never Give Me Your Money remixes 1-6, from take 30 George Martin Phil McDonald Alan Parsons
1969/07/16 14:30 19:00 Abbey Road, Studio Three Recording Here Comes The Sun SI onto take 15 George Martin Phil McDonald Alan Parsons
1969/07/16 19:00 0:30 Abbey Road, Studio Two Recording Something SI onto take 36, tape reduction take 36 into takes 38 and 39 George Martin Phil McDonald Alan Parsons
1969/07/17 14:30 18:30 Abbey Road, Studio Three Recording Oh! Darling SI onto take 16 George Martin Phil McDonald Alan Parsons
1969/07/17 18:30 23:15 Abbey Road, Studio Two Recording Octopus’s Garden SI onto take 32 George Martin Phil McDonald Alan Parsons
1969/07/18 14:30 20:00 Abbey Road, Studio Three Recording Oh! Darling SI onto take 26 George Martin Phil McDonald Alan Parsons
1969/07/18 14:30 20:00 Abbey Road, Studio Three Recording Octopus’s Garden SI onto take 32 George Martin Phil McDonald Alan Parsons
1969/07/18 20:00 22:30 Abbey Road, Studio Two Mono mixing Octopus’s Garden remixes 1-7, from take 32 George Martin Phil McDonald Alan Parsons
1969/07/18 20:00 22:30 Abbey Road, Studio Two Stereo mixing Octopus’s Garden remixes 10-14, from take 32 George Martin Phil McDonald Alan Parsons
1969/07/21 14:30 21:30 Abbey Road, Studio Three Recording Come Together takes 1-8 George Martin Geoff Emerick and Phil McDonald John Kurlander
1969/07/21 21:30 22:00 Abbey Road, Studio Two Tape copying Come Together of take 6, called take 9 George Martin Geoff Emerick and Phil McDonald John Kurlander
1969/07/22 14:30 21:30 Abbey Road, Studio Three Recording Oh! Darling SI onto take 26 George Martin Geoff Emerick and Phil McDonald John Kurlander
1969/07/22 14:30 21:30 Abbey Road, Studio Three Recording Come Together SI onto take 9 George Martin Geoff Emerick and Phil McDonald John Kurlander
1969/07/23 14:30 23:30 Abbey Road, Studio Three Recording Oh! Darling SI onto take 26 George Martin Geoff Emerick and Phil McDonald John Kurlander
1969/07/23 14:30 23:30 Abbey Road, Studio Three Recording Come Together SI onto take 9 George Martin Geoff Emerick and Phil McDonald John Kurlander
1969/07/23 14:30 23:30 Abbey Road, Studio Three Recording The End Ending takes 1-7 George Martin Geoff Emerick and Phil McDonald John Kurlander
1969/07/24 14:30 15:30 Abbey Road, Studio Two Recording Come And Get It take 1 n/a Phil McDonald John Kurlander
1969/07/24 14:30 15:30 Abbey Road, Studio Two Stereo mixing Come And Get It remix 1, from take 1 n/a Phil McDonald John Kurlander
1969/07/24 14:30 15:30 Abbey Road, Studio Two Tape copying Come And Get It of remix stereo 1 n/a Phil McDonald John Kurlander
1969/07/24 15:30 22:30 Abbey Road, Studio Two Recording Sun King / Mean Mr. Mustard Here Comes The Sun-King takes 1-35 George Martin Geoff Emerick and Phil McDonald John Kurlander
1969/07/25 14:30 2:30 Abbey Road, Studio Two Recording Sun King / Mean Mr. Mustard Here Comes The Sun-King SI onto take 35 George Martin Geoff Emerick and Phil McDonald John Kurlander
1969/07/25 14:30 2:30 Abbey Road, Studio Two Recording Come Together SI onto take 9 George Martin Geoff Emerick and Phil McDonald John Kurlander
1969/07/25 14:30 2:30 Abbey Road, Studio Two Recording Polythene Pam / She Came In Through The Bathroom Window takes 1-39 George Martin Geoff Emerick and Phil McDonald John Kurlander
1969/07/28 14:30 20:00 Abbey Road, Studio Three Recording Polythene Pam / She Came In Through The Bathroom Window SI onto take 39 George Martin Geoff Emerick and Phil McDonald John Kurlander
1969/07/28 20:00 20:30 Abbey Road, Studio Two Recording Polythene Pam / She Came In Through The Bathroom Window tape reduction take 39 into take 40 George Martin Geoff Emerick and Phil McDonald John Kurlander
1969/07/30 14:00 15:30 Abbey Road, Studio Two Recording You Never Give Me Your Money tape reduction take 30 into takes 37-42 George Martin Geoff Emerick and Phil McDonald John Kurlander
1969/07/30 15:30 22:30 Abbey Road, Studio Three Recording Come Together SI onto take 9 George Martin Geoff Emerick and Phil McDonald John Kurlander
1969/07/30 15:30 22:30 Abbey Road, Studio Three Recording Polythene Pam / She Came In Through The Bathroom Window SI onto take 40 George Martin Geoff Emerick and Phil McDonald John Kurlander
1969/07/30 15:30 22:30 Abbey Road, Studio Three Recording You Never Give Me Your Money SI onto take 40 George Martin Geoff Emerick and Phil McDonald John Kurlander
1969/07/30 15:30 22:30 Abbey Road, Studio Three Recording Golden Slumbers / Carry That Weight SI onto take 17 George Martin Geoff Emerick and Phil McDonald John Kurlander
1969/07/30 22:30 2:30 Abbey Road, Studio Two Stereo mixing You Never Give Me Your Money remix 1, from take 40 George Martin Geoff Emerick and Phil McDonald John Kurlander
1969/07/30 22:30 2:30 Abbey Road, Studio Two Stereo mixing Sun King / Mean Mr. Mustard remix 1, from take 35 George Martin Geoff Emerick and Phil McDonald John Kurlander
1969/07/30 22:30 2:30 Abbey Road, Studio Two Stereo mixing Her Majesty remix 1, from take 3 George Martin Geoff Emerick and Phil McDonald John Kurlander
1969/07/30 22:30 2:30 Abbey Road, Studio Two Stereo mixing Polythene Pam / She Came In Through The Bathroom Window remix 1, from take 40 George Martin Geoff Emerick and Phil McDonald John Kurlander
1969/07/30 22:30 2:30 Abbey Road, Studio Two Stereo mixing Golden Slumbers / Carry That Weight remix 1, from take 17 George Martin Geoff Emerick and Phil McDonald John Kurlander
1969/07/30 22:30 2:30 Abbey Road, Studio Two Stereo mixing The End Ending remix 1, from take 7 George Martin Geoff Emerick and Phil McDonald John Kurlander
1969/07/30 22:30 2:30 Abbey Road, Studio Two Editing crossfading and compilation, Ending (Working title of ‘The End’) You Never Give Me Your Money, Sun King / Mean Mr. Mustard, Her Majesty, Polythene Pam / She Came In Through The Bathroom Window, Golden Slumbers / Carry That Weight, Ending (Working title of ‘The End’) George Martin Geoff Emerick and Phil McDonald John Kurlander
1969/07/31 14:30 1:15 Abbey Road, Studio Two Recording You Never Give Me Your Money SI onto take 30 George Martin Geoff Emerick and Phil McDonald John Kurlander
1969/07/31 14:30 1:15 Abbey Road, Studio Two Recording Golden Slumbers / Carry That Weight SI onto take 17 George Martin Geoff Emerick and Phil McDonald John Kurlander
1969/08/01 14:30 22:30 Abbey Road, Studio Two Recording Because takes 1-23, SI onto take 16 George Martin Geoff Emerick and Phil McDonald John Kurlander
1969/08/04 14:30 21:00 Abbey Road, Studio Two Recording Because SI onto take 16 George Martin Geoff Emerick and Phil McDonald John Kurlander
1969/08/04 19:15 20:45 Abbey Road, Studio Three Stereo mixing Something unnumbered rough remix, from take 39 George Harrison Phil McDonald Alan Parsons
1969/08/04 19:15 20:45 Abbey Road, Studio Three Stereo mixing Here Comes The Sun unnumbered rough remix, from take 15 George Harrison Phil McDonald Alan Parsons
1969/08/05 14:30 18:30 Abbey Road, Studio Three Recording You Never Give Me Your Money sound effects takes 1-5 George Martin Geoff Emerick and Phil McDonald John Kurlander
1969/08/05 18:30 22:45 Abbey Road, Room 43 and Studio Two Recording Because SI onto take 16 George Martin Geoff Emerick and Phil McDonald John Kurlander
1969/08/05 18:30 22:45 Abbey Road, Room 43 and Studio Two Recording The End Ending SI onto take 7 George Martin Geoff Emerick and Phil McDonald John Kurlander
1969/08/06 14:30 23:00 Abbey Road, Studio Three Recording Here Comes The Sun SI onto take 15 George Martin Phil McDonald Alan Parsons
1969/08/06 14:30 23:00 Abbey Road, Room 43 and Studio Two Recording Maxwell’s Silver Hammer tape reduction take 21 into takes 22-27, with simultaneous SI George Martin Tony Clark John Kurlander
1969/08/06 23:00 1:00 Abbey Road, Studio Two Stereo mixing Maxwell’s Silver Hammer remixes 14-26, from take 27 George Martin Tony Clark and Phil McDonald John Kurlander
1969/08/07 14:30 18:00 Abbey Road, Studio Two Stereo mixing Come Together remixes 1-10, from take 9 George Martin Geoff Emerick and Phil McDonald John Kurlander
1969/08/07 18:00 0:00 Abbey Road, Studio Three Recording The End Ending SI onto take 7 George Martin Geoff Emerick and Phil McDonald John Kurlander
1969/08/08 14:30 21:00 Abbey Road, Studio Two Recording The End Ending SI onto take 7 George Martin Geoff Emerick and Phil McDonald John Kurlander
1969/08/08 14:30 21:00 Abbey Road, Studio Two Recording I Want You (She’s So Heavy) I Want You SI onto unnumbered Trident master George Martin Geoff Emerick and Phil McDonald John Kurlander
1969/08/08 17:30 21:45 Abbey Road, Studio Three Recording Oh! Darling SI onto take 26 George Martin Tony Clark Alan Parsons
1969/08/11 13:00 14:00 Abbey Road, Studio Three Mono tape copying Dig It of 13 March stereo mix n/a Phil McDonald Phil McDonald
1969/08/11 13:00 14:00 Abbey Road, Studio Three Mono tape copying Maxwell’s Silver Hammer of remix stereo 18 n/a Phil McDonald Phil McDonald
1969/08/11 14:30 23:30 Abbey Road, Studio Two Recording I Want You (She’s So Heavy) SI onto take 1 George Martin Geoff Emerick and Phil McDonald John Kurlander
1969/08/11 14:30 23:30 Abbey Road, Studio Two Recording Oh! Darling SI onto take 26 George Martin Geoff Emerick and Phil McDonald John Kurlander
1969/08/11 14:30 23:30 Abbey Road, Studio Two Recording Here Comes The Sun SI onto take 15 George Martin Geoff Emerick and Phil McDonald John Kurlander
1969/08/11 14:30 23:30 Abbey Road, Studio Two Tape copying I Want You (She’s So Heavy) of take 1 George Martin Geoff Emerick and Phil McDonald John Kurlander
1969/08/11 14:30 23:30 Abbey Road, Studio Two Editing I Want You (She’s So Heavy) from take 1 into unnumbered Trident master George Martin Geoff Emerick and Phil McDonald John Kurlander
1969/08/12 19:00 2:00 Abbey Road, Studio Two Stereo mixing Oh! Darling remixes 5-9, from take 26 George Martin Geoff Emerick and Phil McDonald John Kurlander
1969/08/12 19:00 2:00 Abbey Road, Studio Two Stereo mixing Because remixes 1 and 2, from take 16 George Martin Geoff Emerick and Phil McDonald John Kurlander
1969/08/12 19:00 2:00 Abbey Road, Studio Two Stereo mixing Maxwell’s Silver Hammer remixes 27-36, from take 27 George Martin Geoff Emerick and Phil McDonald John Kurlander
1969/08/13 14:30 21:15 Abbey Road, Studio Two Stereo mixing You Never Give Me Your Money remixes 20-27, from take 30 George Martin Geoff Emerick and Phil McDonald John Kurlander
1969/08/14 14:30 2:30 Abbey Road, Studio Two Stereo mixing Sun King / Mean Mr. Mustard remixes 20-24, from take 35 George Martin Geoff Emerick and Phil McDonald Alan Parsons
1969/08/14 14:30 2:30 Abbey Road, Studio Two Stereo mixing Maxwell’s Silver Hammer edit pice remix 37, from take 27 George Martin Geoff Emerick and Phil McDonald Alan Parsons
1969/08/14 14:30 2:30 Abbey Road, Studio Two Mono recording John Lennon interviewed by Kenny Everett George Martin Geoff Emerick and Phil McDonald Alan Parsons
1969/08/14 14:30 2:30 Abbey Road, Studio Two Stereo mixing Polythene Pam / She Came In Through The Bathroom Window remixes 20-32, from take 40 George Martin Geoff Emerick and Phil McDonald Alan Parsons
1969/08/14 14:30 2:30 Abbey Road, Studio Two Stereo mixing You Never Give Me Your Money into Sun King / Mean Mr. Mustard stereo crossfade remixes 1-11, from sound effects take 5 of ‘You Never Give Me Your Money’ George Martin Geoff Emerick and Phil McDonald Alan Parsons
1969/08/14 14:30 2:30 Abbey Road, Studio Two Editing Maxwell’s Silver Hammer of stereo remixes 34 and 37 George Martin Geoff Emerick and Phil McDonald Alan Parsons
1969/08/14 14:30 2:30 Abbey Road, Studio Two Editing Sun King / Mean Mr. Mustard joined to Polythene Pam / She Came In Through The Bathroom Window Sun King / Mean Mr. Mustard’ remix stereo 22 and ‘Polythene Pam / She Came In Through The Bathroom Window’ remix stereo 32 George Martin Geoff Emerick and Phil McDonald Alan Parsons
1969/08/15 14:30 17:30 Abbey Road, Studio One into Studio Two Recording Golden Slumbers / Carry That Weight SI onto take 17 George Martin Geoff Emerick and Phil McDonald Alan Parsons
1969/08/15 14:30 17:30 Abbey Road, Studio One into Studio Two Recording The End Ending SI onto take 7 George Martin Geoff Emerick and Phil McDonald Alan Parsons
1969/08/15 19:00 1:15 Abbey Road, Studio One into Studio Two Recording Something SI onto take 39 George Martin Geoff Emerick and Phil McDonald Alan Parsons
1969/08/15 19:00 1:15 Abbey Road, Studio One into Studio Two Recording Here Comes The Sun SI onto take 15 George Martin Geoff Emerick and Phil McDonald Alan Parsons
1969/08/18 14:30 22:30 Abbey Road, Studio Two Stereo mixing Golden Slumbers / Carry That Weight remixes 1 and 2, from take 17 George Martin Geoff Emerick and Phil McDonald Alan Parsons
1969/08/18 14:30 22:30 Abbey Road, Studio Two Recording The End Ending SI onto take 7 George Martin Geoff Emerick and Phil McDonald Alan Parsons
1969/08/18 14:30 22:30 Abbey Road, Studio Two Stereo mixing The End Ending remixes 1-6, from take 7 George Martin Geoff Emerick and Phil McDonald Alan Parsons
1969/08/19 14:00 16:00 Abbey Road, Studio Two Stereo mixing The End Ending remixes 1-3, from take 7 George Martin Geoff Emerick and Phil McDonald Alan Parsons
1969/08/19 14:00 16:00 Abbey Road, Studio Two Stereo mixing Golden Slumbers / Carry That Weight’ and ‘Ending’ Ending (Working title of ‘The End’) crossfade / edit for master George Martin Geoff Emerick and Phil McDonald Alan Parsons
1969/08/19 14:00 16:00 Abbey Road, Studio Two Stereo mixing Something remixes 1-10, from take 39 George Martin Geoff Emerick and Phil McDonald Alan Parsons
1969/08/19 14:00 16:00 Abbey Road, Studio Two Recording Here Comes The Sun SI onto take 15 George Martin Geoff Emerick and Phil McDonald Alan Parsons
1969/08/19 14:00 16:00 Abbey Road, Studio Two Stereo mixing Here Comes The Sun remix 1, from take 15 George Martin Geoff Emerick and Phil McDonald Alan Parsons
1962/08/20 14:30 18:00 Abbey Road, Studio Three Stereo mixing I Want You (She’s So Heavy) remixes 1-8, from take 1, remixes 9 and 10, from unnumbered Trident master George Martin Geoff Emerick and Phil McDonald Alan Parsons
1962/08/20 14:30 18:00 Abbey Road, Studio Three Editing I Want You (She’s So Heavy) of stereo remixes 8 and 10 George Martin Geoff Emerick and Phil McDonald Alan Parsons
1962/08/20 18:00 1:15 Abbey Road, Studio Two Master tape banding and tape copying Abbey Road LP George Martin Geoff Emerick and Phil McDonald Alan Parsons
1969/08/21 13:00 14:00 Abbey Road, Room 4 Tape copying / editing / reinserting The End Ending take 7 n/a Phil McDonald n/a
1969/08/21 14:30 0:00 Abbey Road, Studio Two Stereo mixing You Never Give Me Your Money’ into ‘Sun King / Mean Mr. Mustard’ stereo crossfade remix 12, from sound effects take 5 of ‘You Never Give Me Your Money’ George Martin Geoff Emerick and Phil McDonald Alan Parsons
1969/08/21 14:30 0:00 Abbey Road, Studio Two Stereo mixing The End Ending remix 4, from take 7 George Martin Geoff Emerick and Phil McDonald Alan Parsons
1969/08/25 14:30 20:00 Abbey Road, Studio Two Editing Maxwell’s Silver Hammer of master George Martin Geoff Emerick and Phil McDonald Alan Parsons
1969/08/25 14:30 20:00 Abbey Road, Studio Two Editing The End Ending of master George Martin Geoff Emerick and Phil McDonald Alan Parsons
1969/08/25 14:30 20:00 Abbey Road, Studio Two Recording Maxwell’s Silver Hammer unnumbered sound effects takes George Martin Geoff Emerick and Phil McDonald Alan Parsons
1969/08/25 14:30 20:00 Abbey Road, Studio Two Tape copying Abbey Road LP masters George Martin Geoff Emerick and Phil McDonald Alan Parsons
1969/09/11 14:30 17:30 Abbey Road, Studio Three Stereo mixing What’s The New Mary Jane? remixes 1-3, from take 4 Malcolm Davies Tony Clark Chris Blair
1969/09/11 14:30 17:30 Abbey Road, Studio Three Tape copying What’s The New Mary Jane? of stereo remixes 1-3 Malcolm Davies Tony Clark Chris Blair
1969/10/02 9:30 11:00 Abbey Road, Room 4 Stereo mixing Across The Universe remixes 1 and 2, from take 8 George Martin Jeff Jarratt Alan Parsons
1969/11/26 19:00 3:00 Abbey Road, Studio Two Tape copying You Know My Name (Look Up The Number) of remix mono 3, called remix mono 4 Geoff Emerick and John Lennon Mike Sheady Nick Webb
1969/11/26 19:00 3:00 Abbey Road, Studio Two Editing You Know My Name (Look Up The Number) of remix mono 4 Geoff Emerick and John Lennon Mike Sheady Nick Webb
1969/11/26 19:00 3:00 Abbey Road, Studio Two Stereo mixing What’s The New Mary Jane? remix 4, from take 4 Geoff Emerick and John Lennon Mike Sheady Nick Webb
1969/11/26 19:00 3:00 Abbey Road, Studio Two Stereo mixing with simultaneous overdub What’s The New Mary Jane? remix 5, from take 4 Geoff Emerick and John Lennon Mike Sheady Nick Webb
1969/11/26 19:00 3:00 Abbey Road, Studio Two Editing What’s The New Mary Jane? of remix stereo 5, called remix stereo 6 Geoff Emerick and John Lennon Mike Sheady Nick Webb
1969/11/26 19:00 3:00 Abbey Road, Studio Two Tape copying with simultaneous editing What’s The New Mary Jane? of stereo remixes 4 into 5 Geoff Emerick and John Lennon Mike Sheady Nick Webb
1969/11/26 19:00 3:00 Abbey Road, Studio Two Tape copying What’s The New Mary Jane? of stereo remixes 4 and 5 Geoff Emerick and John Lennon Mike Sheady Nick Webb
1969/12/02 14:30 17:30 Abbey Road, Studio Two Stereo mixing Lady Madonna remix 1, from take 5 George Martin Geoff Emerick and Phil McDonald Richard Lush
1969/12/02 14:30 17:30 Abbey Road, Studio Two Stereo mixing Rain remix 1, from take 7 George Martin Geoff Emerick and Phil McDonald Richard Lush
1969/12/02 14:30 17:30 Abbey Road, Studio Two Stereo mixing Octopus’s Garden remixes 1 and 2, from take 32 George Martin Geoff Emerick and Phil McDonald Richard Lush
1969/12/05 14:30 17:15 Abbey Road, Room 4 Stereo mixing Hey Jude remixes 20 and 21, from take 1 George Martin Geoff Emerick and Phil McDonald Neil Richmond
1969/12/05 14:30 17:15 Abbey Road, Room 4 Stereo mixing Revolution remix 1, from take 16 George Martin Geoff Emerick and Phil McDonald Neil Richmond
1969/12/08 10:00 12:15 Abbey Road, Studio Two Tape copying with simultaneous recording Octopus’s Garden takes 1-10 George Martin Martin Benge Richard Lush
1970/01/03 14:30 0:15 Abbey Road, Studio Two Recording I Me Mine takes 1-16 George Martin Phil McDonald Richard Langham
1970/01/04 14:30 4:00 Abbey Road, Studio Two Recording Let It Be SI onto take 27, tape reduction edit of take 27 into takes 28-30 with simultaneous SI, SI onto take 30 George Martin Phil McDonald Richard Langham
1970/01/04 14:30 4:00 Abbey Road, Studio Two Stereo mixing Let It Be remixes 1 and 2, from take 30 George Martin Phil McDonald Richard Langham
1970/01/05 Studio One, Olympic Sound Studios Stereo mixing I Me Mine remix 1, from take 16
1970/01/05 Studio One, Olympic Sound Studios Stereo mixing Across The Universe remix 3, from take 8 Glyn Johns Glyn Johns Glyn Johns
1970/01/05 Studio One, Olympic Sound Studios Master tape banding and compilation Get Back LP Glyn Johns Glyn Johns Glyn Johns
1970 1-27 10:00 11:30 Abbey Road, Studio Two Stereo mixing The Inner Light remix 1, from take 6 Geoff Emerick Peter Bown and Jeff Jarratt John Barrett
1970/02/28 Abbey Road, Room 4 Stereo mixing For You Blue remixes 1-8 Malcolm Davies Peter Bown Richard Langham
1970/03/23 Abbey Road, Room 4 Stereo mixing I’ve Got A Feeling remixes 1 and 2 Phil Spector Peter Bown Roger Ferris
1970/03/23 Abbey Road, Room 4 Stereo mixing Dig A Pony remixes 1 and 2 Phil Spector Peter Bown Roger Ferris
1970/03/23 Abbey Road, Room 4 Stereo mixing I’ve Got A Feeling remixes 3-6 Phil Spector Peter Bown Roger Ferris
1970/03/23 Abbey Road, Room 4 Stereo mixing The One After 909 remixes 1-3 Phil Spector Peter Bown Roger Ferris
1970/03/23 Abbey Road, Room 4 Stereo mixing I Me Mine remixes 1-3, from take 16 Phil Spector Peter Bown Roger Ferris
1970/03/23 Abbey Road, Room 4 Stereo mixing Across The Universe remixes 1-8, from take 8 Phil Spector Peter Bown Roger Ferris
1970/03/23 Abbey Road, Room 4 Editing I’ve Got A Feeling of stereo remixes 1 and 2, called remix stereo 3, of stereo remixes 4, 5 and 6, called remix stereo 4 Phil Spector Peter Bown Roger Ferris
1970/03/23 Abbey Road, Room 4 Editing I Me Mine of stereo remixes 1, 2 and 3, called remix stereo 2 Phil Spector Peter Bown Roger Ferris
1970/03/25 Abbey Road, Room 4 Stereo mixing For You Blue remix 1, remixes 2-8 of edit piece only Phil Spector Peter Bown Roger Ferris
1970/03/25 Abbey Road, Room 4 Stereo mixing Teddy Boy remixes 1 and 2 Phil Spector Peter Bown Roger Ferris
1970/03/25 Abbey Road, Room 4 Stereo mixing Two Of Us remixes 1 and 2 Phil Spector Peter Bown Roger Ferris
1970/03/25 Abbey Road, Room 4 Editing For You Blue of stereo remixes 1 and 5, called remix stereo 1 Phil Spector Peter Bown Roger Ferris
1970/03/25 Abbey Road, Room 4 Editing Teddy Boy of remix stereo 2 Phil Spector Peter Bown Roger Ferris
1970/03/26 Abbey Road, Room 4 Stereo mixing The Long And Winding Road remix 1 Phil Spector Peter Bown Roger Ferris
1970/03/26 Abbey Road, Room 4 Stereo mixing Let It Be remixes 1-4, from take 30 Phil Spector Peter Bown Roger Ferris
1970/03/26 Abbey Road, Room 4 Stereo mixing Get Back remixes 1-5 Phil Spector Peter Bown Roger Ferris
1970/03/26 Abbey Road, Room 4 Stereo mixing Maggie Mae remixes 1 and 2 Phil Spector Peter Bown Roger Ferris
1970/03/26 Abbey Road, Room 4 Editing Let It Be of stereo remixes 1-4, called remix stereo 1 Phil Spector Peter Bown Roger Ferris
1970/03/26 Abbey Road, Room 5 Editing Get Back of stereo remixes 2 and 5, called remix stereo 3 Phil Spector Peter Bown Roger Ferris
1970/03/27 Abbey Road, Room 4 Stereo mixing Dig It remix 1 Phil Spector Mike Sheady Roger Ferris
1970/03/27 Abbey Road, Room 4 Stereo mixing dialogue and miscellaneous pieces remixes 1-8 Phil Spector Mike Sheady Roger Ferris
1970/03/30 Abbey Road, Room 4 Stereo mixing For You Blue unnumbered stereo remixes Phil Spector Mike Sheady and Eddie Klein Roger Ferris
1970/04/01 19:00 Abbey Road, Studios One and Three Recording Across The Universe tape reduction take 8 into take 9, SI onto take 9 Phil Spector Peter Bown Richard Lush
1970/04/01 19:00 Abbey Road, Studios One and Three Recording The Long And Winding Road tape reduction of 31 January, 1969 recording into takes 17-19, SI onto take 18 Phil Spector Peter Bown Richard Lush
1970/04/01 19:00 Abbey Road, Studios One and Three Recording I Me Mine tape reduction extended edit of take 16 into take 17 and 18, SI onto take 18 Phil Spector Peter Bown Richard Lush
1970/04/02 Abbey Road, Room 4 Stereo mixing The Long And Winding Road remixes 10-13, from take 18 Phil Spector Peter Bown Roger Ferris
1970/04/02 Abbey Road, Room 4 Stereo mixing I Me Mine remixes 10-12, from take 18 Phil Spector Peter Bown Roger Ferris
1970/04/02 Abbey Road, Room 4 Stereo mixing Across The Universe remixes 10-13, from take 9 Phil Spector Peter Bown Roger Ferris
1970/04/02 Abbey Road, Room 4 Editing The Long And Winding Road of stereo remixes 10 and 13 Phil Spector Peter Bown Roger Ferris
1970/04/02 Abbey Road, Room 4 Editing I Me Mine of stereo remixes 11 and 12 Phil Spector Peter Bown Roger Ferris
1969/04/03 Olympic Sound Studios Stereo mixing? GET BACK LP mixing sessions Glyn Johns Glyn Johns Glyn Johns
1969/04/04 Olympic Sound Studios Stereo mixing? GET BACK LP mixing sessions Glyn Johns Glyn Johns Glyn Johns
1969/05/02 Olympic Sound Studios Stereo mixing? GET BACK LP mixing sessions Glyn Johns Glyn Johns Glyn Johns
1969/05/15 Olympic Sound Studios Stereo mixing? GET BACK LP mixing sessions Glyn Johns Glyn Johns Glyn Johns

Listing The Beatles' Songs, Records and Recordings